Bad weather and a wonderful offer to help a few people take Sheila, Jeremy and a few more friends to the warm weather of Mexico. The encounter with a group of researchers and some vivid dreams are the start of another strange adventure for Sheila, and she won't be the only one to go on this journey. Who is going with her? And what do jaguars have to do with all this? This is book 3 in the "Naked Crow" series.
Sheila is a dental assistant with an average life, until one of her friends, Josy, goes missing and the police face a mystery. Josy disappeared in a naturist resort and there is no trace of her, only her bag that's left standing next to a tree. Sheila, who discovers a special ability within herself and also discovers an incredible friend, decides to find Josy on her own, but for that she will have to go into the naturist resort. Will she need to shed her clothes? Will she find her friend, and if she does, can she bring her home?
One of the most extraordinary works of the human imagination and the most important text in the native languages of the Americas, Popul Vuh: The Mayan Book of the Dawn of Life was first made accessible to the public 10 years ago. This new edition retains the quality of the original translation, has been enriched, and includes 20 new illustrations, maps, drawings, and photos.
Literary Nonfiction. Poetry. Latinx Studies. LGBTQIA Studies. Edited by Ricardo F. Vivancos-Pèrez and Norma Cantú. Rooted in Gloria Anzaldúa's experiences growing up near the U.S./Mexico border, BORDERLANDS/LA FRONTERA remaps our understanding of borders as psychic, social, and cultural terrains that we inhabit and that inhabit us all. Drawing heavily on archival research and a comprehensive literature review while contextualizing the book within her theories and writings before and after its 1987 publication, this critical edition elucidates Anzaldúa's complex composition process and its centrality in the development of her philosophy. It opens with two introductory studies; offers a corrected text, explanatory footnotes, translations, and four archival appendices; and closes with an updated bibliography of Anzaldúa's works, an extensive scholarly bibliography on Borderlands, a brief biography, and a short discussion of the Gloria E. Anzaldúa Papers. "Ricardo F. Vivancos-Pèrez's meticulous archival work and Norma Elia Cantú's life experience and expertise converge to offer a stunning resource for Anzaldúa scholars; for writers, artists, and activists inspired by her work; and for everyone. Hereafter, no study of Borderlands will be complete without this beautiful, essential reference."--Paola Bacchetta
Earth, somewhere in the future. The environment has changed. Cities are large, closed structures with permanent air conditioning, and nudist villages have appeared in the warmer areas. When space explorers encounter problems while trying to 'tame' a new planet, they turn to the nudist population of earth for help. What will these nude space travellers encounter once they've left earth? And will they be able to return to their home planet?
A journey into the secrets of shamanism continues as “don Juan takes Casteneda to the deeper realms of his teachings” (Milwaukee Journal). Carlos Castaneda takes the reader into the very heart of sorcery, challenging both imagination and reason, and shaking the very foundations of our belief in what is “natural” and “logical.” The Power of Silence is a brilliant flash of knowledge that illuminates the far reaches of the human mind. Through don Juan Matus’s mesmerizing stories, the true meaning of sorcery and magic is finally revealed. Honed in the desert of Sonora, the visions of don Juan give us the vital secrets of belief and self-realization that are transcendental and valid for us all. It is Castaneda’s unique genius to show us that all wisdom, strength, and power lie within ourselves—unleashed with marvelous energy and imaginative force in the teachings of don Juan—and in the writings of his famous pupil, Carlos Castaneda. “We are incredibly fortunate to have Carlos Castaneda’s books.” —The New York Times “His insights paved the way for the future evolution of human consciousness. We are all deeply indebted to him.” —Deepak Chopra
An exclusive work by Parker, it focuses on the customs, beliefs, traditions and folk-lore of Australian Aborigines. This is Parker's personal account of her intimacy which developed when she lived among the people of the Euahlayi tribe. She started to take interest in their culture after her rescue by a native girl of this tribe. Superb!...
"Classical scholar James C. Hogan provides a general introduction to Aeschylean theater and drama, followed by a line-by-line commentary on each of the seven plays. He draws on a vast range of scholarship and criticism to give modern readers the most accurate picture possible of what ancient audiences saw and understood in the spectacle of Greek tragedy. Hogan places Aeschylus in the historical, cultural, and religious context of fifth-century Athens, showing how the action and metaphor of Aeschylean theater can be illuminated by information on Athenian law, athletic contests, relations with neighboring states, beliefs about the underworld, demons, omens, and divination, and countless other details of Hellenic life. He clarifies terms that might puzzle modern readers, such as place names and mythological references, and gives special attention to textual and linguistic issues: controversial questions of interpretation; difficult or significant Greek words; use of style, rhetoric, and commonplaces in Greek poetry; and Aeschylus's place in the poetic tradition of Homer, Hesiod, and the elegiac poets. Practical information on staging and production is also included, as the author has kept in mind the need of modern readers to visualize the drama in order to understand the text. Though little is known about Greek choreography and music, Hogan stresses their central role and provides notes on entrances and exits, the use of extras, costuming, tableaux, masks, the use of a stage, the interaction of chorus and actors, tone, gesture, style of acting, and spectacle."--Back cover
