Mythopoetic Cinema

Mythopoetic Cinema

Author: Kriss Ravetto-Biagioli

Publisher: Columbia University Press

Published: 2017-08-08

Total Pages: 371

ISBN-13: 0231544103

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In Mythopoetic Cinema, Kriss Ravetto-Biagioli explores how contemporary European filmmakers treat mythopoetics as a critical practice that questions the constant need to provide new identities, a new Europe, and with it a new European cinema after the fall of the Soviet Union. Mythopoetic cinema questions the perpetual branding of movements, ideas, and individuals. Examining the work of Jean-Luc Godard, Alexander Sokurov, Marina Abramović, and Theodoros Angelopoulos, Ravetto-Biagioli argues that these disparate artists provide a critical reflection on what constitutes Europe in the age of neoliberalism. Their films reflect not only the violence of recent years but also help question dominant models of nation building that result in the general failure to respond ethically to rising ethnocentrism. In close readings of such films as Sokurov's Russian Ark (2002) and Godard's Notre Musique (2004), Ravetto-Biagioli demonstrates the ways in which these filmmakers engage and evaluate the recent reconceptualization of Europe's borders, mythic figures, and identity paradoxes. Her work not only analyzes how these filmmakers thematically treat the idea of Europe but also how their work questions the ability of the moving image to challenge conventional ways of understanding history.


Classical Myth & Culture in the Cinema

Classical Myth & Culture in the Cinema

Author: Martin M. Winkler

Publisher: Oxford University Press, USA

Published: 2001

Total Pages: 364

ISBN-13: 9780195130041

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This title comprises a collection of essays presenting a variety of approaches to films set in Ancient Greece and Rome and to films that reflect archetypal features of classical literature. The book illustrates the continuing presence of antiquity in the most varied and influential medium of modern popular culture. The diversity of content and theoretical stances found in this work should make this volume required reading for scholars and students interested in the presence of Greece and Rome in modern popular culture.


Romanian Cinema

Romanian Cinema

Author: Doru Pop

Publisher: Bloomsbury Publishing USA

Published: 2021-11-04

Total Pages: 397

ISBN-13: 1501366246

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This volume explores the philosophical and metaphysical manifestations of contemporary cinema. Starting with the hypothesis that movies provide an experience that is both a pathway into the thinking mechanisms of modern humans and into our collective psyche, this study focuses on the elements that form the “Romanian cinematic mind” as part of the European cinema-thinking. While this book is based on specific case studies provided by recent productions in Romanian filmmaking, such as Proroca (2017) and Touch me Not (2018), it also contextualises the national cinema within the larger, European art of making movies. Offering close interpretations of the works of world-renowned directors like Cristi Puiu, Cristian Mungiu, Corneliu Porumboiu or more recently Adina Pintilie and Constantin Popescu, this book questions the “Romanianess” of their cinematic techniques, and places their philosophical roots both in a particular mode of thinking and within continental philosophy.


The Figure of the Migrant in Contemporary European Cinema

The Figure of the Migrant in Contemporary European Cinema

Author: Temenuga Trifonova

Publisher: Bloomsbury Publishing USA

Published: 2020-07-09

Total Pages: 291

ISBN-13: 150136250X

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The Figure of the Migrant in Contemporary European Cinema explores contemporary debates around the concepts of 'Europe' and 'European identity' through an examination of recent European films dealing with various aspects of globalization (the refugee crisis, labour migration, the resurgence of nationalism and ethnic violence, neoliberalism, post-colonialism) with a particular attention to the figure of the migrant and the ways in which this figure challenges us to rethink Europe and its core Enlightenment values (citizenship, justice, ethics, liberty, tolerance, and hospitality) in a post-national context of ephemerality, volatility, and contingency that finds people desperately looking for firmer markers of identity. The book argues that a compelling case can be made for re-orienting the study of contemporary European cinema around the figure of the migrant viewed both as a symbolic figure (representing post-national citizenship, urbanization, the 'gap' between ethics and justice) and as a figure occupying an increasingly central place in European cinema in general rather than only in what is usually called 'migrant and diasporic cinema'. By drawing attention to the structural and affective affinities between the experience of migrants and non-migrants, Europeans and non-Europeans, Trifonova shows that it is becoming increasingly difficult to separate stories about migration from stories about life under neoliberalism in general


Cinema of Theo Angelopoulos

Cinema of Theo Angelopoulos

Author: Angelos Koutsourakis

Publisher: Edinburgh University Press

Published: 2015-10-08

Total Pages: 336

ISBN-13: 0748697969

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Bringing together established and emerging scholars from multiple disciplines, the collection's unique contribution is to show how Angelopoulos created singularly intricate forms whose aesthetic contours invite us to think critically about modern history.


