From the grandeur of the Great Plains to the solitude of the northern woods, from the intensity of a summer storm to the quiet redemption of a fresh blanket of snow, Kent Nerburn's Native Echoes pays homage to the power of the land to shape our hearts and spirits. An Ojibwe elder once counseled Nerburn to "always teach by stories, because stories lodge deep in the heart.'' Using skills learned from Native storytellers as well as a deep reverence for the world's spiritual traditions, Nerburn takes us to an Ojibwe burial, down lonely winter roads, and into landscapes where trees have presence and the earth is made alive by the mystical power of water and light. Native Echoes is a stark, poetic work that honors both Native American traditions and our western way of thinking and believing. NAPRA Review calls it a ''beautiful book that will touch not only those who find Spirit in Native American paths, but anyone who has felt the presence of something powerful beyond the known.''
Tracing the lives of his Russian forebears, Serge Schmemann, Pulitzer Prize-winning foreign correspondent for the New York Times, tells a remarkable story that spans the past two hundred years of Russian history. First, he draws on a family archive rich in pictorial as well as documentary treasure to bring us into the prerevolutionary life of the village of Sergiyevskoye (now called Koltsovo), where the spacious estate of his mother's family was the seat of a manor house as vast and imposing as a grand hotel. In this village, on this estate--ringed with orchards, traversed by endless paths through linden groves, overseen by a towering brick church, and bordered by a sparkling-clear river--we live through the cycle of a year: the springtime mud, summertime card parties, winter nights of music and good talk in a haven safe from the bitter cold and ever-present snow. Family recollections of life a century ago summon up an aura of devotion to tsar and church. The unjust, benevolent, complicated, and ultimately doomed relationship between master and peasants--leading to growing unrest, then to civil war--is subtly captured. Diary entries record the social breakdown step by step: grievances going unresolved, the government foundering, the status quo of rural life overcome by revolutionary fervor. Soon we see the estate brutally collectivized, the church torn apart brick by brick, the manor house burned to the ground. Some of the family are killed in the fighting; others escape into exile; one writes to his kin for the last time from the Gulag. The Soviet era is experienced as a time of privation, suffering, and lost illusions. The Nazi occupation inspires valorous resistance, but at great cost. Eventually all that remains of Sergiyevskoye is an impoverished collective. Without idealizing the tsarist past or wholly damning the regime that followed, Schmemann searches for a lost heritage as he shows how Communism thwarted aspiration and initiative. Above all, however, his book provides for us a deeply felt evocation of the long-ago life of a corner of Russia that is even now movingly beautiful despite the ravages of history and time.
SOUNDING 3 begins with Echo 34: DERRIMUTT THE GO-BETWEEN. This clan head of the Bunurong people was the traditional ‘owner’ of the town site that became Melbourne’s CBD on the western side of the river. Bible-bashing Protector Thomas’s journals of camping with the natives at what is now the Botanic Gardens is eye-opening and reveals mind-bending mysteries and misery with grog and gun-control issues that resonate on up to today. This Sounding personalises many local Kulin identities such as Polierong aka Billy Lonsdale and Yabbee aka Billy Hamilton who name-swapped with the early leading townsmen and squatters on their ‘country’. Next follow snippets from Mick Woiwod’s fictional but faithful novel The Last Cry, along with his Yarra Valley anthropology and reconciliatory vision. Surveying and selling off the Yarra and Diamond Valley ‘badlands’ stringybark forest leads into discussions on sorcery, smallpox and culture-collapse into fringe-dwelling. The frontier moves on north, west and east and the tone changes to academic, political and biographic studies of Aboriginal workers and surviving kooris including the life and times of Wurundjeri clan heads Billibellary, Simon Wonga and William Barak. In the decades after World War 2, academic historical analysis led to the politicized ‘history wars’ as reaction to the racist colonial ‘white Australia policy’ lies, fears and distortions cloaked by denial and patriotism. Echo 49: THE NATIVE POLICE – Turncoats or adaptation [?] is the largest echo in this Sounding and the question is posed in five parts, the last being Irish observer Claire Dunne on applying the bloody colonial lessons of Port Phillip to frontier Queensland and beyond to Central Australia’s mass-murderer Constable Willshire and the cultural logic of settler nationalism. Echoes follow on re-visioning Aboriginal / white history and historical geography research of ‘high country’ clans and language groups in my unsatisfied search of a supposed ‘superior tribe’ in the Alps who reportedly ‘dwelt in stone houses all year round’. Sounding 3 ends with echoes titled COLONIAL OBSERVATIONS OF HIGH SOCIETY EMIGRANTS containing Georgina and her son George McCrae’s journals of Yarra-side and pioneering the Mornington peninsula in the 1840s along with early 1860s photographs of native people collected by gentleman squatter John Hunter Kerr.
