Naming and Unnaming

Naming and Unnaming

Author: Jordan Stump

Publisher: U of Nebraska Press

Published: 1998-01-01

Total Pages: 206

ISBN-13: 9780803242685

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Naming and Unnaming is a dazzling study that centers on the work of Raymond Queneau, one of the most influential French novelists of the twentieth century. Jordan Stump takes as his subject the many implications?epistemological, political, literary, sometimes even physical?of naming in Queneau?s remarkable novels. From the idea that the names of characters offer a more immediate and perhaps even a more intimate understanding of their souls than we might glean from their words and deeds has grown the broad field of inquiry known as literary onomastics. Stump argues that there is another approach to the literary proper name, one that concentrates not on the meaning of names but on the meaning of the use of those names?the ways in which the characters and narrator of a novel address or refer to others. Naming and Unnaming considers the literary and philosophical implications of names and naming. Stump examines four issues in Queneau?s novels?the nature of writing and of creation in general, the possibility or impossibility of knowledge, the relationship between the individual and the group, and the uses of power and control?in relation to which naming emerges as a force both powerful and utterly impotent. By exploring these forces and their evocation, Stump reveals the complexity of both the act of naming and the novels of Queneau.


The Unnaming of Aliass

The Unnaming of Aliass

Author: Karin Bolender

Publisher:

Published: 2020-09-29

Total Pages: 354

ISBN-13: 9781953035127

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The Unnaming of Aliass performs a paradoxical quest for wildly "untold" stories in the company of one special donkey companion, a femammal of the species Equus asinus and, significantly, a registered "American Spotted Ass." Beast of burden that she is, this inscrutable companion helped carry a ridiculous load of human longings and quandaries into a maze of hot, harrowing miles, across the US South from Mississippi to Virginia, in the summer of 2002 -- all the while carrying her own onerous and unreckoned burdens and histories. Over two decades, the original journey evolved -- from the cracking-open of a quasi-Western novel-that-never-was by an implosive pun, into an ongoing philosophical and assthetic adventure: a hybrid roadside- and barnyard-based living-art practice, wherein "Aliass" un/names something much harder to grasp than the body of a lovely little ass: protagonist, setting, and traditional Western narratives turn inside-out around this "name-that-ain't." Through a deeply dug-in questioning of its own authorial assumptions, The Unnaming of Aliass makes space for untold autobiographies and bright dusty lacunae, tracing ineffable tales through the tangled shapes and shadows that interweave in any environment.Karin Bolender (aka K-Haw Hart) is an artist-researcher who seeks untold stories within muddy meshes of mammals, plants, pollinators, microbes, and many others. Under the auspices of the Rural Alchemy Workshop (R.A.W.), she cultivates a homegrown, collaborative living-art practice that explores dirty words and entangled wisdoms of earthly ecologies through performance, writing, video/sound installation, and other experimental arts of multispecies storytelling. Durational and site-specific projects and performances, including R.A.W. Assmilk Soap, Gut Sounds Lullaby, and Welcome to the Secretome, have taken place across the US and in Canada, Europe, and Australia. Her family herd lives in the forested Coast Range hills between the ocean and the Cascades in the US Pacific Northwest.


Naming and Un-naming in Old English Literature

Naming and Un-naming in Old English Literature

Author: Jean Abbott

Publisher:

Published: 2020

Total Pages: 226

ISBN-13:

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Personal names, particularly historical ones, have long been subject to the unconscious biases of the modern scholars who study them. As a result, existing studies of Old English names have focused primarily on onomastic functions that are readily legible for modern readers, treating names as inter- and extratextual links, purveyors of etymological resonances, and, above all, referential labels for characters. In contrast, this dissertation investigates the ways in which the early medieval English experience of naming might diverge from modern expectations, using case studies and close textual analysis to explore what it means to read an Old English name—or any name—on its own terms. In the process, these case studies reveal a persistent anxiety about names that fail to perform their functions, a failure that leads to an utter onomastic negation discussed here as "un-naming." Chapters 1 and 2 are dedicated to Beowulf, the most well-studied Old English text and also one of the most onomastically dense. Chapter 1 challenges the assumption that names function primarily in a referential way, arguing that each instance of naming in this poem also becomes a means of signaling connection in its own right. Shifting to examine connectedness at the level of character, Chapter 2 recasts Beowulf's network of names as a means of controlling and containing anonymity, a measure that fails spectacularly when the anonymous, unconnected—and therefore un-named—dragon endangers not only the named social network within the poem, but also the audience outside of it. Chapter 3 explores the grammar of "being" and "calling" names in the Old English language, investigating the literary consequences of these naming strategies in a number of poems in the Exeter Book. While the "called" solutions of the Exeter Book Riddles help to construct the sense that an object inhabits its own proper place in the world, the prospect of "being" the names and pseudo-names in Deor, Wulf and Eadwacer, Widsith, and The Wanderer can lead to a horrifically indefinite, un-named existence. Finally, Chapter 4 argues that the names of the eponymous interlocutors of the Solomon and Saturn dialogue tradition act as a way of framing, authorizing, and otherwise containing the texts' "transgressive" qualities—a containment that ultimately shatters in Solomon and Saturn II when the monumental "Solomon" and "Saturn" who frame and authorize this dialogue split from the "Solomon" and "Saturn" who address each other as individuals. Together, these case studies demonstrate the stakes and consequences of naming in Old English literature, while also providing a model for more self-conscious and more deeply-contextualized inquiry into the meaning and function of literary personal names.


