Muslim Tribesmen and the Colonial Encounter in Fiction and on Film
Muslim Tribesmen and the Colonial Encounter in Fiction and on Film

Author: David M. Hart

Publisher: Het Spinhuis

Published: 2001

Total Pages: 144

ISBN-13:

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The bulk of the average Westerner's infinitesimal knowledge of Islam and of Middle Eastern Muslim societies is derived from an image which not only film and television industries portray but also daily and weekly publications as well the media in general. This knowledge of these Muslim societies that are tribally organized appears to be images of violence and terrorism that we associate with the Middle East. In David Hart's view all of this represents the grossest possible misrepresentation. He has singled out a small number of films and works of fiction directed and written by both Westerners as well as Muslims. They tend to show tribesmen as one admittedly small but nonetheless striking segment of the overall Middle Eastern Muslim population, in a more favorable light.

Ethnographic Film
Ethnographic Film

Author: Karl G. Heider

Publisher: University of Texas Press

Published: 2009-04-20

Total Pages: 181

ISBN-13: 0292779399

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From reviews of the first edition: “Ethnographic Film can rightly be considered a film primer for anthropologists.” —Choice “This is an interesting and useful book about what it means to be ethnographic and how this might affect ethnographic filmmaking for the better. It obviously belongs in all departments of anthropology, and most ethnographic filmmakers will want to read it.” —Ethnohistory Even before Robert Flaherty released Nanook of the North in 1922, anthropologists were producing films about the lifeways of native peoples for a public audience, as well as for research and teaching. Ethnographic Film (1976) was one of the first books to provide a comprehensive introduction to this field of visual anthropology, and it quickly became the standard reference. In this new edition, Karl G. Heider thoroughly updates Ethnographic Film to reflect developments in the field over the three decades since its publication, focusing on the work of four seminal filmmakers—Jean Rouch, John Marshall, Robert Gardner, and Timothy Asch. He begins with an introduction to ethnographic film and a history of the medium. He then considers many attributes of ethnographic film, including the crucial need to present "whole acts," "whole bodies," "whole interactions," and "whole people" to preserve the integrity of the cultural context. Heider also discusses numerous aspects of making ethnographic films, from ethics and finances to technical considerations such as film versus video and preserving the filmed record. He concludes with a look at using ethnographic film in teaching.

Discovering Islam
Discovering Islam

Author: Akbar S. Ahmed

Publisher: Taylor & Francis

Published: 2024-11-01

Total Pages: 272

ISBN-13: 1040280404

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Now reissued with a new introduction, Discovering Islam is a classic account of how the history of Islam and its relations with the West have shaped Islamic society today. Islam is often caricatured as aggressive and fanatic. Written in the tradition of Ibn Khaldun, this readable and wide-ranging book balances that image, uncovers the roots of Islamic discontent and celebrates the sources of its strength. From the four "ideal Caliphs" who succeeded the Prophet to the refugee camps of Peshawar, an objective picture emerges of the main features of Muslim history and the compulsions of Muslim society.

Black–Arab Encounters in Literature and Film
Black–Arab Encounters in Literature and Film

Author: Touria Khannous

Publisher: Routledge

Published: 2021-08-27

Total Pages: 162

ISBN-13: 0429871244

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This book investigates how representations of Black Africans have been negotiated over time in Arabic literature and film. The book offers direct readings of a representative selection of primary texts, shedding light on the divergent ways these authors understood race across different genres, including pre-Islamic classical poetry, polemical essays, travel narratives, novels, and films. Starting with the first recognized Black-Arab poet Antara Ibn Shaddad (580 C.E.) and extending right up to the present day, the works examined illuminate the changes in consciousness that attended Black Africans as they negotiated their position in Arab society. In a twist to Edward Said’s Orientalism, the book argues that scholars in the Middle East and North Africa generated a hierarchical representational discourse themselves, one equally predicated on the Self-Other binary. However, it also demonstrates that Arab racial discourse is not a linear rhetoric but changes according to history, political circumstances, and ideologies such as tribal politics, the Shu’ubiyya movement, nationalism, and imperialism. Blacks and Arabs have had tangled relationships that are based not only on race but also on kinship and solidarity due to trade and other types of connections. Challenging fundamental assumptions of Black Diaspora studies and postcolonial studies, this book will be of interest to scholars of the African diaspora, Arabic literature, Middle East studies, and critical race studies.

