What began in the 1930's as a quiet nudist camp in rural Indiana became an international phenomenon by the late 1970's. From 1968 thru 1986 Naked City was not only the worlds largest nudist camp according to the Guinness World Book of Records, it was also home of the world famous Miss Nude America pageant. Naked City was run by Dick Drost, a self-made millionaire who built his sex-media empire from the confines of his wheelchair. He was a savvy self-promoter & hustler whose skills rivaled those of P.T. Barnum, Larry Flynt, and the infamous Reverend Jim Jones. Yet despite his incredible fame & wealth he was almost assassinated, kicked out of the state of Indiana for a decade, and died penniless & alone.Much mythology has built up around Drost and Naked City over the years. He was featured in countless newspaper & magazine articles, and even a documentary film but up until now no one has told the whole story about this unique part of 1970's Americana. I have researched every article available, and interviewed numerous witnesses to write a detailed account of this lost piece of history. I also have a personal perspective to tell the story from, as my family attended Naked City during its heyday.
As cities have gentrified, educated urbanites have come to prize what they regard as "authentic" urban life: aging buildings, art galleries, small boutiques, upscale food markets, neighborhood old-timers, funky ethnic restaurants, and old, family-owned shops. These signify a place's authenticity, in contrast to the bland standardization of the suburbs and exurbs. But as Sharon Zukin shows in Naked City, the rapid and pervasive demand for authenticity--evident in escalating real estate prices, expensive stores, and closely monitored urban streetscapes--has helped drive out the very people who first lent a neighborhood its authentic aura: immigrants, the working class, and artists. Zukin traces this economic and social evolution in six archetypal New York areas--Williamsburg, Harlem, the East Village, Union Square, Red Hook, and the city's community gardens--and travels to both the city's first IKEA store and the World Trade Center site. She shows that for followers of Jane Jacobs, this transformation is a perversion of what was supposed to happen. Indeed, Naked City is a sobering update of Jacobs' legendary 1961 book, The Death and Life of Great American Cities. Like Jacobs, Zukin looks at what gives neighborhoods a sense of place, but argues that over time, the emphasis on neighborhood distinctiveness has become a tool of economic elites to drive up real estate values and effectively force out the neighborhood "characters" that Jacobs so evocatively idealized.
Damiani takes great pleasure in re-publishing this classic photo book from 1945 in a beautifully printed new edition which includes unpublished images and two new esseys by Christopher Bonanos and Christopher George. For his first collection, Naked City, Weegee cruised the streets of 1940s New York in the wee hours in search of the sensational. Lewd, louche, licentious but always brimming with life (except when brimming with death), Weegee's photographs have endured decades of modern art criticism and are again enjoying a much-deserved cult revival. His profound influence on other photographers over the last half-century derives not only from his sensational subject matter and his use of the blinding, close-up flash, but also from his eagerness to photograph the city at all hours, at all levels. Snapping lovers on the beach at 3:00 in the morning, transgender prostitutes in police buggies, bejeweled Society ladies at balls, the desperately poor no one knew New York like Weegee. Naked City showcases his talent, his love of the city, and his taste for the absurd and the unbelievable, and is a book that will forever stand as a classic introduction to the secret life of New York
In 1929, a small group of men and women threw off their clothes and began to exercise in a New York City gymnasium, marking the start of the American nudist movement. While countless Americans had long enjoyed the pleasures of skinny dipping or nude sunbathing, nudists were the first to organize a movement around the idea that exposing the body corrected the ills of modern society and produced profound benefits for the body as well as the mind. Despite hostility and skepticism, American nudists enlisted the support of health enthusiasts, homemakers, sex radicals, and even ministers, and in the process, redefined what could be seen, experienced, and consumed in twentieth-century America. Naked gives a vibrant, detailed account of the American nudist movement and the larger cultural phenomenon of public nudity in the United States. Brian S. Hoffman reflects on the idea of nakedness itself in the context of a culture that wrestles with an inherent sense of shame and conflicting moral attitudes about the body. In exploring the social and legal history of nudism, Hoffman reveals how anxieties about gender, race, sexuality, and age inform our conceptions of nakedness. The book traces the debates about distinguishing deviant sexualities from morally acceptable display, the legal processes that helped bring about the dramatic changes in sexuality in the 1960s and 1970s, as well as the explosion in eroticism that has increasingly defined the modern American consumer economy. Drawing on a colorful collection of nudist materials, films, and magazines, Naked exposes the social, cultural, and moral assumptions about nakedness and the body normally hidden from view and behind closed doors.