Naming and Un-naming in Old English Literature

Naming and Un-naming in Old English Literature

Author: Jean Abbott

Publisher:

Published: 2020

Total Pages:

ISBN-13:

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Personal names, particularly historical ones, have long been subject to the unconscious biases of the modern scholars who study them. As a result, existing studies of Old English names have focused primarily on onomastic functions that are readily legible for modern readers, treating names as inter- and extratextual links, purveyors of etymological resonances, and, above all, referential labels for characters. In contrast, this dissertation investigates the ways in which the early medieval English experience of naming might diverge from modern expectations, using case studies and close textual analysis to explore what it means to read an Old English name--or any name--on its own terms. In the process, these case studies reveal a persistent anxiety about names that fail to perform their functions, a failure that leads to an utter onomastic negation discussed here as "un-naming." Chapters 1 and 2 are dedicated to Beowulf, the most well-studied Old English text and also one of the most onomastically dense. Chapter 1 challenges the assumption that names function primarily in a referential way, arguing that each instance of naming in this poem also becomes a means of signaling connection in its own right. Shifting to examine connectedness at the level of character, Chapter 2 recasts Beowulf's network of names as a means of controlling and containing anonymity, a measure that fails spectacularly when the anonymous, unconnected--and therefore un-named--dragon endangers not only the named social network within the poem, but also the audience outside of it. Chapter 3 explores the grammar of "being" and "calling" names in the Old English language, investigating the literary consequences of these naming strategies in a number of poems in the Exeter Book. While the "called" solutions of the Exeter Book Riddles help to construct the sense that an object inhabits its own proper place in the world, the prospect of "being" the names and pseudo-names in Deor, Wulf and Eadwacer, Widsith, and The Wanderer can lead to a horrifically indefinite, un-named existence. Finally, Chapter 4 argues that the names of the eponymous interlocutors of the Solomon and Saturn dialogue tradition act as a way of framing, authorizing, and otherwise containing the texts' "transgressive" qualities--a containment that ultimately shatters in Solomon and Saturn II when the monumental "Solomon" and "Saturn" who frame and authorize this dialogue split from the "Solomon" and "Saturn" who address each other as individuals. Together, these case studies demonstrate the stakes and consequences of naming in Old English literature, while also providing a model for more self-conscious and more deeply-contextualized inquiry into the meaning and function of literary personal names.


The Art of Naming

The Art of Naming

Author: Michael Ohl

Publisher: MIT Press

Published: 2018-03-30

Total Pages: 312

ISBN-13: 0262037769

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From Tyrannosaurus rex to Heteropoda davidbowie: scientific naming as a joyful and creative act. Tyrannosaurus rex. Homo sapiens. Heteropoda davidbowie. Behind each act of scientific naming is a story. In this entertaining and illuminating book, Michael Ohl considers scientific naming as a joyful and creative act. There are about 1.8 million discovered and named plant and animal species, and millions more still to be discovered. Naming is the necessary next step after discovery; it is through the naming of species that we perceive and understand nature. Ohl explains the process, with examples, anecdotes, and a wildly varied cast of characters. He describes the rules for scientific naming; the vernacular isn't adequate. These rules—in standard binomial nomenclature, the generic name followed by specific name—go back to Linnaeus; but they are open to idiosyncrasy and individual expression. A lizard is designated Barbaturex morrisoni (in honor of the Doors' Jim Morrison, the Lizard King); a member of the horsefly family Scaptia beyonceae. Ohl, a specialist in “winged things that sting,” confesses that among the many wasp species he has named is Ampulex dementor, after the dementors in the Harry Potter novels. Scientific names have also been deployed by scientists to insult other scientists, to make political statements, and as expressions of romantic love: “I shall name this beetle after my beloved wife.” The Art of Naming takes us on a surprising and fascinating journey, in the footsteps of the discoverers of species and the authors of names, into the nooks and crannies and drawers and cabinets of museums, and through the natural world of named and not-yet-named species.


Rhetorics of Names and Naming

Rhetorics of Names and Naming

Author: Star Medzerian Vanguri

Publisher: Routledge

Published: 2016-01-29

Total Pages: 232

ISBN-13: 1317436040

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This volume takes up rhetorical approaches to our primarily linguistic understanding of how names work, considering how theories of materiality in rhetoric enrich conceptions of the name as word or symbol and help explain the processes of name bestowal, accumulation, loss, and theft. Contributors theorize the formation, modification, and recontexualization of names as a result of technological and cultural change, and consider the ways in which naming influences identity and affects/grants power.