Nathaniel Ray Crockett has been dead for years. Sort of. He’s one of the ‘Deadheads’—spirits who exist in an alternate reality. After a bizarre accident, Nathan discovers a way to inhabit the bodies of the living and shares the secret with others--a big no-no in the after-life. Just when he finds the love and family he's searched for during his long, lon g existence, the World Council of Keepers decides to impose their oh-so-bothersome rules. Nathan is forced to defend his way of life, or lose everything. Can a ghost from the hills of West Virginia, with a ninth-grade education, outwit the World Council of Keepers?
Collective Collaboration from start to publish of thousands of stories by the Grateful Dead Fans. "For the Fans from the Fans" proceeds will be donated back to Rex Foundation, Sweet Relief Music Foundation and WhyHunger.
When Ethan confronts Jake, a classmate and bully, while on a field trip to the White House, the results are far more than he bargained for. He only means to grab Jake and thrust him away … but when Jake’s body smashes through the concrete walls of one of the world’s most important buildings, Ethan is whisked away and held in a juvenile detention facility, sparking a chain of events that will change everything. Unbeknownst to him, his newfound power has been observed by unseen entities. Still puzzled by the incident, Ethan is freed from the detention facility by teenage Adrienne and her hawk. He soon discovers a hidden world in which some people are endowed with powers over the elements. Once he and Adrienne realize he can control such natural forces as wind, rain, and lightning, he joins her team in fighting the evil Alfonso. Discovering that Alfonso is holding his uncle captive makes Ethan even more determined to use his powers against him. In an adventure that takes them deep into a volcano and the Egyptian pyramids, Ethan, Adrienne, and other team members fight off vicious dogs, humanoid monsters, and more of Alfonso’s minions in a timeless confrontation between good and evil. It finally becomes clear that Alfonso has something in particular planned for Ethan … but what is it, and why?
A writer's journey with the fan bases of Phish and Insane Clown Posse describes his unexpected discovery of how both groups have tapped the human need for community, a finding that coincided with his diagnosis of bipolar disorder.
Richard Rushfield takes us on an unforgettable and hilarious trip through higher alternative education in the eighties. Don't Follow Me, I'm Lost is a strange and salacious memoir about life at the ultimate New England hippie college at the height of Reaganomics. Opening its doors in 1970, Hampshire College was an experiment in progressive education that went hilariously awry. Self- proclaimed nerd Richard Rushfield enrolled with the freshman class of 1986, hoping to shed his wholesome California upbringing in this liberal hideout, where overachievement and preppy clothes were banned. By turns hilarious, ironic, and steeped in history, Don't Follow Me, I'm Lost takes readers to a campus populated by Deadheads, club kids, poets, and insomniac filmmakers, at a time when America saw the rise of punk and grunge alongside neoconservatism, earnest calls for political correctness, and Take Back the Night vigils. Imagine Lord of the Flies set on a college campus and you have Richard Rushfield's alma mater experience.
The New York Times, BusinessWeek, and Wall Street Journal Bestseller that redefined what it means to be a leader. Since it was first published almost a decade ago, Seth Godin's visionary book has helped tens of thousands of leaders turn a scattering of followers into a loyal tribe. If you need to rally fellow employees, customers, investors, believers, hobbyists, or readers around an idea, this book will demystify the process. It's human nature to seek out tribes, be they religious, ethnic, economic, political, or even musical (think of the Deadheads). Now the Internet has eliminated the barriers of geography, cost, and time. Social media gives anyone who wants to make a difference the tools to do so. With his signature wit and storytelling flair, Godin presents the three steps to building a tribe: the desire to change things, the ability to connect a tribe, and the willingness to lead. If you think leadership is for other people, think again—leaders come in surprising packages. Consider Joel Spolsky and his international tribe of scary-smart software engineers. Or Gary Vaynerhuck, a wine expert with a devoted following of enthusiasts. Chris Sharma led a tribe of rock climbers up impossible cliff faces, while Mich Mathews, a VP at Microsoft, ran her internal tribe of marketers from her cube in Seattle. Tribes will make you think—really think—about the opportunities to mobilize an audience that are already at your fingertips. It's not easy, but it's easier than you think.
Fifty years after the Grateful Dead was formed, the band still exerts a powerful influence over hundreds of thousands of fans around the world. Today, an entire generation of Deadheads who have never experienced a live Dead show are still drawn to the music and the complex and colorful subculture that has grown up around it. In This Is All a Dream We Dreamed, Blair Jackson and David Gans, two of the most well-respected chroniclers of the Dead, reveal the band's story through the words of its members and their creative collaborators, as well as a number of diverse fans, stitching together a multitude of voices into a seamless oral tapestry. Woven into this musical saga is an examination of the subculture that developed into its own economy, touching fans from all walks of life, from penniless hippies to celebrities, and at least one U.S. vice president. The book traces the band's evolution from its folk/bluegrass beginnings through the Jug Band craze, an early incarnation as Rolling Stones wannabes, feral psychedelic warriors, the Americana jam band that blazed through the '70s, to the shockingly popular but still iconoclastic stadium-filling band of later years. The Dead broke every rule of the music business along the way, taking risks and venturing into new territory as they fused inspired ideas and techniques with intuition and fearlessness to create a sound-and a business model-unlike anything heard and seen before.
Orphaned at the age of thirteen, Jennifer lives with her Aunt Elizabeth in the historic Tasmanian suburb of Battery Point. After her aunt moves into assisted care following some dementia-related incidents, Jennifer studies law with her best friend, Mary, at the University of Tasmania. To help with expenses, she rents rooms to two over-sexed fellow law students, Rod and Nathan, and a police officer, Cindy, who has anger-management issues. While working part-time as a private investigator, she becomes involved in the investigation of an international serial killer who dresses his victims like Barbie dolls and is nicknamed The Barbie Slasher by the press. Joining forces with the FBI, the local police and an American mercenary, Jennifer agrees to use herself as bait to catch a hitman with links to the killer. But it is Jennifer and her friends who are caught and earmarked to become part of the deadly "doll collection." Jennifer Shot - Another Shot is a humorous thrill-a-minute murder mystery.
Photographer and Grateful Dead insider Rosie McGee tells dozens of previously-untold stories of living, traveling and working with the Dead during their first decade as a band. The book is illustrated with 200 of her rare and candid photographs, many never before seen in print. Not just for Deadheads or baby boomers-this book is for anyone seeking a woman's intimate account of the San Francisco rock music community in the Sixties, rare in a field of such books most often written by men. Included are firsthand stories of Autumn Records; The Matrix nightclub; the Acid Tests; Olompali; life in the Haight-Ashbury; the Human Be-In; the Grateful Dead (and the author's) bust at 710 Ashbury; New York, Toronto and Montreal with the Dead and Jefferson Airplane; Monterey Pop; Altamont; the Dead's Europe '72 tour; and encounters with individuals as diverse as Tom Donahue, Phil Spector, Lenny Bruce, Janis Joplin, Owsley Stanley, Timothy Leary, Jesse Colin Young, Julie Christie and many others.
