Mute Records
Mute Records

Author: Zuleika Beaven

Publisher: Bloomsbury Publishing USA

Published: 2018-12-27

Total Pages: 256

ISBN-13: 150134062X

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Mute Records is one of the most influential, commercially successful, and long-lasting of the British independent record labels formed in the wake of the late-1970's punk explosion. Yet, in comparison with contemporaries such as Rough Trade or Stiff, its legacy remains under-explored. This edited collection addresses Mute's wide-ranging impact. Drawing from disciplines such as popular music studies, musicology, and fan studies, it takes a distinctive, artist-led approach, outlining the history of the label by focusing each chapter on one of its acts. The book covers key moments in the company's evolution, from the first releases by The Normal and Fad Gadget to recent work by Arca and Dirty Electronics. It shines new light on the most successful Mute artists, including Depeche Mode, Nick Cave, Erasure, Moby, and Goldfrapp, while also exploring the label's avant-garde innovators, such as Throbbing Gristle, Mark Stewart, Labaich, Ut, and Swans. Mute Records examines the business and aesthetics of independence through the lens of the label's artists.

Bible In/and Popular Culture
Bible In/and Popular Culture

Author: Philip Culbertson

Publisher: Society of Biblical Lit

Published: 2010-10-10

Total Pages: 219

ISBN-13: 1589834933

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In popular culture, the Bible is generally associated with films: The Passion of the Christ, The Ten Commandments, Jesus of Montreal, and many others. Less attention has been given to the relationship between the Bible and other popular media such as hip-hop, reggae, rock, and country and western music; popular and graphic novels; animated television series; and apocalyptic fantasy. This collection of essays explores a range of media and the way the Bible features in them, applying various hermeneutical approaches, engaging with critical theory, and providing conceptual resources and examples of how the Bible reads popular culture—and how popular culture reads the Bible. This useful resource will be of interest for both biblical and cultural studies. The contributors are Elaine M. Wainwright, Michael Gilmour, Mark McEntire, Dan W. Clanton Jr., Philip Culbertson, Jim Perkinson, Noel Leo Erskine, Tex Sample, Roland Boer, Terry Ray Clark, Steve Taylor, Tina Pippin, Laura Copier, Jaap Kooijman, Caroline Vander Stichele, and Erin Runions.

Cultural Seeds: Essays on the Work of Nick Cave
Cultural Seeds: Essays on the Work of Nick Cave

Author: Tanya Dalziell

Publisher: Routledge

Published: 2016-05-13

Total Pages: 231

ISBN-13: 1317156250

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Nick Cave is now widely recognized as a songwriter, musician, novelist, screenwriter, curator, critic, actor and performer. From the band, The Boys Next Door (1976-1980), to the spoken-word recording, The Secret Life of the Love Song (1998), to the recently acclaimed screenplay of The Proposition (2005) and the Grinderman project (2008), Cave's career spans thirty years and has produced a comprehensive (and sometimes controversial) body of work that has shaped contemporary alternative culture. Despite intense media interest in Cave, there have been remarkably few comprehensive appraisals of his work, its significance and its impact on understandings of popular culture. In addressing this absence, the present volume is both timely and necessary. Cultural Seeds brings together an international range of scholars and practitioners, each of whom is uniquely placed to comment on an aspect of Cave's career. The essays collected here not only generate new ways of seeing and understanding Cave's contributions to contemporary culture, but set up a dialogue between fields all-too-often separated in the academy and in the media. Topics include Cave and the Presley myth; the aberrant masculinity projected by The Birthday Party; the postcolonial Australian-ness of his humour; his interventions in film and his erotics of the sacred. These essays offer compelling insights and provocative arguments about the fluidity of contemporary artistic practice.

CMJ New Music Report
CMJ New Music Report

Author:

Publisher:

Published: 2003-09-01

Total Pages: 60

ISBN-13:

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CMJ New Music Report is the primary source for exclusive charts of non-commercial and college radio airplay and independent and trend-forward retail sales. CMJ's trade publication, compiles playlists for college and non-commercial stations; often a prelude to larger success.

Sympathy for the Devil
Sympathy for the Devil

Author: Dominic Molon

Publisher: Yale University Press

Published: 2007-01-01

Total Pages: 296

ISBN-13: 9780300134261

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Catalogus bij een tentoonstelling over de relatie tussen rockmuziek en avantgardistische kunst sinds de zestiger jaren.

The Music Lover's Guide to Record Collecting
The Music Lover's Guide to Record Collecting

Author: Dave Thompson

Publisher: Hal Leonard Corporation

Published: 2002-09-01

Total Pages: 764

ISBN-13: 1617744921

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From tips for evaluating recordings, to lively discussions of bootlegs and piracy, to the history of recording formats, to collectible artists and more, The Music Lover's Guide to Record Collecting covers all the tracks. Designed for anyone who collects records for pleasure or profit, at garage sales or on eBay, this guide is both informative and entertaining. If offers a wealth of detail and informed opinion – unique in a field dominated by stodgy price guides. Engaging entries and essays explore the development of all recording mediums, from 78s to MP3; the distinctive character of imports; “most collected artists ” from The Beatles to Nirvana; collectible labels, such as Sun, Chess and Motown; original packaging that enhances collectability; and much more.