Philosophy, Myth and Epic Cinema

Philosophy, Myth and Epic Cinema

Author: Sylvie Magerstädt

Publisher: Rowman & Littlefield

Published: 2014-12-15

Total Pages: 213

ISBN-13: 1783482524

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Philosophy, Myth and Epic Cinema looks at the power of cinema in creating ideas that inspire our culture. Sylvie Magerstädt discusses the relationship between art, illusion and reality, a theme that has been part of philosophical debate for centuries. She argues that with the increase in use of digital technologies in modern cinema, this debate has entered a new phase. She discusses the notion of illusions as a system of stories and values that inspire a culture similar to other grand narratives, such as mythology or religion. Cinema thus becomes the postmodern “mythmaking machine” par excellence in a world that finds it increasingly difficult to create unifying concepts and positive illusions that can inspire and give hope. The author draws on the work of Friedrich Nietzsche, Siegfried Kracauer, and Gilles Deleuze to demonstrate the relevance of continental philosophy to a reading of mainstream Hollywood cinema. The book argues that our longing for illusion is particularly strong in times of crisis, illustrated through an exploration of the recent revival of historic and epic myths in Hollywood cinema, including films such as Troy, The Lord of the Rings Trilogy, and Clash of the Titans.


Maya Deren and the American Avant-Garde

Maya Deren and the American Avant-Garde

Author: Bill Nichols

Publisher: Univ of California Press

Published: 2001-10-31

Total Pages: 356

ISBN-13: 9780520227323

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Regarded as one of the founders of the postwar American independent cinema, Maya Deren was a poet, photographer, ethnographer and filmaker. These essays examine Deren's writings, films, and legacy from a variety of perspectives.


Cinemas Dark and Slow in Digital India

Cinemas Dark and Slow in Digital India

Author: Lalitha Gopalan

Publisher: Springer Nature

Published: 2021-03-16

Total Pages: 464

ISBN-13: 3030540960

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This book provides a sustained engagement with contemporary Indian feature films from outside the mainstream, including Aaranaya Kaandam, I.D., Kaul, Chauthi Koot, Cosmic Sex, and Gaali Beeja, to undercut the dominance of Bollywood focused film studies. Gopalan assembles films from Bangalore, Chennai, Delhi, Kolkata, and Trivandrum, in addition to independent productions in Bombay cinema, as a way of privileging understudied works that deserve critical attention. The book uses close readings of films and a deep investigation of film style to draw attention to the advent of digital technologies while remaining fully cognizant of ‘the digital’ as a cryptic formulation for considering the sea change in the global circulation of film and finance. This dual focus on both the techno-material conditions of Indian cinema and the film narrative offers a fulsome picture of changing narratives and shifting genres and styles.


The Rhapsodes

The Rhapsodes

Author: David Bordwell

Publisher: University of Chicago Press

Published: 2016-04-04

Total Pages: 183

ISBN-13: 022635220X

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Pauline Kael, Andrew Sarris, and Roger Ebert were three of America's most revered and widely read film critics, more famous than many of the movies they wrote about. But their remarkable contributions to the burgeoning American film criticism of the 1960s and beyond were deeply influenced by four earlier critics: Otis Ferguson, James Agee, Manny Farber, and Parker Tyler. Film scholar and critic David Bordwell restores to a wider audience the work of Ferguson, Agee, Farber, and Tyler, critics he calls the 'Rhapsodes' for the passionate and deliberately offbeat nature of their vernacular prose.


East European Cinemas

East European Cinemas

Author: Anikó Imre

Publisher: Routledge

Published: 2005-09-14

Total Pages: 372

ISBN-13: 1135872635

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Eastern Europe has produced rich and varied film cultures--Czech, Hungarian, and Serbian among them-whose histories have been intimately tied to the transition from Soviet domination to the complexities of post-Communist life. This latest volume in the AFI Film Readers series presents a long-overdue reassessment of East European cinemas from theoretical, psychoanalytic, and gender perspectives, moving the subject beyond the traditional area studies approach to the region's films. This ambitious collection, situating Eastern Europe's many cinemas within global paradigms of film study, will be an essential work for all students of cinema and for anyone interested in the relation of film to culture and society.