Simon Sadler searches for the Situationist City among the detritus of tracts, manifestos, and works of art that the Situationist International left behind. From 1957 to 1972 the artistic and political movement known as the Situationist International (SI) worked aggressively to subvert the conservative ideology of the Western world. The movement's broadside attack on "establishment" institutions and values left its mark upon the libertarian left, the counterculture, the revolutionary events of 1968, and more recent phenomena from punk to postmodernism. But over time it tended to obscure Situationism's own founding principles. In this book, Simon Sadler investigates the artistic, architectural, and cultural theories that were once the foundations of Situationist thought, particularly as they applied to the form of the modern city. According to the Situationists, the benign professionalism of architecture and design had led to a sterilization of the world that threatened to wipe out any sense of spontaneity or playfulness. The Situationists hankered after the "pioneer spirit" of the modernist period, when new ideas, such as those of Marx, Freud, and Nietzsche, still felt fresh and vital. By the late fifties, movements such as British and American Pop Art and French Nouveau Ralisme had become intensely interested in everyday life, space, and mass culture. The SI aimed to convert this interest into a revolution—at the level of the city itself. Their principle for the reorganization of cities was simple and seductive: let the citizens themselves decide what spaces and architecture they want to live in and how they wish to live in them. This would instantly undermine the powers of state, bureaucracy, capital, and imperialism, thereby revolutionizing people's everyday lives. Simon Sadler searches for the Situationist City among the detritus of tracts, manifestos, and works of art that the SI left behind. The book is divided into three parts. The first, "The Naked City," outlines the Situationist critique of the urban environment as it then existed. The second, "Formulary for a New Urbanism," examines Situationist principles for the city and for city living. The third, "A New Babylon," describes actual designs proposed for a Situationist City.
A timely update to the phenomenal national bestseller. Soon after its quiet release during the height of the Red Scare in 1958, The Naked Communist exploded in popularity, selling almost two million copies to date and finding its way into the libraries of the CIA, the FBI, the White House, and homes all across the United States. From the tragic falls of China, Korea, Russia, and the UN, to the fascinating histories of Alger Hiss, Whittaker Chambers, Elizabeth Bentley, and General MacArthur, The Naked Communist lays out the entire graphic story of communism, its past, present, and future. After searching unsuccessfully for a concise literature on the communist threat, W. Cleon Skousen saw the urgent need for a comprehensive book that could guide the American conversation. So he distilled his FBI experience, decades of research, and more than one hundred communist books and treatises into one clarifying, readable volume that became a touchstone of American values and earned praise from the likes of President Ronald Reagan, Glenn Beck, and Ben Carson. Lauded by one reviewer as “the most powerful book on communism since J. Edgar Hoover’s Masters of Deceit,” this text draws a detailed picture of the communist as he sees himself: stripped of propaganda and pretense. Readers gain a unique insight into the inner workings of communism—its appeal, its history, its basic and unchanging concepts, even its secret timetable of conquest. Among the many questions The Naked Communist answers are: * Who gave the United States’ nuclear secrets to the Russians? * How did the FBI fight communism after it was forced underground in 1918? * Why did the West lose 600 million allies after World War II? * What really happened in Korea? * What is communism’s great secret weapon? * What lies ahead? * What can I do to stop communism? * How can we fight communism without a major war? Now updated for 2017, this edition includes a chapter on the forty-five Communist Goals, detailing how forty-four of those goals have been achieved in the U.S. already, as well as a chapter on the making of The Naked Communist, shedding light on how this book has sold almost two million copies. As relevant now as it was sixty years ago, Skousen’s groundbreaking work provides a renewed understanding of one of the greatest threats facing America today. Praise for W. Cleon Skousen: “No one is better qualified to discuss the threat to this nation from communism. You will be alarmed, you will be informed, and you’ll be glad you heard him.”