Mediations in Cultural Spaces
Mediations in Cultural Spaces

Author: John Wall

Publisher: Cambridge Scholars Publishing

Published: 2009-03-26

Total Pages: 235

ISBN-13: 1443807982

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The essays collected in this volume address the cultural and intellectual production of space. Cultures under discussion may be identified at a general level according to notional designations of East and West and range from those of Iran, Turkey, Western Europe and the United States. While the interests, orientations and methodologies of the individual contributions are diverse there is a general tendency to forgo official national and regional discourses of social space in favour of discussions exploring the material and intellectual conditions according to which cultural entities come to see themselves as spatially located and/or dislocated. To this end, this volume brings together philosophical, historical and critical interpretative treatments of virtual space, architecture, music, sculpture, literature, religion, advertising, politics and the cyberspace of the new media. Space is variously conceived in terms of the radical imaginary, metaphor, irruption, intensity, mimesis, ontology, the materiality of the earth, power and emancipation. There is expressed the conviction in these essays that interdisciplinary and eclectic approaches, combined with sustained and critical reflection on concepts of space, contribute to an understanding of space as radically mobile.

New Order
New Order

Author: Dennis Remmer

Publisher: Sonicbond Publishing Ltd

Published: 2023-09-11

Total Pages: 256

ISBN-13: 1789523052

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New Order have produced some of the most influential popular music of the last 40 years. A unique vision of alternative electronic rock, forged in Manchester and exported to the world, the band connected with the alternative-minded as well as the club-centric; the football fan and the artist; the boffin and the aesthete. The journey of New Order to the world has been nothing short of incredible: their punk-ignited founding as Warsaw; the eternally astonishing Joy Division and the rise and fall of Factory Records and The Haçienda. There were many remarkable associations including Martin Hannett, Peter Saville, Tony Wilson, Rob Gretton, Arthur Baker and Michael Shamberg. There were side hustles as BeMusic, Electronic, Revenge, The Other Two, Monaco, Bad Lieutenant, and The Light. Then there were their tragic losses, their unholy messes, their resilience, and, most importantly, the magnificent leftfield music written variously by Bernard Sumner, Peter Hook, Stephen Morris, Gillian Gilbert, Phil Cunningham, and Tom Chapman. This book reviews every song New Order has officially released to date across every album from Movement to Music Complete, plus the many singles, compilations, soundtracks, and other releases. This book is ‘remixed’ (with updated and additional information) from the author’s hugely popular and band-endorsed NewOrderTracks blog. Dennis Remmer lives in Brisbane, Queensland – the capital city of Australia’s own ‘north’; a city renowned for its independent music scene. A lifelong devotee of New Order, Dennis has been applying their influence on a lifetime’s exploration of indie, electronic, and alternative music. Dennis (and his partner Anna) formed the Brisbane record label Trans:Com in 1994, and in 2014 published BNE - The Definitive Archive, which documents the city’s secret history of electronic music production.

The Counter-Narratives of Radical Theology and Popular Music
The Counter-Narratives of Radical Theology and Popular Music

Author: M. Grimshaw

Publisher: Springer

Published: 2014-05-21

Total Pages: 347

ISBN-13: 1137394110

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In this unique collection, theologians born and formed during the Cold War offer their insights and perspectives on theological relationships with such musical artists and groups as Joy Division, U2, Nick Cave, and John Coltrane. These essays demonstrate that one's personal music preferences can inform and influence professional interests.

Bodies, Noise and Power in Industrial Music
Bodies, Noise and Power in Industrial Music

Author: Jason Whittaker

Publisher: Springer Nature

Published: 2022-03-09

Total Pages: 208

ISBN-13: 3030924629

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This edited collection delves into the industrial music genre, exploring the importance of music in (sub)cultural identity formation, and the impact of technology on the production of music. With its roots as early as the 1970s, industrial music emerged as a harsh, transgressive, and radically charged genre. The soundscape of the industrial is intense and powerful, adorned with taboo images, and thematically concerned with authority and control. Elemental to the genre is critical engagement with configurations of the body and related power. Adopting an interdisciplinary approach, this collection analyses the treatment of subjects like the Body (animal, human, machine), Noise (rhythmic, harsh) and Power (authority, institutions, law) in a variety of industrial music’s elements. Throughout the collection, these three subjects are interrogated by examining lyrics, aesthetics, music videos, song writing, performance and audience reception. The chapters have been carefully selected to produce a diverse and intersectional perspective, including work on Black industrial musicians and Arabic and North African women’s collaborations. Rather than providing historical context, the contributors interpret the finer elements of the aesthetics and discourses around physical bodies and power as expressed in the genre, expanding the ‘industrial’ boundary and broadening the focus beyond white European industrial music.