One of Chaucer's first proteges, Thomas Hoccleve (1368-1426) contributed with his Series to the genre of the framed narrative. The Series forms a central part of this collection, but editor Ellis (English, U. of Cardiff, UK) also presents some of Hoccleve's earlier poems alongside Hoccleve's more important work. Also presented are Hoccleve's own marginalia as an interpretive aid and a fairly extensive introduction placing Hoccleve's poetry in context. Distributed by David Brown Book Company. Annotation copyrighted by Book News, Inc., Portland, OR
One of Chaucer's first proteges, Thomas Hoccleve (1368-1426) contributed with his Series to the genre of the framed narrative. The Series forms a central part of this collection, but editor Ellis (English, U. of Cardiff, UK) also presents some of Hoccleve's earlier poems alongside Hoccleve's more important work. Also presented are Hoccleve's own marginalia as an interpretive aid and a fairly extensive introduction placing Hoccleve's poetry in context. Distributed by David Brown Book Company. Annotation copyrighted by Book News, Inc., Portland, OR
Thomas Hoccleve's Series, written c.1420 was edited for EETS in 1892. This is a new edition of the first two sections and glosses the poems more fully than before. The introduction presents new findings about Hoccleve, whose poems have attracted much attention in recent years.
MEDIEVAL POETRY In a series of original essays from leading literary scholars, this Companion offers a chronological sweep of medieval poetry from Old English to the great genres of romance, narrative, and alliterative poetry of the 15th century. Beginning in the Anglo-Saxon period, the volume explores the Old English language and its alliterative tradition, before moving on to examine the genres of heroic, devotional, wisdom and epic poetry, culminating in a discussion of arguably the founding text of the English literary canon, the great epic Beowulf. In part two, the Companion moves on to discuss the linguistic and social changes brought about as a result of the Norman Conquest, exploring how this influenced the development of literary genres. Essays probe the shifts and continuities in genres such as lyric, chronicle and dream vision, and the emergence of new genres such as popular and courtly romance, and drama. A particular focus is the continuation of the alliterative tradition from the Anglo-Saxon period to the fifteenth century. A series of chapters on major authors, including Chaucer, Gower, and Langland, provide fresh approaches to reading and studying key texts, such as The Canterbury Tales, Piers Plowman and Sir Gawain and the Green Knight. Finally, the collection examines cultural change at the close of the medieval period and the variety of literature produced in the ‘long fifteenth century’, including writing by and for women, Scots poetry, clerical and courtly works, and secular and sacred drama.
Poetry. "The poems in Sunni Wilkinson's THE MARRIAGE OF THE MOON AND THE FIELD show us history, affection, private struggle, and the common life with a kind of grave, irony-tinged happiness that is rare in the poetry of our time. Her poems turn away from complaint, as though she had set out to reveal instead the domestic life of intelligence in all its color, warmth, and depth. This is a very fine debut volume, worth treasuring; and more are sure to follow."�Christopher Howell "There is much of wonder in a first book of poems: a new voice, a freshness, other ways of being and believing. And so it is with Sunni Brown Wilkinson's THE MARRIAGE OF THE MOON AND THE FIELD. There are marvelous poems here, poems that range through the world: Vienna, Juarez, Andalusia, Mozambique, Venice. The poet tells us 'I've looked into the world and found / my own life reassembled and given back to me / with broken glass and a birdsong.' There are poems of family (parents, children, grandparents), our primal world, and there are poems of immigrants, asylum seekers, the displaced. And weaving through all of them there is a sweet charity, a belief in grace, and a tenderness toward existence. There is as well a recognition that tragedy and loss make up a part of our lives, but in Wilkinson's vision these can be redeemed since 'we're verses with a space in between / for our own small hallelujah.' These are poems that 'you can ride...into tomorrow.' Sunni Wilkinson is a welcome new poet for our times."�Joseph Stroud "Sunni Brown Wilkinson's poems sustain a compelling tension between the macro and micro worlds. Scientific facts of the physical realm collide with intimate interiorities. She turns a steely eye and a tender heart toward the experience of living fully in the rush of the NOW and the flickering echoes of what came before. These are lushly rendered poems to savor and/or to devour."�Nance Van Winckel
Aims to provide both background information on and assessments of the lyric. This work includes features of formal and thematic importance: they are rhyme scheme, stanzaic form, the carol genre, love poetry in the manner of the troubadour poets, and devotional poems focusing on the love, and suffering and compassion of Christ and the Virgin Mary.
Theorizing Legal Personhood in Late Medieval England is a collection of eleven essays that explore what might be distinctly medieval and particularly English about legal personhood vis-à-vis the jurisdictional pluralism of late medieval England. Spanning the mid-thirteenth to the mid-sixteenth centuries, the essays in this volume draw on common law, statute law, canon law and natural law in order to investigate emerging and shifting definitions of personhood at the confluence of legal and literary imaginations. These essays contribute new insights into the workings of specific literary texts and provide us with a better grasp of the cultural work of legal argument within the histories of ethics, of the self, and of Eurocentrism. Contributors are Valerie Allen, Candace Barrington, Conrad van Dijk, Toy Fung Tung, Helen Hickey, Andrew Hope, Jana Mathews, Anthony Musson, Eve Salisbury, Jamie Taylor and R.F. Yeager.
Offers a significant new reading of the late medieval poet Thomas Hoccleve, illustrating Hoccleve's role in recasting Chaucer as a figure of intellectual and moral authority, and situating Hoccleve - and the nascent English literary tradition - firmly in the context of heresy and religious reform.
