As Albert Einstein lay on his death bed he asked for his glasses, his writing implements and his latest equations. He knew he was dying, yet he continued to work. In those final hours of his life, while fading in and out of consciousness, he was working on what he hoped would be the greatest work of all. It was a project of monumental complexity. It was a project that he hoped would unlock the mind of God.
My love of Nature runs within my very being. It penetrates my soul. I deeply feel I am a force of Nature. Throughout my life I found myself naturally capturing Nature's booming imagery, saying take this photo. This Book is my Nature Art Show. I love sharing mother nature's beauty - frozen - forever. I see humans interrelating with all forms of nature. Humans and nature are one.Nature evokes other senses, alive being one in this natural world. Love of nature is true art. These photos are painted by a cosmic life force that is alive here and now.
Since the early 1990s, advances in toxicology have allowed scientists to detect traces of adulterant substances in everyday products – even down to parts per billion concentrations. We can now detect the presence of harmful ingredients at levels so low that they actually cause no harm. Nonetheless, we get scared. We are now able to overreact to harmless, negligible sources of contamination and flock to ‘natural’, ‘organic’ and ‘chemical-free’ alternative products at elevated prices instead. This urge is driven in part by a set of interesting psychological quirks called the naturalness preference or biophilia. While exposure to many aspects of nature improves our physical and mental wellbeing, marketers are taking advantage of our naturalness preference by selling us ‘organic’ and ‘natural’ products with no functional advantage, sometimes to the detriment of the environment, and that have the unfortunate added effect of peddling a fear of conventional products that do not make such natural connotations. This fear of chemicals, exaggerated by marketers, has led some of us to seek nature in the form of expensive consumer product, which offer almost none of the benefits of spending time outdoors in real nature (which is free of charge). We thus chase nature in the wrong form. We feel guilt, anxiety and mental stress from being coaxed into paying a hefty premium price for "natural" products that are neither safer nor more effective than conventional ones, and forget to appreciate real nature in the process. This book explores the history of chemical fears and the recent events that amplified it. It describes how consumers, teachers, doctors, lawmakers and journalists can help make better connections with the public by telling stories that are more engaging about chemistry and materials science. Written in a sympathetic way, this book explains both sides of the argument for anyone with an interest in science.
"Highly informative and remarkably entertaining." —Elle From forest trails in Korea, to islands in Finland, to eucalyptus groves in California, Florence Williams investigates the science behind nature’s positive effects on the brain. Delving into brand-new research, she uncovers the powers of the natural world to improve health, promote reflection and innovation, and strengthen our relationships. As our modern lives shift dramatically indoors, these ideas—and the answers they yield—are more urgent than ever.
This evocative autobiography of a Tibetan refugee who was born to a traditional and well-respected nomad family took around twenty years to write. His life story documents the experience of Tibetan refugees and their unique culture, beliefs and religious traditions, and their struggle to preserve these.
The components of living systems strike us as functional-as for the sake of certain ends—and as endowed with specific norms of performance. The mammalian eye, for example, has the function of perceiving and processing light, and possession of this property tempts us to claim that token eyes are supposed to perceive and process light. That is, we tend to evaluate the performance of token eyes against the norm described in the attributed functional property. Hence the norms of nature. What, then, are the norms of nature? Whence do they arise? Out of what natural properties or relations are they constituted? In Norms of Nature, Paul Sheldon Davies argues against the prevailing view that natural norms are constituted out of some form of historical success—usually success in natural selection. He defends the view that functions are nothing more than effects that contribute to the exercise of some more general systemic capacity. Natural functions exist insofar as the components of natural systems contribute to the exercise of systemic capacities. This is so irrespective of the system's history. Even if the mammalian eye had never been selected for, it would have the function of perceiving and processing light, because those are the effects that contribute to the exercise of the visual system. The systemic approach to conceptualizing natural norms, claims Davies, is superior to the historical approach in several important ways. Especially significant is that it helps us understand how the attribution of functions within the life sciences coheres with the methods and ontology of the natural sciences generally.
For Lisa Knopp, homesickness is a literal sickness. During a lengthy sojourn away from the Nebraska prairie, she fell ill, and only when she decided to return home didøshe recover. Homesickness is the triggering event for this collection of essays concerned with nothing less than what it means to feel at home. Knopp writes masterfully about ecology, place, and the values and beliefs that sustain the individual within an impersonal world. She is passionate about her subject whether it be an endangered beetle in the salt marshes near Lincoln, Nebraska, a forgotten Nebraska inventor, a museum muralist, a paleontologist, or Arbor Day as the misguided attempt of Eastern settlers to ?correct? a perceived deficiency in the Great Plains landscape. Here is a writer who has read widely and judiciously and for whom everything resonates within the intricately structured definition of home.
What are the defining characteristics of memory? What determines what is remembered and how much it is emphasized? In Context Is Everything, Susan Engel explores how the place, company, purpose, and situation--the context of the recollection--profoundly affects the essence and experience of a memory. Beginning with memory's most intimate setting--an exchange between a mother and a small child--Engel explores memory's function in such varied circumstances as a trial, a therapy session, the construction of our public persona, and the formulation of an autobiography. Blending vivid anecdotes with the startling findings of memory research, Engel examines the implications of context and purpose for memory, including one's motivation to remember and the strength or quality of the memory itself. She traces the trajectory of a memory from the moment of conception in the mind, through its social realization, and back to the owner, settling in his or her repertoire of the past. And she looks at memory as fodder for history--what is the basis for what we know and pass on? Beautifully written and filled with fresh insights on such contested issues as recovered memory and remembered testimony, Context Is Everything is both an informative and engaging read.
In this refreshing collection, one of our best writers on desert places, Gary Paul Nabhan, challenges traditional notions of the desert. Beautiful, reflective, and at times humorous, Nabhan’s extended essay also called “The Nature of Desert Nature” reveals the complexity of what a desert is and can be. He passionately writes about what it is like to visit a desert and what living in a desert looks like when viewed through a new frame, turning age-old notions of the desert on their heads. Nabhan invites a prism of voices—friends, colleagues, and advisors from his more than four decades of study of deserts—to bring their own perspectives. Scientists, artists, desert contemplatives, poets, and writers bring the desert into view and investigate why these places compel us to walk through their sands and beneath their cacti and acacia. We observe the spines and spears, stings and songs of the desert anew. Unexpected. Surprising. Enchanting. Like the desert itself, each essay offers renewed vocabulary and thoughtful perceptions. The desert inspires wonder. Attending to history, culture, science, and spirit, The Nature of Desert Nature celebrates the bounty and the significance of desert places. Contributors Thomas M. Antonio Homero Aridjis James Aronson Tessa Bielecki Alberto Búrquez Montijo Francisco Cantú Douglas Christie Paul Dayton Alison Hawthorne Deming Father David Denny Exequiel Ezcurra Thomas Lowe Fleischner Jack Loeffler Ellen McMahon Rubén Martínez Curt Meine Alberto Mellado Moreno Paul Mirocha Gary Paul Nabhan Ray Perotti Larry Stevens Stephen Trimble Octaviana V. Trujillo Benjamin T. Wilder Andy Wilkinson Ofelia Zepeda
