My Life in the Maine Woods recounts Annette Jackson’s North Woods experiences during the 1930s when she, her husband and their children lived in a small cabin on the shore of Umsaskis Lake. Jackson, an avid sportswoman and nature lover, writes of hunting, fishing, campfire cooking, and the sounds of the wilderness through the seasons. She visits trappers and woodsmen, and tells what it’s like to sleep on a bed of pine boughs under the stars that shine on the legendary Allagash.
My Life in the Maine Woods recounts Annette Jackson's North Woods experiences during the 1930s when she, her husband, and their children lived in a small cabin on the shore of Umsaskis Lake. Jackson, an avid sportswoman and nature lover, writes of hunting, fishing, campfire cooking, and the sounds of the wilderness through the seasons. She visits trappers and woodsmen, and tells what it's like to sleep on a bed of pine boughs under the stars that shine on the legendary Allagash. This new edition expands on Jackson's original, including not only new photographs, author biography, and foreword, but also new material from Jackson and revisions she made following its original publication.
The Maine Woods was the second volume collected from his writings after Thoreau's death. Of the material which composed it, the first two divisions were already in print. "Ktaadn and the Maine Woods" was the title of a paper printed in 1848 in The Union Magazine, and "Chesuncook" was published in The Atlantic Monthly in 1858. The book was edited by his friend William Ellery Channing. It was during his second summer at Walden that Thoreau made his first visit to the Maine woods. It was probably in response to a request from Horace Greeley that he wrote out the narrative from his journal, for Mr. Greeley had shown himself eager to help Thoreau in putting his wares on the market. In a letter to Emerson, January 12, 1848, Thoreau writes: "I read a part of the story of my excursion to Ktaadn to quite a large audience of men and boys, the other night, whom it interested. It contains many facts and some poetry." He offered the paper to Greeley at the end of March, and on the 17th of April Greeley responded: "I inclose you $25 for your article on Maine scenery, as promised. I know it is worth more, though I have not yet found time to read it; but I have tried once to sell it without success. It is rather long for my columns, and too fine for the million; but I consider it a cheap bargain, and shall print it myself if I do not dispose of it to better advantage. You will not, of course, consider yourself x under any sort of obligation to me, for my offer was in the way of business, and I have got more than the worth of my money." But this generous, high-minded friend was thinking of Thoreau's business, not his own, for in October of the same year he writes, "I break a silence of some duration to inform you that I hope on Monday to receive payment for your glorious account of 'Ktaadn and the Maine Woods,' which I bought of you at a Jew's bargain and sold to The Union Magazine...
NEW YORK TIMES BESTSELLER • The remarkable true story of a man who lived alone in the woods of Maine for 27 years, making this dream a reality—not out of anger at the world, but simply because he preferred to live on his own. “A meditation on solitude, wildness and survival.” —The Wall Street Journal In 1986, a shy and intelligent twenty-year-old named Christopher Knight left his home in Massachusetts, drove to Maine, and disappeared into the forest. He would not have a conversation with another human being until nearly three decades later, when he was arrested for stealing food. Living in a tent even through brutal winters, he had survived by his wits and courage, developing ingenious ways to store edibles and water, and to avoid freezing to death. He broke into nearby cottages for food, clothing, reading material, and other provisions, taking only what he needed but terrifying a community never able to solve the mysterious burglaries. Based on extensive interviews with Knight himself, this is a vividly detailed account of his secluded life—why did he leave? what did he learn?—as well as the challenges he has faced since returning to the world. It is a gripping story of survival that asks fundamental questions about solitude, community, and what makes a good life, and a deeply moving portrait of a man who was determined to live his own way, and succeeded.
Naturalist Heinrich spends a year living in a log cabin he built, with no running water or electricity, conducting research on ravens, songbirds, insects, and mosses, and recounting his day-today experiences.