Memories of the Origins of Ethnographic Film
Memories of the Origins of Ethnographic Film

Author: Beate Engelbrecht

Publisher: Peter Lang Publishing

Published: 2007

Total Pages: 538

ISBN-13:

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Ethnographic Film, which combines documentary filming and anthropological research, originated in the late 19th century. Early on, anthropologists used film to record cultures. Documentary filmmakers in the early 20th century developed different strategies, with technical developments aiding further advances. In the 1950s to 1970s, intense debates among anthropologists, filmmakers and artists, many of whom met regularly at conferences and festivals, took place on the methodology of ethnographic filmmaking. Their discussions were handed on by word of mouth, but rarely recorded or published. In 2001, the pioneers of ethnographic film met in Gottingen and put together their recollections of the genre's Origins, thus giving an unusual insight into the development of ethnographic film.

Cultural Encounters
Cultural Encounters

Author: Elizabeth Hallam

Publisher: Routledge

Published: 2013-11-05

Total Pages: 369

ISBN-13: 1136290060

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Cultural Encounters examines how 'otherness' has been constituted, communicated and transformed in cultural representation. Covering a diverse range of media including film, TV, advertisements, video, photographs, painting, novels, poetry, newspapers and material objects, the contributors, who include Ludmilla Jordanova and Ivan Karp, explore the cultural politics of Europe's encounters with Brazil, India, Israel, Australia and Africa, examining the ways in which visual and textual art forms operate in their treatment of cultural difference.

Black–Arab Encounters in Literature and Film
Black–Arab Encounters in Literature and Film

Author: Touria Khannous

Publisher: Routledge

Published: 2021-08-27

Total Pages: 148

ISBN-13: 0429871236

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This book investigates how representations of Black Africans have been negotiated over time in Arabic literature and film. The book offers direct readings of a representative selection of primary texts, shedding light on the divergent ways these authors understood race across different genres, including pre-Islamic classical poetry, polemical essays, travel narratives, novels, and films. Starting with the first recognized Black-Arab poet Antara Ibn Shaddad (580 C.E.) and extending right up to the present day, the works examined illuminate the changes in consciousness that attended Black Africans as they negotiated their position in Arab society. In a twist to Edward Said’s Orientalism, the book argues that scholars in the Middle East and North Africa generated a hierarchical representational discourse themselves, one equally predicated on the Self-Other binary. However, it also demonstrates that Arab racial discourse is not a linear rhetoric but changes according to history, political circumstances, and ideologies such as tribal politics, the Shu’ubiyya movement, nationalism, and imperialism. Blacks and Arabs have had tangled relationships that are based not only on race but also on kinship and solidarity due to trade and other types of connections. Challenging fundamental assumptions of Black Diaspora studies and postcolonial studies, this book will be of interest to scholars of the African diaspora, Arabic literature, Middle East studies, and critical race studies.

The Advocate
The Advocate

Author:

Publisher:

Published: 2001-08-14

Total Pages: 96

ISBN-13:

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The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States.

Identity Politics on the Israeli Screen
Identity Politics on the Israeli Screen

Author: Yosefa Loshitzky

Publisher: University of Texas Press

Published: 2010-01-01

Total Pages: 250

ISBN-13: 0292778201

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2002 — A Choice Outstanding Academic Book The struggle to forge a collective national identity at the expense of competing plural identities has preoccupied Israeli society since the founding of the state of Israel. In this book, Yosefa Loshitzky explores how major Israeli films of the 1980s and 1990s have contributed significantly to the process of identity formation by reflecting, projecting, and constructing debates around Israeli national identity. Loshitzky focuses on three major foundational sites of the struggle over Israeli identity: the Holocaust, the question of the Orient, and the so-called (in an ironic historical twist of the "Jewish question") Palestinian question. The films she discusses raise fundamental questions about the identity of Jewish Holocaust survivors and their children (the "second generation"), Jewish immigrants from Muslim countries or Mizrahim (particularly the second generation of Israeli Mizrahim), and Palestinians. Recognizing that victimhood marks all the identities represented in the films under discussion, Loshitzky does not treat each identity group as a separate and coherent entity, but rather attempts to see the conflation, interplay, and conflict among them.