Naturalistic Occultism: An Introduction to Scientific Illuminism is an attempt to introduce the approach of Scientific Illuminism to occultism. It is in line with the motto of Scientific Illuminism, "The Method of Science, the Aim of Religion." Naturalistic Occultism approaches the theory and practice of occultism in a way that is scientific (using the scientific method and being up-to-date in current scientific knowledge), naturalistic (not supernatural), and pragmatic (whatever works is provisionally 'true'). This book represents an honest attempt to separate the gold of the practice of magick from the dross of superstition and dogma.
Method of Science, the 6th issue of the journal of the Irish Order of Thelema is an anthology on the theme of scientific illuminism, a theory of skeptical occultism espoused by Aleister Crowley. As well as content supporting his position, there are developments, counter images and critiques to this approach. Contributors include: IAO131 (author of Naturalistic Occultism), Frater Achad (author of The Anatomy of the Body of God), Alan Moore (author of V for Vendetta), Lupa (author of Nature Spirituality from the Ground Up), Anne Ruadh, Brian Breathnach and others... Also including ritual and book reviews, Method Of Science is essential reading for those interested in scientific illuminism and its implications...
NOTE: This is the paperback edition. 'Fresh Fever From the Skies: The Collected Writings of IAO131' represents an anthology of writings over the 7 years spanning 2007-2014 e.v. from the author IAO131. IAO131 is the author of 'Naturalistic Occultism: The Introduction to Scientific Illuminism, ' 'Thelema Sutras, ' and 'The Parables & Lessons of Liber LXV.' He is also the co-creator of the Speech in the Silence podcast, the creator & editor of the Journal of Thelemic Studies, the creator of 2nd Century Thelema, the creator of The Grady McMurtry Project, and his works have been featured in many publications including U.S. Grand Lodge of Ordo Templi Orientis' official organ 'Agape.' His writings span various topics on Thelema, Magick, Aleister Crowley, and the occult. Many of his writings have not been available in published form previously, and now they are all collected together in 'Fresh Fever From the Skies.'
'The Journal of Thelemic Studies: Volume III, Number 1' is a special issue devoted exclusively to the central public and private rite of Ordo Templi Orientis, Liber XV: The Gnostic Mass. This issue has over 15 articles from a diverse group of Thelemites writing on a wide variety of topics from the Creed, to magical energy in the Mass, to preparation of Cakes of Light, to music in the Mass, and more.
'HRILIU: Symbolic Explorations of the Gnostic Mass' is an in-depth look at the central ritual of Ordo Templi Orientis (O.T.O.). The first half of the book gives a general overview of the Gnostic Mass from several different perspectives, including an examination of the basic symbols at work in the mass, the Officers, magical energy, and how Baphomet might play a major factor... The second half of the book is a detailed analysis of the rubric of Liber XV: Ecclesiae Gnosticae Catholicae Canon Missae, the ritual text of the Gnostic Mass itself. IAO131 goes line by line through the text and goes into symbolic aspects of every part of the Gnostic Mass. The book takes its title 'HRILIU' from the climax of this ritual, when the Priest and Priestess simultaneously utter this angelic word in rapturous communion. Overall, this tome comes in at almost 400 pages of symbolic and Qabalistic exploration of this beautiful and sacred Rite."
This book traces the origins of a faith--perhaps the faith of the century. Modern revolutionaries are believers, no less committed and intense than were Christians or Muslims of an earlier era. What is new is the belief that a perfect secular order will emerge from forcible overthrow of traditional authority. This inherently implausible idea energized Europe in the nineteenth century, and became the most pronounced ideological export of the West to the rest of the world in the twentieth century. Billington is interested in revolutionaries--the innovative creators of a new tradition. His historical frame extends from the waning of the French Revolution in the late eighteenth century to the beginnings of the Russian Revolution in the early twentieth century. The theater was Europe of the industrial era; the main stage was the journalistic offices within great cities such as Paris, Berlin, London, and St. Petersburg. Billington claims with considerable evidence that revolutionary ideologies were shaped as much by the occultism and proto-romanticism of Germany as the critical rationalism of the French Enlightenment. The conversion of social theory to political practice was essentially the work of three Russian revolutions: in 1905, March 1917, and November 1917. Events in the outer rim of the European world brought discussions about revolution out of the school rooms and press rooms of Paris and Berlin into the halls of power. Despite his hard realism about the adverse practical consequences of revolutionary dogma, Billington appreciates the identity of its best sponsors, people who preached social justice transcending traditional national, ethnic, and gender boundaries. When this book originally appeared The New Republic hailed it as "remarkable, learned and lively," while The New Yorker noted that Billington "pays great attention to the lives and emotions of individuals and this makes his book absorbing." It is an invaluable work of history and contribution to our understanding of political life.
Both a professional academic researcher and practicing magician, Evans delves deeply into modern British history to present a serious but accessible and fascinating work based on developments in British magic after Aleister Crowley died.
This American underground classic is a rollicking cosmic mystery featuring Albert Einstein and James Joyce as the ultimate space/time detectives. One fateful evening in a suitably dark, beer-soaked Swiss rathskeller, a wild and obscure Irishman named James Joyce would become the drinking partner of an unknown physics professor called Albert Einstein. And on that same momentous night, Sir John Babcock, a terror-stricken young Englishman, would rush through the tavern door bringing a mystery that only the two most brilliant minds of the century could solve . . . or perhaps bringing only a figment of his imagination born of the paranoia of our times. An outrageous, raunchy ride through the twists and turns of mind and space, Masks of the Illuminati runs amok with all our fondest conspiracy theories to show us the truth behind the laughter . . . and the laughter in the truth. Praise for Masks of the Illuminati “I was astonished and delighted . . . Robert Anton Wilson managed to reverse every mental polarity in me, as if I had been pulled through infinity.”—Philip K. Dick “[Wilson is] erudite, witty, and genuinely scary.”—Publishers Weekly “A dazzling barker hawking tickets to the most thrilling tilt-a-whirls and daring loop-o-planes on the midway to a higher consciousness.”—Tom Robbins “Wilson is one of the most profound, important, scientific philosophers of this century—scholarly, witty, hip, and hopeful.”—Timothy Leary
The original idea for a conference on the "shapes of knowledge" dates back over ten years to conversations with the late Charles Schmitt of the Warburg Institute. What happened to the classifications of the sciences between the time of the medieval Studium and that of the French Encyclopedie is a complex and highly abstract question; but posing it is an effective way of mapping and evaluating long term intellectual changes, especially those arising from the impact of humanist scholarship, the new science of the seventeenth century, and attempts to evaluate, to apply, to reconcile, and to institutionalize these rival and interacting traditions. Yet such patterns and transformations cannot be well understood from the heights of the general history of ideas. Within the ~eneral framework of the organization of knowledge the map must be filled in by particular explorations and soundings, and our project called for a conference that would combine some encyclopedic (as well as interdisciplinary and inter national) breadth with scholarly and technical depth.
