NACWPI Journal
Author: National Association of College Wind and Percussion Instructors
Publisher:
Published: 2004
Total Pages: 160
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: National Association of College Wind and Percussion Instructors
Publisher:
Published: 2004
Total Pages: 160
ISBN-13:
DOWNLOAD EBOOKAuthor: National Association of College Wind and Percussion Instructors
Publisher:
Published: 2006
Total Pages: 184
ISBN-13:
DOWNLOAD EBOOKAuthor: International Double Reed Society
Publisher:
Published: 1973
Total Pages: 450
ISBN-13:
DOWNLOAD EBOOKAuthor: Library of Congress. Copyright Office
Publisher:
Published: 1977
Total Pages: 616
ISBN-13:
DOWNLOAD EBOOKAuthor: Geary Larrick
Publisher: Edwin Mellen Press
Published: 2002
Total Pages: 204
ISBN-13:
DOWNLOAD EBOOKLarrick has written a hybrid work, one that is filled with autobiographical references to the author's (extensive) career as a percussionist alongside his observations and annotations of the bibliography. The text is divided into a long list of alphabetized entries, which include drum duets, the drum set, French percussion, German bibliography, health ideas, jazz, and John Cage. Larrick was on the music faculty at the U. of Wisconsin at Stevens Point. Annotation copyrighted by Book News, Inc., Portland, OR.
Author: Quinn Patrick Ankrum
Publisher: Cambridge Scholars Publishing
Published: 2017-06-20
Total Pages: 340
ISBN-13: 1443896020
DOWNLOAD EBOOKComing to terms with Britten’s music is no easy task. The complex, often contradictory language associated with Britten’s style likely stems from his double interest in progressive composition and immediate connection with a broad, popular audience – an apparent paradox in the splintered musical culture of the 20th century – as well as from complicated truths in his own life, such as his love for a country that accepted neither his sexuality nor his politics. As a result, the attempt to describe his music can tell us as much about our own biases and the inadequacies of our analytic tools as it does about the music itself. Such audits of our scholarly language and strategies are vital in light of the still-murky view we have of twentieth century music. This opportunity for academic self-reflection is the reason Britten studies such as this book are so important. The essays included here challenge assumptions about musical constructs, relationships between text and music, and the influences of age, spirituality, and personal relationships on compositional technique. Part One offers nine essays originally compiled for a symposium designed to recognize the composer’s unique and varied contributions to music. The authors include performers, musicologists, and music theorists, and their work will appeal to a wide diversity of readers. The topics and methodologies range from archival research and analysis of text and music to theoretical modelling using techniques such as set theory, metric theory, and prolongation. While the papers were initially conceived in isolation from one another, the collaborative focus of the symposium created opportunities for authors to expose points of intersection. This deliberate reconciliation of lines of inquiry has yielded a more balanced and unified collection of essays than typically found in a simple record of proceedings. Furthermore, the chapters presented here benefit from the wealth of Britten research produced since the 2013 centenary. Part Two provides an account of the symposium performances and lecture recitals that accompanied and enriched the academic presentations. The reader will encounter fully the journey taken by symposium presenters, participants, and attendees by reviewing the concerts, lecture recitals, and papers in the context of the full symposium program.
Author: Phillip Rehfeldt
Publisher: Phillip Rehfeldt/MillCreekPublications
Published: 2010-01-01
Total Pages: 396
ISBN-13: 0933251270
DOWNLOAD EBOOKVolumes 1 and 2 provide information sufficient for getting players to the "beginning professional level": embouchures, concepts of blowing, tone, fingerings reeds, practicing, performing; beginning methods for each instrument; samples from the orchestral repertory; college woodwind-class materials; Bach's complete Clavier Buchlein for woodwinds with analysis; and a means, for those who wish it, for certification.
Author: Library of Congress. Copyright Office
Publisher:
Published: 1975
Total Pages: 896
ISBN-13:
DOWNLOAD EBOOKAuthor: Nancy Toff
Publisher: Oxford University Press, USA
Published: 2012-09-13
Total Pages: 559
ISBN-13: 0195373081
DOWNLOAD EBOOKThe instrument -- Performance -- The music -- Repertoire catalog -- Fingering chart for the Boehm flute -- Flute manufacturers -- Repair shops -- Sources for instruments and accessories -- Sources for music and books -- Journals, societies, and service organizations -- Flute clubs and societies.