Musings On Ars Poetica

Musings On Ars Poetica

Author: Bill F. Ndi

Publisher: African Books Collective

Published: 2009

Total Pages: 106

ISBN-13: 9956558435

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A literary monument erected by a poet for poets with a vision for poetry as a special annunciation and the poet as a seer, spokesperson, recorder, analyst, adjudicator and advocate with poetic vision and poetic understanding. Bill Ndi, the poet has the rare gift of slipping into the self and psyche of his society to empty the dark depths where the treasures of burden and sadness are hidden. He empties and exposes them to the world to see how even personal repression of feelings by far outweighs those imposed throughout History by tyrants. It is above all, his greatest task of filling these depths with the joys and expectations of the society. This objective stance by the poet places him above the fanatic whose subjectivity pushes the world adrift and makes of the poet a universal man of peace.


More Poems and Further Musings

More Poems and Further Musings

Author: J. Philip Goldberg

Publisher: novum publishing

Published: 2020-06-03

Total Pages: 64

ISBN-13: 1642681555

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"More Poems and Further Musings" is a book of poetry by the acclaimed poet J. Philip Goldberg. In his own unique style, he treats us to his musings that range from the meaning of life to nothing. He gives us pictures of his childhood and the people he's known on his long life journey and his thoughts on life, death, and the oddities of language. Along with memories from his own life memorialized in verse, he offers his version of standard and unusual poetic styles such as the Haiku, Ubi sunt, and the Pantoum, and pays special homage to writers like Mark Twain and Dr. Seuss, and the patron saint of music, St. Cecelia.


The Writer, Resistance, and Anticipation of Freedom

The Writer, Resistance, and Anticipation of Freedom

Author: Hassan Yosimbom

Publisher: African Books Collective

Published: 2024-03-09

Total Pages: 330

ISBN-13: 995655359X

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Drawing on the ever contentious and antagonistic relationship between the writer and the state, especially in the postcolony, the chapters assembled in this collection delineate Bill F. Ndi, the poet and playwright’s arduous and sometimes dangerous role as a custodian or guardian of the socioeconomics and politico-cultures of the Cameroonian postcolony and Africa at large. The chapters insist that granted The Cameroons’ quadruple experience of colonialism (through the Germans, the French, the British and La République du Cameroun), Cameroun and British Southern Cameroons’ history needs to purge itself of the epistemic and ontological violence of Francophonecentric historiography. “Bill F. Ndi possesses a unique and powerful voice within the Cameroonian literary scene and this apposite volume of critical essays attempts not only to situate him properly within that domain but also to significantly augment his already considerable stature.” Sanya Osha, University of Cape Town, South Africa “Bill F. Ndi is an unapologetic and committed firebrand writer with a position that refuses to seek validation from the same who oppress and blackball black writing. Hassan Yosimbom’s book is a testimony to Ndi’s resolve to resist anything that stands in the way of his people’s freedom.” Koua Viviane, PhD. (Comparative literature, Limoges: France), College of Liberal Arts, Auburn University, Auburn Alabama. “This book is a work of the utmost importance to understand the subtleties and complexities of the anglophone Cameroonian crisis and ongoing civil war in the Cameroons.” Professor Aghi Bahi, Université Félix Houphouët-Boigny, Abidjan, Côte d’Ivoire “In this book, Yosimbom delves into the intricate impact of imperialism by examining the works of Bill F. Ndi, a modern postcolonial writer of British Southern Cameroons extraction. The book is a compelling analysis of the relationship between writers and the state. It stresses the need to challenge Francophone-centric views and empower the marginalized and oppressed Anglophones in the Cameroons. Brought to the limelight is the rootedness of this historical imbalance and its perpetuation by Francophone-dominated regimes and the complicit panhandling Anglophone elites. Addressed are the themes of peace, identity, autonomy, resilience, and resistance…” Maimo Mary Mah, Development Communication Specialist/Consultant Drawing on the ever contentious and antagonistic relationship between the writer and the state, especially in the postcolony, the chapters assembled in this collection delineate Bill F. Ndi, the poet and playwright’s arduous and sometimes dangerous role as a custodian or guardian of the socioeconomics and politico-cultures of the Cameroonian postcolony and Africa at large. The chapters insist that granted The Cameroons’ quadruple experience of colonialism (through the Germans, the French, the British and La République du Cameroun), Cameroun and British Southern Cameroons’ history needs to purge itself of the epistemic and ontological violence of Francophonecentric historiography. “Bill F. Ndi possesses a unique and powerful voice within the Cameroonian literary scene and this apposite volume of critical essays attempts not only to situate him properly within that domain but also to significantly augment his already considerable stature.” Sanya Osha, University of Cape Town, South Africa “Bill F. Ndi is an unapologetic and committed firebrand writer with a position that refuses to seek validation from the same who oppress and blackball black writing. Hassan Yosimbom’s book is a testimony to Ndi’s resolve to resist anything that stands in the way of his people’s freedom.” Koua Viviane, PhD. (Comparative literature, Limoges: France), College of Liberal Arts, Auburn University, Auburn Alabama. “This book is a work of the utmost importance to understand the subtleties and complexities of the anglophone Cameroonian crisis and ongoing civil war in the Cameroons.” Professor Aghi Bahi, Université Félix Houphouët-Boigny, Abidjan, Côte d’Ivoire “In this book, Yosimbom delves into the intricate impact of imperialism by examining the works of Bill F. Ndi, a modern postcolonial writer of British Southern Cameroons extraction. The book is a compelling analysis of the relationship between writers and the state. It stresses the need to challenge Francophone-centric views and empower the marginalized and oppressed Anglophones in the Cameroons. Brought to the limelight is the rootedness of this historical imbalance and its perpetuation by Francophone-dominated regimes and the complicit panhandling Anglophone elites. Addressed are the themes of peace, identity, autonomy, resilience, and resistance…” Maimo Mary Mah, Development Communication Specialist/Consultant