So, How Long Have You Been Native? is Alexis C. Bunten's firsthand account of what it is like to work in the Alaska cultural tourism industry. An Alaska Native and anthropologist, she spent two seasons working for a tribally owned tourism business that markets the Tlingit culture in Sitka. Bunten's narrative takes readers through the summer tour season as she is hired and trained and eventually becomes a guide. A multibillion-dollar worldwide industry, cultural tourism provides one of the most ubiquitous face-to-face interactions between peoples of different cultures and is arguably one of the primary means by which knowledge about other cultures is disseminated. Bunten goes beyond debates about who owns Native culture and has the right to "sell" it to tourists. Through a series of anecdotes, she examines issues such as how and why Natives choose to sell their culture, the cutthroat politics of business in a small town, how the cruise industry maintains its bottom line, the impact of colonization on contemporary Native peoples, the ways that traditional cultural values play a role in everyday life for contemporary Alaska Natives, and how Indigenous peoples are engaging in global enterprises on their own terms. Bunten's bottom-up approach provides a fascinating and informative look at the cultural tourism industry in Alaska.
Using the compelling testimony of more than 100 Native Americans, Bruchac tells the histories of seven generations of Indians, starting with the arrival of the Europeans. A powerful testament to the endurance of a people who have witnessed a painful period of history.--Publishers Weekly.
Sounding 6 begins with Bain Attwood’s thesis Blacks & Lohans and an echo titled SEX & SORROW EAST OF MELBOURNE. Then Henry Meyrick’s frontier life and death in Western Port and Gipps Land leads into Echo 93: TAMING MELBOURNE BAYSIDE & THE DANDENONGS. Turning to OPENING GIPPSLAND: elite squatters at Sale are contrasted by surviving Kooris on Jackson’s Track. The narrative then backtracks in time with Echo 95: CONTRIBUTIONS TO TRUTH ABOUT SLAUGHTER IN GIPPSLAND comprising the Porter, Cox, Fels and Gardner versions of the blood-stained land-grab. Fels then reports on the Native Police actions and Morgan’s recent overview of the Ganai before and after white settlement concludes the shameful issues long denied or excused. Echo 96: LIAR’S LUNCH charts the rise and fall of pioneer Angus McMillan MP before the focus shifts to the historical geography of East Gippsland clans and languages and on to missionary Bulmer at Lake Tyers with the stories of the payback of Hopping Kitty and Attwood’s study of Brataualung man Tarra Bobby. Alfred Howitt’s birthing of Oz anthropology with his opus The Native Tribes of South-east Australia published at the start of the 20th century is the source material of several echoes on the making of ‘clever’ men and on songs and song-makers. Sounding 6 closes with extracts reprinted from Professor Elkin’s Aboriginal Men of High Degree – their personality and ‘making’, the powers of medicine men, and in conclusion Echo 106: ABORIGINAL MEN OF HIGH DEGREE IN A CHANGING WORLD.
Mid-Columbia region history mirrors common American West multiracial narratives, but with important nuances. In "Echoes of Exclusion and Resistance," the third Hanford Histories volume, four scholars draw from oral histories to focus on the experiences of non-white groups such as the Wanapum, Chinese immigrants, World War II Japanese incarcerees, and African American migrant workers from the South, whose lives were deeply impacted by the Hanford Site. Linked in ways they likely could not know, each group resisted the segregation and discrimination they encountered, and in the process, challenged the region's dominant racial norms.
In the summer of 1962, a group of young Native American puppeteers travel in a converted school bus from the White Earth Reservation to the Century 21 Exposition, World's Fair in Seattle, Washington. The five Natives, three young men and two young women, have endured abandonment, abuse, poverty, and find solace, humor, and courage with a mute puppeteer—a Native woman in her seventies who writes original dream songs, and creates hand puppets and ironic parleys that mock the ghosts of authority. Dummy Trout, the mute puppeteer, also figured in Native Tributes and Satie on the Seine. The troupe attends a performance of Waiting for Godot by Samuel Beckett and they create a puppet parley for Wovoka, the inspiration of the Native American Ghost Dance Religion.
