"It is only at the end of the world--among the glacial mountains, cleaving icebergs, and frigid waters of Antarctica--where Deb Gardner and Keller Sullivan feel at home. For the few blissful weeks they spend each year studying the habits of emperor and Adaelie penguins, Deb and Keller can escape the frustrations and sorrows of their separate lives and find solace in their work and in each other. But Antarctica, like their fleeting romance, is tenuous, imperiled by the world to the north"--Dust jacket flap.
It is only at the end of the world—among the glacier mountains and frigid waters of Antarctica—where Deb Gardner and Keller Sullivan feel at home. For the few blissful weeks they spend each year studying the habits of penguins, Deb and Keller can escape the frustrations and sorrows of their separate lives and find solace in each other. But Antarctica, like their fleeting romance, is tenuous, imperiled by the world to the north. A new travel and research season has just begun, and Deb and Keller are ready to play tour guide to the passengers on the small expedition ship that ferries them to their research destination. Except that this year, Keller fails to appear on board. Shortly into the trip, Deb's ship receives an emergency signal from the Australis, a cruise liner that has hit desperate trouble in the ice-choked waters. And among the crew of the sinking ship is Keller... As Deb and Keller's troubled histories collide with this catastrophic present, Deb's role turns from researcher to rescuer all too aware that in this land of harsh beauty even the smallest missteps can have tragic consequences. ‘Half adventure, half elegy, and wholly recommended.’ Karen Joy Fowler, author of We Are All Completely Beside Ourselves ‘Refreshingly different, vivid and immediate. Midge Raymond has an extraordinary gift for description that puts the reader bang in the middle of the action, bang in the middle of its dangerous and endangered world. Her clean, sparse prose pulls us irresistibly into the story and the wider issues it raises. She is clearly a writer in command of her craft.’ M. L. Steadman, author of The Light Between Oceans ‘An original and entirely authentic love story...It recognises that love is seldom simple or exclusive, and that the things that bring us together can also keep us apart.’ Graeme Simsion, author of The Rosie Project ‘The quality of Raymond’s prose struck me from the opening lines. An uncompromising, multi-layered story of love and admiration—of people, animals and environment—in which authenticity and beauty is born from their imperfections. Vivid and emotionally astute, both heartrending and hopeful, Midge Raymond’s My Last Continent is a novel I recommend without reservation.’ Top 10 International Reads of 2016, Booklover Book Reviews
"I come from Des Moines. Somebody had to." And, as soon as Bill Bryson was old enough, he left. Des Moines couldn't hold him, but it did lure him back. After ten years in England he returned to the land of his youth, and drove almost 14,000 miles in search of a mythical small town called Amalgam, the kind of smiling village where the movies from his youth were set. Instead he drove through a series of horrific burgs, which he renamed Smellville, Fartville, Coleslaw, Coma, and Doldrum. At best his search led him to Anywhere, USA, a lookalike strip of gas stations, motels and hamburger outlets populated by obese and slow-witted hicks with a partiality for synthetic fibres. He discovered a continent that was doubly lost: lost to itself because he found it blighted by greed, pollution, mobile homes and television; lost to him because he had become a foreigner in his own country.
'Anything you do in the past changes the future. The tiniest little actions have huge consequences. You might tread on an ant now and it might entirely prevent someone from being born in the future.' Rincewind, inept wizard and reluctant hero, has found himself magically stranded on the Discworld's last continent. It's hot. It's dry. There was this thing once called The Wet, which no one believes in any more. Practically everything that's not poisonous is venomous. But it's the best bloody place in the world, all right? And in a few days, it will die. The only thing standing between the last continent and wind-blown doom is Rincewind, and he can't even spell wizard. Still . . . no worries, eh? 'A minor masterpiece. I laughed so much I fell from my armchair' Time Out 'A master storyteller' A. S. Byatt The Last Continent is the sixth book in the Wizards series, but you can read the Discworld novels in any order.
