Zohar is the central text of the Jewish Kabbalah. This collection presents original translations of eight of the most well developed narratives in the Zohar along with notes and detailed commentary. These tales deal with themes of sin and repentance, death, exile, redemption, and resurrection. Most importantly, they are literature and are here analyzed as such.
This title describes recent discoveries and insights into the various expressions of Jewish mysticism from antiquity to the modern day. From mystical outpourings in ancient Palestine to the Kabbalah Centre, this volume explores the various expressions of Jewish mysticism from antiquity to the present day.
In the study of Judaism, the Zohar has captivated the minds of interpreters for over seven centuries, and continues to entrance readers in contemporary times. Yet despite these centuries of study, very little attention has been devoted to the literary dimensions of the text, or to formal appreciation of its status as one of the great works of religious literature. The Art of Mystical Narrative offers a critical approach to the zoharic story, seeking to explore the interplay between fictional discourse and mystical exegesis. Eitan Fishbane argues that the narrative must be understood first and foremost as a work of the fictional imagination, a representation of a world and reality invented by the thirteenth-century authors of the text. He claims that the text functions as a kind of dramatic literature, one in which the power of revealing mystical secrets is demonstrated and performed for the reading audience. The Art of Mystical Narrative offers a fresh, interdisciplinary perspective on the Zohar and on the intersections of literary and religious studies.
The Mystical Exodus in Jungian Perspective explores the soul loss that results from personal, collective, and transgenerational trauma and the healing that unfolds through reconnection with the sacred. Personal narratives of disconnection from and reconnection to Jewish collective memory are illuminated by millennia of Jewish mystical wisdom, contemporary Jewish Renewal and feminist theology, and Jungian and trauma theory. The archetypal resonance of the Exodus story guides our exploration. Understanding exile as disconnection from the Divine Self, we follow Moses, keeper of the spiritual fire, and Serach bat Asher, preserver of ancestral memory. We encounter the depths with Joseph, touch collective grief with Lilith, experience the Red Sea crossing and Miriam’s well as psychological rebirth and Sinai as the repatterning of traumatized consciousness. Tracing the reawakening of the qualities of eros and relatedness on the journey out of exile, the book demonstrates how restoring and deepening relationship with the Sacred Feminine helps us to transform collective trauma. This text will be key reading for scholars of Jewish studies, Jungian and post-Jungian studies, feminist spirituality, trauma studies, Jungian analysts and psychotherapists, and those interested in healing from personal and collective trauma. Cover art: 'Radiance' by Elaine Greenwood
The premise of Fallen Animals is that some how and in some way The Fall of Adam and Eve as related in the Bible has affected all living beings from the largest to the smallest, from the oldest to the youngest, regardless of gender and geography. The movement from the blissful arena of the Garden of Eden to the uncertain reality of exile altered in an overt or nuanced fashion the attitudes, perceptions, and consciousness of animals and humanity alike. Interpretations of these reformulations as well as the original story of the Paradise Garden have been told and retold for millennia in a variety of cultural contexts, languages, societies, and religious environments. Throughout all those retellings, animals have been a constant presence positively and negatively, actively and passively, from the creation of birds, fish, and mammals to the agency of the serpent in the Fall narrative. The serpent in the Garden of Eden is but one example of the ambivalence which has characterized the human-animal relationship over the centuries, both across, and within, cultures, societies and traditions. The book examines the interpretations, functions and interactions of the Fall — physical, moral, artistic and otherwise — as represented through animals, or through human-animal interactions.
In the Zohar, the jewel in the crown of Jewish mystical literature, the verse "A river flows from Eden to water the garden" (Genesis 2:10) symbolizes the river of divine plenty that unceasingly flows from the depths of divinity into the garden of reality. Hellner-Eshed's book investigates the flow of this river in the world of the Zoharic heroes, Rabbi Shimon bar Yohai and his disciples, as they embark upon their wondrous spiritual adventures. By focusing on the Zohar's language of mystical experience and its unique features, the author is able to provide remarkable scholarly insight into the mystical dimensions of the Zohar, namely the human quest for an enhanced experience of the living presence of the divine and the Zohar's great call to awaken human consciousness.
This third volume of completes the Zohar's commentary on the book of Genesis. Throughout, the Zohar probes the biblical text and seeks deeper meaning--for example, the divine intention behind Joseph's disappearance, or the profound significance of human sexuality.
Judaism, Christianity, and Islam are considered kindred religions-holding ancestral heritages and monotheistic belief in common-but there are definitive distinctions between these "Abrahamic" peoples. Shared Stories, Rival Tellings explores the early exchanges of Jews, Christians, and Muslims, and argues that their interactions were dominated by debates over the meanings of certain stories sacred to all three communities. Robert C. Gregg shows how Jewish, Christian, and Muslim interpreters--artists as well as authors--developed their unique and particular understandings of narratives present in the two Bibles and the Qur'an. Gregg focuses on five stories: Cain and Abel, Sarah and Hagar, Joseph and Potiphar's Wife, Jonah and the Whale, and Mary the Mother of Jesus. As he guides us through the often intentional variations introduced into these shared stories, Gregg exposes major issues under contention and the social-intellectual forces that contributed to spirited, and sometimes combative, exchanges among Jews, Christians, and Muslims. Offering deeper insight into these historical moments and their implications for contemporary relations among the three religions, Shared Stories, Rival Tellings will inspire readers to consider--and reconsider--the dynamics of traditional and current social-religious competition.
Tanḥum b. Joseph ha-Yerushalmi (d. 1291, Fusṭāṭ, Egypt) was a rigorous linguist and philologist, philosopher and mystic, and a biblical exegete of singular breadth. As well as providing us with an insight into the inner world of a profound and original thinker, his oeuvre sheds light on a Jewish historical and cultural milieu that remains relatively poorly understood: the Islamic East in the post-Maimonidean period. In A Philosopher of Scripture: The Exegesis and Thought of Tanḥum ha-Yerushalmi, Raphael Dascalu presents the first detailed intellectual portrait of Tanḥum ha-Yerushalmi. Tanḥum emerges as a polymath with a clear intellectual program, an eclectic thinker who brought multiple traditions together in his search for the philosophical meaning of Scripture.
