"Exceptionally useful are (Aseel's) reflections on what it has meant to be a Muslim in America after September 11 . . . A fascinating multicultural coming-of-age story."--"Booklist."
Offers insights on Latino Caribbean writers born or raised in the United States who are at the vanguard of a literary movement that has captured both critical and popular interest. In this groundbreaking study, William Luis analyzes the most salient and representative narrative and poetic works of the newest literary movement to emerge in Spanish American and U.S. literatures. The book is divided into three sections, each focused on representative Puerto Rican American, Cuban American, and Dominican American authors. Luis traces the writers' origins and influences from the nineteenth century to the present, focusing especially on the contemporary works of Oscar Hijuelos, Julia Alvarez, Cristina Garcia, and Piri Thomas, among others. While engaging in close readings of the texts, Luis places them in a broader social, historical, political, and racial perspective to expose the tension between text and context. As a group, Latino Caribbeans write an ethnic literature in English that is born of their struggle to forge an identity separate from both the influences of their parents' culture and those of the United States. For these writers, their parents' country of origin is a distant memory. They have developed a culture of resistance and a language that mediates between their parents' identity and the culture that they themselves live in. Latino Caribbeans are engaged in a metaphorical dance with Anglo Americans as the dominant culture. Just as that dance represents a coming together of separate influences to make a unique art form, so do both Hispanic and North American cultures combine to bring a new literature into being. This new body of literature helps us to understand not only the adjustments Latino Caribbean cultures have had to make within the larger U.S. environment but also how the dominant culture has been affected by their presence.
Research-intensive universities have long struggled to reconcile the imperative of specialized learning with the need for a broader, more liberal education. Combining Two Cultures provides a comprehensive account of a degree program at a distinguished Canadian university, McMaster, aimed at accomplishing this synthesis. This innovative program has stood up well over more than two decades. It has a curriculum balanced between arts and sciences and is committed to developing broadly applicable intellectual skills, above all those that underlie scholarly inquiry into questions of importance to students and to the society they live in. It attempts to harmonize the excitement of exploring a broad range of fields with students' needs to meet the requirements for advanced study in professional and academic graduate disciplines. This book offers insights into the challenges of planning and establishing a program of this kind. Brief personal reflections from many of the program's graduates, firsthand observations from current students, and instructors' accounts of their experiences give a vivid sense of what the program has meant to its participants.
My Roots, My Love, My Destinyis the story of two strong women, told across an epic and rich canvas painted by two wars and two unique destinies. In her ninety-six years, Ogeri, author Beatrice Akpu Inyang Eleje's mother, experienced danger, heartbreak, and great love. Her journey spanned most of the twentieth century and was dictated by the societal norms, values, and traditions of the Nigeria of her time. Lovingly reconstructed, these are a few of Eleje's most beloved and revered memories of her mother. For the daughter, her journey was spent attempting to navigate rapidly changing waters. Caught between two colliding civilizations-the Western civilization and African culture and Nigeria-two cultures, and two world views, her path was less certain. While one world encouraged independence, the other demanded absolute filial obedience. Rebellion was inevitable. As Eleje listened to her mother speak of her life, the similarities emerged. Both women survived their husbands, and both knew the heartache of illness, loss, and uncertainty-as well as the joys of love in the most unexpected places. But through it all rings a life-sustaining truth worth celebrating: no matter how dark the tunnel, there is always light just around the corner ... if you can just lift your head to look. Designed to inspire younger women to persevere in the face of seemingly in-surmountable odds, the story of these two women proves that no matter what, you just need to take the next step-to-ward hope.
This multidisciplinary volume highlights the African presence throughout the Americas, and African and African Diasporan contributions to the material and cultural life of all of the Americas, and of all Americans. It includes articles from leading scholars and from cultural leaders from both well-known and little-known African Diasporan communities. Privileging African Diasporan voices, it offers new perspectives, data, and interpretations that challenge prevailing understandings of the Americas. Visit our website for sample chapters!