This unforgettable debut, set against the dramatic Antarctic landscape, is “refreshingly different, vivid and immediate. Midge Raymond has an extraordinary gift for description that puts the reader bang in the middle of its dangerous and endangered world” (M.L. Stedman, New York Times bestselling author of The Light Between Oceans). It is only among the glacial mountains, cleaving icebergs, and frigid waters of Antarctica that Deb Gardener and Keller Sullivan feel at home. For a few blissful weeks each year they study the habits of Emperor and Adelie penguins and find solace in their work and in one another. But Antarctica, like their fleeting romance, is a fragile place, imperiled by the world to the north. Each year, Deb and Keller play tour guide to the passengers on the small expedition ship that ferries them to their research station. But this year, when Keller fails to appear on board, Deb begins to reconsider their complicated past and the uncertainty of any future they might share. Then, shortly into the journey, Deb’s ship receives an emergency signal from The Australis, a cruise liner that has hit desperate trouble in the ice-choked waters of the Southern Ocean. Soon Deb’s role will change from researcher to rescuer; among the crew of that sinking ship, Deb learns, is Keller. As Deb and Keller’s troubled histories collide in this “original and entirely authentic love story” (Graeme Simsion, author of The Rosie Project), Midge Raymond takes us on an unforgettable voyage deep into the wonders of the Antarctic and the mysteries of the human heart. My Last Continent is “a sensitive exploration of how the smallest action can ripple through an ecosystem—seemingly impenetrable, but as fragile as the human heart” (The Minneapolis Star-Tribune). “Atmospheric and adventurous...The story and vivid writing will keep readers glued to the pages” (Library Journal).
With his stunning debut novel, She's Come Undone, Wally Lamb won the adulation of critics and readers with his mesmerizing tale of one woman's painful yet triumphant journey of self-discovery. Now, this brilliantly talented writer returns with I Know This Much Is True, a heartbreaking and poignant multigenerational saga of the reproductive bonds of destruction and the powerful force of forgiveness. A masterpiece that breathtakingly tells a story of alienation and connection, power and abuse, devastation and renewal--this novel is a contemporary retelling of an ancient Hindu myth. A proud king must confront his demons to achieve salvation. Change yourself, the myth instructs, and you will inhabit a renovated world. When you're the same brother of a schizophrenic identical twin, the tricky thing about saving yourself is the blood it leaves on your bands--the little inconvenience of the look-alike corpse at your feet. And if you're into both survival of the fittest and being your brother's keeper--if you've promised your dying mother--then say so long to sleep and hello to the middle of the night. Grab a book or a beer. Get used to Letterman's gap-toothed smile of the absurd, or the view of the bedroom ceiling, or the influence of random selection. Take it from a godless insomniac. Take it from the uncrazy twin--the guy who beat the biochemical rap. Dominick Birdsey's entire life has been compromised and constricted by anger and fear, by the paranoid schizophrenic twin brother he both deeply loves and resents, and by the past they shared with their adoptive father, Ray, a spit-and-polish ex-Navy man (the five-foot-six-inch sleeping giant who snoozed upstairs weekdays in the spare room and built submarines at night), and their long-suffering mother, Concettina, a timid woman with a harelip that made her shy and self-conscious: She holds a loose fist to her face to cover her defective mouth--her perpetual apology to the world for a birth defect over which she'd had no control. Born in the waning moments of 1949 and the opening minutes of 1950, the twins are physical mirror images who grow into separate yet connected entities: the seemingly strong and protective yet fearful Dominick, his mother's watchful "monkey"; and the seemingly weak and sweet yet noble Thomas, his mother's gentle "bunny." From childhood, Dominick fights for both separation and wholeness--and ultimately self-protection--in a house of fear dominated by Ray, a bully who abuses his power over these stepsons whose biological father is a mystery. I was still afraid of his anger but saw how he punished weakness--pounced on it. Out of self-preservation I hid my fear, Dominick confesses. As for Thomas, he just never knew how to play defense. He just didn't get it. But Dominick's talent for survival comes at an enormous cost, including the breakup