Twenty folk tales represent hundreds of years of the collective Irish imagination. Vivid descriptions of battles with giants, humans imprisoned in animals' bodies, heroes with incredible strength, and more.
Myths, legends, and magic are woven together in a collection of enthralling Irish folktales from the New York Times bestselling author of the Secrets of the Immortal Nicholas Flamel series. A competition to become King of the Leprechauns... A trick designed to fool the Queen of the Fairies... A terrifying lake monster confronted by the unlikeliest of heroes... Nine Irish legends come to life in these timeless, action-packed folktales about mythological creatures and epic heroes. A master of Irish mythology, bestselling author Michael Scott has crafted stories guaranteed to enthrall young readers who love magic, legends, and lore. And don't miss the companion collection of Irish fairy tales, Magic & Myth!
From the epic Irish legend of Cuchulain to tales of banshees, leprechauns and wizards, these short stories and fables cover a wide range of Ireland's mythology and legends, forming a companion volume to Michael Scott's Irish Folk and Fairy Tales.
In Ireland, the link between place and myth is strong, and there is no more enlightening way to understand the rich tapestry of Irish mythology, and its relationship to our true history, than by reading the landscape. Earthing the Myths is an engaging and exhaustive county-by-county guide to the vast number of fascinating places in Ireland connected to myth, folklore and early history. Covering the period 800 BC to AD 650, this book spans the Late Bronze Age, the Iron Age and the early Christian period, and explores the ways in which the land evolved, and with it our catalogue of myths and legends. Smyth chronicles sites the length and breadth of the country, where druids, fairies, goddesses, warriors and kings all left their mark, in tales both real and imagined. With over one thousand locations recorded, from Rathlin Island to the Beara Peninsula, Earthing the Myths breathes life into places throughout Ireland that find their origins in our pre-Christian and pre-Gaelic past, and shows that they still possess unique wisdom and vibrant energy.
Introduce yourself to the noble heroes and magical creatures of Irish mythology. Includes the two definitive works on the subject by the giants of the Irish Renaissance. W.B. Yeates' Fairy and Folk Tales of the Irish Peasantry and Lady Gregory's Cuchulain of Muirthemne.
Niall Mac Coitir provides a comprehensive look at the folklore, legends and history of animals in Ireland, and describes their relations with people, being hunted for food, fur, sport, or as vermin, and their position today. A final section, inspired by stories of animal transformation, looks at twelve animals and how we can enrich our lives by visualising ourselves with their special qualities. This fascinating and beautifully illustrated compilation of folklore, legends and natural history will delight all with an interest in Ireland's animals.
This beautiful book visits twenty-eight richly atmospheric sites and tells the mythological stories associated with them. Woven into these landscapes are tales of love and betrayal, greed and courage, passion and revenge, featuring the famous characters of Celtic lore, such as Cú Chulainn, the children of Lír and Queen Maeve. The historical and archaeological facts and the folk traditions of each ancient site are explored. Some are famous, such as Tara and Newgrange; others are less well known but equally captivating such as the Béara Peninsula in Cork. In a world where many have lost touch with the land and their past, the legendary Irish landscape still survives and the stories are never quite over as long as there are people to tell them.
ÊI remember well the feelings roused in my mind at mention or sight of the name Lucifer during the earlier years of my life. It stood for me as the name of a being stupendous, dreadful in moral deformity, lurid, hideous, and mighty. I remember also the surprise with which when I had grown somewhat older and begun to study Latin, I came upon the name in Virgil, where it means the Light-bringer, or Morning-star,Ñthe herald of the sun. Many years after I had found the name in Virgil, I spent a night at the house of a friend in Milwaukee, Wisconsin, right at the shore of Lake Michigan. The night was clear but without a moon,Ña night of stars, which is the most impressive of all nights, vast, brooding, majestic. At three oÕclock in the morning I woke, and being near an uncurtained window, rose and looked out. Rather low in the east was the Morning-star, shining like silver, with a bluish tinge of steel. I looked towards the west; the great infinity was filled with the hosts of heaven, ranged behind this Morning-star. I saw at once the origin of the myth which grew to have such tremendous moral meaning, because the Morning-star was not in this case the usher of the day but the chieftain of night, the Prince of Darkness, the mortal enemy of the Lord of Light. I returned to bed knowing that the battle in heaven would soon begin. I rose when the sun was high next morning. All the world was bright, shining and active, gladsome and fresh, from the rays of the sun; the kingdom of light was established; but the Prince of Darkness and all his confederates had vanished, cast down from the sky, and to the endless eternity of God their places will know them no more in that night again. They are lost beyond hope or redemption, beyond penance or prayer. I have in mind at this moment two Indian stories of the Morning-star,Ñone Modoc, the other Delaware. The Modoc story is very long, and contains much valuable matter; but the group of incidents that I wish to refer to here are the daily adventures and exploits of a personage who seems to be no other than the sky with the sun in it. This personage is destroyed every evening. He always gets into trouble, and is burned up; but in his back is a golden disk, which neither fire nor anything in the world can destroy. From this disk his body is reconstituted every morning; and all that is needed for the resurrection is the summons of the Morning-star, who calls out, ÒIt is time to rise, old man; you have slept long enough.Ó Then the old man springs new again from his ashes through virtue of the immortal disk and the compelling word of the star. Now, the Morning-star is the attendant spirit or ÒmedicineÓ of the personage with the disk, and cannot escape the performance of his office; he has to work at it forever. So the old man cannot fail to rise every morning. As the golden disk is no other than the sun, the Morning-star of the Modocs is the same character as the Lucifer of the Latins.