Follow the fun and crazy adventure of Ales San, when she finds the planner of her favorite entertainer in the world, Hoon HaDo. She, along with her best friend Song Jin Seong, head to South Korea—traveling from city-to-city trying to join the planner with its owner. They not only invade his personal life, but also the show he stars in—Tribal Loco—and the lives of other Korean entertainers. My Adventures with Hoon HaDo is a parody based upon the popular South Korean show Running Man. The uniqueness and familiarity of that goofball variety show is inside.
Follow the fun and crazy adventure of Ales San, when she finds the planner of her favorite entertainer in the world, Hoon HaDo. She, along with her best friend Song Jin Seong, head to South Korea-traveling from city-to-city trying to join the planner with its owner. They not only invade his personal life, but also the show he stars in-Tribal Loco-and the lives of other Korean entertainers.My Adventures with Hoon HaDo is a parody based upon the popular South Korean show Running Man. The uniqueness and familiarity of that goofball variety show is inside.
Follow the fun and crazy adventure of Ales San, when she finds the planner of her favorite entertainer in the world, Hoon HaDo. She, along with her best friend Song Jin Seong, head to South Korea-traveling from city-to-city trying to join the planner with its owner. They not only invade his personal life, but also the show he stars in-Tribal Loco-and the lives of other Korean entertainers. My Adventures with Hoon HaDo is a parody based upon the popular South Korean show Running Man. The uniqueness and familiarity of that goofball variety show is inside.
The largest film industry in the world after Hollywood is celebrated in this updated and expanded edition of a now classic work of reference. Covering the full range of Indian film, this new revised edition of the Encyclopedia of Indian Cinema includes vastly expanded coverage of mainstream productions from the 1970s to the 1990s and, for the first time, a comprehensive name index. Illustrated throughout, there is no comparable guide to the incredible vitality and diversity of historical and contemporary Indian film.
The Industrial Revolution meets the quantum-technology revolution! A steampunk adventure guide to how mind-blowing quantum physics is transforming our understanding of information and energy. Victorian era steam engines and particle physics may seem worlds (as well as centuries) apart, yet a new branch of science, quantum thermodynamics, reenvisions the scientific underpinnings of the Industrial Revolution through the lens of today's roaring quantum information revolution. Classical thermodynamics, understood as the study of engines, energy, and efficiency, needs reimagining to take advantage of quantum mechanics, the basic framework that explores the nature of reality by peering at minute matters, down to the momentum of a single particle. In her exciting new book, intrepid Harvard-trained physicist Dr. Nicole Yunger Halpern introduces these concepts to the uninitiated with what she calls "quantum steampunk," after the fantastical genre that pairs futuristic technologies with Victorian sensibilities. While readers follow the adventures of a rag-tag steampunk crew on trains, dirigibles, and automobiles, they explore questions such as, "Can quantum physics revolutionize engines?" and "What deeper secrets can quantum information reveal about the trajectory of time?" Yunger Halpern also describes her own adventures in the quantum universe and provides an insider's look at the work of the scientists obsessed with its technological promise. Moving from fundamental physics to cutting-edge experimental applications, Quantum Steampunk explores the field's aesthetic, shares its whimsy, and gazes into the potential of a quantum future. The result is a blast for fans of science, science fiction, and fantasy.
This volume collects landmark research in a burgeoning field of visual analytics for linguistics, called LingVis. Combining linguistic data and linguistically oriented research questions with techniques and methodologies developed in the computer science fields of visual analytics and information visualization, LingVis is motivated by the growing need within linguistic research for dealing with large amounts of complex, multidimensional data sets. An innovative exploration into the future of LingVis in the digital age, this foundational book both provides a representation of the current state of the field and communicates its new possibilities for addressing complex linguistic questions across the larger linguistic community.
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
The Indian cinema sells 2.9 billion movie tickets annually, the largest in the world. Yet, as an economic entity, the Indian movie industry remains small, with an annual revenue that is 5% of Hollywood's. This volume throws light on the history of Indian cinema and the circumstances that saw the birth of one of the world's great countercultures.