of his marriage to the warm, beautiful Dessa, whom he still loves. And it will be put to the ultimate test when Thomas, a Bible-spouting zealot, commits an unthinkable act that threatens the tenuous balance of both his and Dominick's lives. To save himself, Dominick must confront not only the pain of his past but the dark secrets he has locked deep within himself, and the sins of his ancestors--a quest that will lead him beyond the confines of his blue-collar New England town to the volcanic foothills of Sicily 's Mount Etna, where his ambitious and vengefully proud grandfather and a namesake Domenico Tempesta, the sostegno del famiglia, was born. Each of the stories Ma told us about Papa reinforced the message that he was the boss, that he ruled the roost, that what he said went. Searching for answers, Dominick turns to the whispers of the dead, to the pages of his grandfather's handwritten memoir, The History of Domenico Onofrio Tempesta, a Great Man from Humble Beginnings. Rendered with touches of magic realism, Domenico's fablelike tale--in which monkeys enchant and religious statues weep--becomes the old man's confession--an unwitting legacy of contrition that reveals the truth's of Domenico's life, Dominick learns that power, wrongly used, defeats the oppressor as well as the oppressed, and now, picking through the humble shards of his deconstructed life, he will search for the courage and love to forgive, to expiate his and his ancestors' transgressions, and finally to rebuild himself beyond the haunted shadow of his twin. Set against the vivid panoply of twentieth-century America and filled with richly drawn, memorable characters, this deeply moving and thoroughly satisfying novel brings to light humanity's deepest needs and fears, our aloneness, our desire for love and acceptance, our struggle to survive at all costs. Joyous, mystical, and exquisitely written, I Know This Much Is True is an extraordinary reading experience that will leave no reader untouched.
The New York Times bestseller with more than 1 million copies sold worldwide | Now a Hulu limited series starring Joey King and Logan Lerman Inspired by the incredible true story of one Jewish family separated at the start of World War II, determined to survive—and to reunite—We Were the Lucky Ones is a tribute to the triumph of hope and love against all odds. “Love in the face of global adversity? It couldn't be more timely.” —Glamour It is the spring of 1939 and three generations of the Kurc family are doing their best to live normal lives, even as the shadow of war grows closer. The talk around the family Seder table is of new babies and budding romance, not of the increasing hardships threatening Jews in their hometown of Radom, Poland. But soon the horrors overtaking Europe will become inescapable and the Kurcs will be flung to the far corners of the world, each desperately trying to navigate his or her own path to safety. As one sibling is forced into exile, another attempts to flee the continent, while others struggle to escape certain death, either by working grueling hours on empty stomachs in the factories of the ghetto or by hiding as gentiles in plain sight. Driven by an unwavering will to survive and by the fear that they may never see one another again, the Kurcs must rely on hope, ingenuity, and inner strength to persevere. An extraordinary, propulsive novel, We Were the Lucky Ones demonstrates how in the face of the twentieth century’s darkest moment, the human spirit can endure and even thrive.
The Lost Continent, initially published as a serial in 1899, remains one of the enduring classics of the “lost race” genre. In it we follow Deucalion, a warrior-priest on the lost continent of Atlantis, as he tries to battle the influence of an egotistical upstart empress. Featuring magic, intrigue, mythical monsters, and fearsome combat on both land and sea, the story is nothing if not a swashbuckling adventure. The Lost Continent was very influential on pulp fiction of the subsequent decades, and echoes of its style can be found in the work of Edgar Rice Burroughs, Robert E. Howard, and others. This book is part of the Standard Ebooks project, which produces free public domain ebooks.
"It is only at the end of the world--among the glacial mountains, cleaving icebergs, and frigid waters of Antarctica--where Deb Gardner and Keller Sullivan feel at home. For the few blissful weeks they spend each year studying the habits of Emperor and Adélie penguins, Deb and Keller can escape the frustrations and sorrows of their spearate lives and find solace in their work and in each other. But Antarctica, like their fleeting romance, is tenuous, imperiled by the world to the north"--Cover page [4].
