November is Native American Heritage month! Osceola, Cochise, and Tecumseh are three Native American heroes who fought valiantly for their land and for their people. This book is divided into three parts--each part recounting the life of one of these great heroes. Their true stories are emotionally gripping and tragic, and Ann McGovern handles delicate topics, such as violence and racism, expertly for young readers. The narrative text is supplemented by black-and-white original source materials throughout (i.e. photographs, maps, portraits, a newspaper article).
Filled with lots of glitter, raised pinkies, and humorous misunderstandings, this second book in the Jo Jo Makoons series—written by Dawn Quigley and illustrated by Tara Audibert—is filled with the joy of a young Ojibwe girl discovering her very own special shine from the inside out. First grader Jo Jo Makoons knows how to do a lot of things, like how to play jump rope, how to hide her peas in her milk, and how to be helpful in her classroom. But there’s one thing Jo Jo doesn’t know how to do: be fancy. She has a lot to learn before her Aunt Annie’s wedding! Favorite purple unicorn notebook in hand, Jo Jo starts exploring her Ojibwe community to find ways to be fancy. The Heartdrum imprint centers a wide range of intertribal voices, visions, and stories while welcoming all young readers, with an emphasis on the present and future of Indian Country and on the strength of young Native heroes. In partnership with We Need Diverse Books.
Discusses the establishment of the Marine Corps unit made up of Navajo Indians who served as radio operators, using their own language as a secret code, during World War II.
This collection of biographies examines the lives of heroic Native Americans. The featured heros include famed warriors, indigenous philosophers, poets, and statesmen.
Historian Frederick E. Hoxie presents the story of two hundred years of Native American political activism. Highlighting the activists -- some famous and some unknown beyond their own communities -- who have sought to bridge the distance between indigenous cultures and the U.S. republic through legal and political campaigns, Hoxie weaves a narrative connecting the individual to the tribe, the tribe to the nation, and the nation to broader historical processes and progressive movements.
The leaders of anticolonial wars of resistance--Metacom, Pontiac, Tecumseh, and Cuauhtemoc--spread fear across the frontiers of North America. Yet once defeated, these men became iconic martyrs for postcolonial national identity in Canada, the United States, and Mexico. By the early 1800s a craze arose for Indian tragedy on the U.S. stage, such as John Augustus Stone's Metamora, and for Indian biographies as national historiography, such as the writings of Benjamin Drake, Francis Parkman, and William Apess. With chapters on seven major resistance struggles, including the Pueblo Revolt of 1680 and the Natchez Massacre of 1729, The Indian Chief as Tragic Hero offers an analysis of not only the tragedies and epics written about these leaders, but also their own speeches and strategies, as recorded in archival sources and narratives by adversaries including Hernan Cortes, Antoine-Simon Le Page du Pratz, Joseph Doddridge, Robert Rogers, and William Henry Harrison. Sayre concludes that these tragedies and epics about Native resistance laid the foundation for revolutionary culture and historiography in the three modern nations of North America, and that, at odds with the trope of the complaisant "vanishing Indian," these leaders presented colonizers with a cathartic reproof of past injustices.
Vivid biographical sketches, by author raised as young Sioux in 19th century, of 15 great Indian leaders: Red Cloud, Crazy Horse, Sitting Bull, Little Crow, Chief Joseph, 10 more. Enhanced with 12 portraits.
This work takes an in-depth look at the world of comic books through the eyes of a Native American reader and offers frank commentary on the medium's cultural representation of the Native American people. It addresses a range of portrayals, from the bloodthirsty barbarians and noble savages of dime novels, to formulaic secondary characters and sidekicks, and, occasionally, protagonists sans paternal white hero, examining how and why Native Americans have been consistently marginalized and misrepresented in comics. Chapters cover early representations of Native Americans in popular culture and newspaper comic strips, the Fenimore Cooper legacy, the "white" Indian, the shaman, revisionist portrayals, and Native American comics from small publishers, among other topics.
The harrowing story of a Native American man’s tragic loss of land and family, and his heroic journey to reclaim his humanity. In 1877, Chief Standing Bear’s Ponca Indian tribe was forcibly removed from their Nebraska homeland and marched to what was then known as Indian Territory (now Oklahoma), in what became the tribe’s own Trail of Tears. A third of the tribe died on the grueling march, including Standing Bear’s only son. “I Am a Man” chronicles what happened when Standing Bear set off on a six-hundred-mile walk to return the body of his son’s body to the Ponca’s traditional burial ground. It chronicles his efforts to reclaim his land and rights, culminating in his successful use of habeas corpus to gain access to the courts and secure his freedoms. This is a story of survival that explores fundamental issues of citizenship, constitutional protection, and the nature of democracy. Joe Starita’s well-researched and insightful account bring this vital piece of American history brilliantly to life.