The first volume to focus exclusively on lesbian performance work, Acts of Passion: Sexuality, Gender, and Performance draws on the experiences and expertise of a wide range of lesbian practitioners and theorists to explore the impact and influences of sexuality and gender on performance. It examines essays, dialogues, and performance texts from theater directors, performers, theorists, playwrights, and performance writers against social and cultural constructs and performance theories to produce a diverse and challenging portrait of lesbian live performance art. The book’s penetrating scope covers drag queens, lesbian vampires, representations of lesbian sex, solo artists, the art of collaboration, lesbian aesthetics, and lesbian playwrights writing straight and illustrates why live performance is one of the most dynamic forums in which women can create, control, and produce their work without artistic constraint. Acts of Passion explodes binary definitions of gender and sexuality by destabilizing familiar notions of the ‘real’and creating new production values and aesthetics in the process. The relationships between experience and expression, sexuality and cultural placing, context and artistic control, representation and self-representation become clearer as the book discusses: the manner in which women are represented as absent in the signifying system of patriarchal society how questions of purity, ‘authenticity,’and self-definition complicate the field of representation the power of lesbian dance performance to make the lesbian body culturally visible several ‘new wave’performers--creating work, getting seen, showing flesh, doing politics, and making money the projections, preconceptions, expectations, and general baggage attached to the performing lesbian body what the term ‘lesbian playwright’means within contemporary culture ‘It’s Queer Up North’--a British National Arts Organization the arguments for and against mainstreaming lesbian performance Anyone interested in theater and performance, cultural studies, gender issues, and the politics of ‘positive representation’--whether playwright, performer, director, writer, academic, student, or theatre goer--will find Acts of Passion a powerful step in wrenching the power of representation away from the dominant culture. Defiant, saucy, sexy, and smart, the contributors appropriate their own spaces, identities, crafts, and languages, both within this book and without.
How does a girl from a tiny Bangladeshi island end up reading Tagore, Marx and de Beauvoir, and becoming a feminist activist? How does she navigate different cultures and religions, and patriarchal society? Daughter of the Agunmukha is the riveting personal history of Noorjahan Bose, born in 1938 in present-day Bangladesh to a Muslim farming family, near the mouth of the ferocious River Agunmukha--Fire Mouth River. Abused by male relatives and raised by a mother who was herself married at just 7 years old, Noorjahan struggled for her education and autonomy against the painful backdrop of partition, and under the joyful, creative care of her mother. Mentored by local activists, she found her way into the progressive movements that would one day take her around the world. From her husband's death when she was only 18 and pregnant, to the devastating cyclones threatening her family's home and livelihood, Noorjahan's personal life has not been easy. Yet her courage shines through the pages of her memoir, whether she is agitating for Bangla language rights, enduring Bangladesh's liberation war, or marrying outside her family's faith. This moving, gripping book tells a powerful story of trauma, loss, resilience and empowerment.
JAMES BEARD AWARD WINNER • A rich, transportive guide to the world of Japanese cocktails from acclaimed bartender Julia Momosé of Kumiko ONE OF THE TEN BEST COOKBOOKS OF THE YEAR: Boston Globe • ONE OF THE BEST COOKBOOKS OF THE YEAR: Vanity Fair, Food52, Wired • “A love letter to the art of preparing a drink.”—Vanity Fair With its studious devotion to tradition, craftsmanship, and hospitality, Japanese cocktail culture is an art form treated with reverence. In this essential guide, Japanese American bartender Julia Momosé of Kumiko and Kikkō in Chicago takes us on a journey into this realm. She educates and inspires while breaking down master techniques and delving into the soul of the culture: the traditions and philosophy, the tools and the spirits—and the complex layering of these elements that makes this approach so significant. The recipes are inspired by the twenty-four micro-seasons that define the flow of life in Japan. Enter a world where the spiced woodsy cocktail called Autumn’s Jacket evokes the smoldering burn of smoking rice fields in fall, and where the Delicate Refusal tells the tale of spring’s tragic beauty, with tequila blanco and a flutter of sakura petals. Perfected classics like the Manhattan and Negroni, riffs on some of Japan’s most beloved cocktails like the Whisky Highball, and even alcohol-free drinks influenced by ingredients such as yuzu, matcha, and umé round out the collection.
From highly influential individuals in politics, to award-winning leaders and inspirational philanthropists, to ordinary women who have embraced British life, a range of Punjabi women all share personal stories of racism, gender inequality and the partition of India and Pakistan. Together and alone they overcame adversity and dealt with the complexities of embracing dual identities and balancing a career with family life. Some even share their experiences of the partition of India in 1947 as well as the Jallianwallah Bagh Massacre, 1919. The first in a series of books, Voices from Punjab will resonate with readers as they accompany the women on their unique journeys. Different in many ways, ultimately each woman has a common background – coming from Punjab to celebrate their triumphs over cultural differences and gender stereotypes in the UK.