—President Ronald Reagan “I have never given any volume such an unqualified endorsement.”—CBS national broadcaster Paul Harvey “I went back and I read The Naked Communist, and at the end of that, Skousen predicted [that] someday soon you won’t be able to find the truth in schools or in libraries or anywhere else because it won’t be in print anymore. So you must collect those books. It’s an idea I read from Cleon Skousen from his book in the 1950s, The Naked Communist, where he talked about [how] someday the history of this country’s going to be lost because it’s going to be hijacked by intellectuals and communists and everything else. And I think we’re there.”—Glenn Beck, host of the nationally syndicated Glenn Beck Radio Program “The Naked Communist lays out the whole progressive plan. It is unbelievable how fast it has been achieved.”—Dr. Ben Carson (The Sean Hannity Show; May 23, 2014) “I feel certain that your efforts on this important subject will receive widespread attention and consideration.”—J. Edgar Hoover, first Director of the Federal Bureau of Investigation “We believe in a moral code. Communism denies innate right or wrong. As W. Cleon Skousen has said in his timely book, The Naked Communist: The communist ‘has convinced himself that nothing is evil which answers the call of expediency.’ This is a most damnable doctrine. People who truly accept such a philosophy have neither conscience nor honor. Force, trickery, lies, broken promises are wholly justified.”—Ezra Taft Benson, United States Secretary of Agriculture under President Eisenhower
This Naked Mind has ignited a movement across the country, helping thousands of people forever change their relationship with alcohol. Many people question whether drinking has become too big a part of their lives, and worry that it may even be affecting their health. But, they resist change because they fear losing the pleasure and stress-relief associated with alcohol, and assume giving it up will involve deprivation and misery. This Naked Mind offers a new, positive solution. Here, Annie Grace clearly presents the psychological and neurological components of alcohol use based on the latest science, and reveals the cultural, social, and industry factors that support alcohol dependence in all of us. Packed with surprising insight into the reasons we drink, this book will open your eyes to the startling role of alcohol in our culture, and how the stigma of alcoholism and recovery keeps people from getting the help they need. With Annie’s own extraordinary and candid personal story at its heart, this book is a must-read for anyone who drinks. This Naked Mind will give you freedom from alcohol. It removes the psychological dependence so that you will not crave alcohol, allowing you to easily drink less (or stop drinking). With clarity, humor, and a unique blend of science and storytelling, This Naked Mind will open the door to the life you have been waiting for. “You have given me my live back.” —Katy F., Albuquerque, New Mexico “This is an inspiring and groundbreaking must-read. I am forever inspired and changed.” —Kate S., Los Angeles, California “The most selfless and amazing book that I have ever read.” —Bernie M., Dublin, Ireland
Through a close analysis of films as well as popular fiction, Ralph Willett explores the imaginative geography of the modern American city, a place of opportunity and desire as well as murder and lawlessness.
Featuring original stories from 20 authors, this dark, captivating, fabulous and fantastical collection, Naked City, is not to be missed! Edited by award-winning editor Ellen Datlow. In this thrilling collection of original stories some of today's hottest paranormal authors delight, thrill, and captivate readers with otherworldly tales of magic and mischief. In Jim Butcher's "Curses" Harry Dresden investigates how to lift a curse laid by the Fair Folk on the Chicago Cubs. In Patricia Briggs' "Fairy Gifts," a vampire is called home by magic to save the Fae who freed him from a dark curse. In Melissa Marr's "Guns for the Dead," the newly dead Frankie Lee seeks a job in the afterlife on the wrong side of the law. In Holly Black's "Noble Rot," a dying rock star discovers that the young woman who brings him food every day has some strange appetites of her own. Delia Sherman, Richard Bowes, Ellen Kushner, Christopher Fowler, Pat Cadigan, Peter S. Beagle, Naomi Novik, Matthew Kressel, Kit Reed, Lavie Tidhar, Nathan Ballingrud, John Crowley, Jeffrey Ford, Lucius Shepard, Caitlin R. Kiernan, and Elizabeth Bear also contribute to this fabulous collection.