In this critically acclaimed Maine classic, first published in 1945, Helen Hamlin writes of her adventures teaching school at a remote Maine lumber camp and then of living deep in the Maine wilderness with her game warden husband. Her experiences are a must-read for anyone who loves the untamed nature and wondrous beauty of Maine's north woods and the unique spirit of those who lived there. In the 1930s, in spite of being warned that remote Churchill Depot was 'no place for a woman', the remarkable Helen Hamlin set off at age twenty to teach school at the isolated lumber camp at the headwaters of the Allagash River. She eventually married a game warden and moved deeper into the wilderness. In her book, Hamlin captures that time in her life, complete with the trappers, foresters, lumbermen, woods folk, wild animals, and natural splendour that she found at Umsaskis Lake and then at Nine Mile Bridge on the St. John River.
Being a game warden in Maine is not just a job, it’s a way of life. This honest and entertaining book by a twenty-two-year veteran of the service tells the story of America’s oldest game warden service. The stories told cover the risks wardens face dealing with poachers, rogue wildlife, and the elements, as well as the drama that surrounds every search and rescue operation.
A Maine Literary Awards Finalist, A Good Man with a Dog follows a game warden’s adventures from the woods of Maine to the swamps of New Orleans. Follow along as he and his canine companions investigate murder, search for missing persons, and rescue survivors from natural disasters. This is a memoir that reads like a true crime novel. Roger Guay takes readers into the patient, watchful world of a warden catching poachers and protecting pristine wilderness, and the sometimes CSI-like reconstruction of deer- and moose-poaching scenes. When Guay’s father died in a tragic fishing accident, a kind game warden helped him through the loss. Inspired by this experience, as well as his love of the outdoors, he became a game warden. Guay searches for lost hunters and hikers. He estimates that over the years, he has pulled more than two hundred bodies out of Maine’s north woods! His frequent companion is a little brown Labrador retriever named Reba, who can find discarded weapons, ejected shells, hidden fish, and missing people. A Good Man with a Dog explores Guay’s life as he and his canine partners are exposed to terrible events, from tracking down hostile poachers to searching for victims of violent crimes, including a year-long search for the hidden graves of two babies buried by a Massachusetts cult. He witnessed firsthand FEMA’s mismanagement of the post-Katrina cleanup efforts in New Orleans, an experience that left him scarred and disheartened. But he found hope with the support of family and friends, and eventually returned to the woods he knew and loved from the days of his youth.
“Woodsqueer” is sometimes used to describe the mindset of a person who has taken to the wild for an extended period of time. Gretchen Legler is no stranger to life away from the rapid-fire pace of the twenty-first century, which can often lead to a kind of stir-craziness. Woodsqueer chronicles her experiences intentionally focusing on not just making a living but making a life—in this case, an agrarian one more in tune with the earth on eighty acres in backwoods Maine. Building a home with her partner, Ruth, on their farm means learning to live with solitude, endless trees, and the wild animals the couple come to welcome as family. Whether trying to outsmart their goats, calculating how much firewood they need for the winter, or bartering with neighbors for goods and services, they hone life skills brought with them (carpentry, tracking and hunting wild game) and other skills they learn along the way (animal husbandry, vegetable gardening, woodcutting). Legler’s story is at times humbling and grueling, but it is also amusing. A homage to agrarian American life echoing the back-to-the-land movement popularized in the mid-twentieth century, Woodsqueer reminds us of the benefits of living close to the land. Legler unapologetically considers what we have lost in America, in less than a century—individually and collectively—as a result of our urban, mass-produced, technology-driven lifestyles. Illustrated with rustic pen-and-ink illustrations, Woodsqueer shows the value of a solitary sojourn and both the pathway to and possibilities for making a sustainable, meaningful life on the land. The result, for Legler and her partner, is an evolution of their humanity as they become more physically, emotionally, and even spiritually connected to their land and each other in a complex ecosystem ruled by the changing seasons.