ARS POETICA

ARS POETICA

Author: Harriet Slaughter

Publisher: Trafford Publishing

Published: 2014-02

Total Pages: 207

ISBN-13: 149072401X

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"Ars Poetica" explores a collection of poems and original paintings that celebrates the imagination. The poems speak volumes and the paintings echo their imagery, all drawn from a woman's point of view.


Horace's Ars Poetica

Horace's Ars Poetica

Author: Jennifer Ferriss-Hill

Publisher: Princeton University Press

Published: 2019-11-12

Total Pages: 348

ISBN-13: 0691195021

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A major reinterpretation of Horace's famous literary manual For two millennia, the Ars Poetica (Art of Poetry), the 476-line literary treatise in verse with which Horace closed his career, has served as a paradigmatic manual for writers. Rarely has it been considered as a poem in its own right, or else it has been disparaged as a great poet's baffling outlier. Here, Jennifer Ferriss-Hill for the first time fully reintegrates the Ars Poetica into Horace's oeuvre, reading the poem as a coherent, complete, and exceptional literary artifact intimately linked with the larger themes pervading his work. Arguing that the poem can be interpreted as a manual on how to live masquerading as a handbook on poetry, Ferriss-Hill traces its key themes to show that they extend beyond poetry to encompass friendship, laughter, intergenerational relationships, and human endeavor. If the poem is read for how it expresses itself, moreover, it emerges as an exemplum of art in which judicious repetitions of words and ideas join disparate parts into a seamless whole that nevertheless lends itself to being remade upon every reading. Establishing the Ars Poetica as a logical evolution of Horace's work, this book promises to inspire a long overdue reconsideration of a hugely influential yet misunderstood poem.


Nomenclatural Poetization and Globalization

Nomenclatural Poetization and Globalization

Author: Ankumah, Adaku T.

Publisher: Langaa RPCIG

Published: 2014-10-20

Total Pages: 260

ISBN-13: 9956792993

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This prolific collection of essays, with contributions from scholars from across several disciplines, on the practice and implications of naming - Nomenclatural Poetization and Globalization - explores diverse concerns in onomastics, such as cultural and ethnic implications as well as individual identity formation processes in the age of Globalization and extends these to a variety of contemporary theories of appreciation and internationalization.


Musing

Musing

Author: Jonathan Locke Hart

Publisher: Athabasca University Press

Published: 2011

Total Pages: 145

ISBN-13: 1897425902

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Musing is a book of sonnets, combining one of poetry's most classic forms with history and landscape. Ranging from the traditional to the innovative, Jonathan Locke Hart captures a piece of European poetic flavour and mingles the experience with North American artistic flair.


A Basket of Kola Nuts

A Basket of Kola Nuts

Author: Bongasu-Tanla-Kishani

Publisher: African Books Collective

Published: 2009

Total Pages: 88

ISBN-13: 9956558559

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Bold, original and stimulating in its inspirational insights, A Basket of Kola Nuts explores Cameroonís cultures as remarkable pivots of moral rectitude and such sickening vicious-circles as bribery and corruption. Ethnically grass-rooted and globalizing rather than alarmingly exotic and exclusive, this poetic diction of form-content aims at revitalizing its material contents to sever it from extinction and revamp cultural values that break the patience of silence to question deviation rather than the concrete interface of cultural identities and differences. Uprightly appealing, this poetry gathers kola seeds that fall apart in crisis to invite readers world-wide to taste its kolaly aroma.


The Cameroonian Novel of English Expression. An Introduction

The Cameroonian Novel of English Expression. An Introduction

Author: A. Ambanasom

Publisher: African Books Collective

Published: 2009-08-15

Total Pages: 234

ISBN-13: 9956716340

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Initially considered something of a black sheep within the Anglophone Cameroon literary genres, the Anglophone novel has gradually grown to carve out a respectable niche for itself in the Anglophone Cameroon sub-system, imposing itself in a way that makes it impossible for critics to ignore it. Now a vibrant genre, it even threatens to overtake drama and poetry, both of which have enjoyed more critical attention. This book is a study of how Anglophone Cameroon has contributed in extending the possibilities of the novel as a literary form, and of some of the established conventions necessary for a fruitful evaluation of the growing body of the Cameroonian novel in English. In this eclectic and compelling book, Ambanasom sets out to achieve three primary objectives: to introduce the reader to the extensive body of Cameroonian novels in English, to re-examine the distorting and limiting criteria upon which the critical assessment of the Cameroonian novel in English has so far been based, and to bridge the widening chasm between literary theory and actual critical practice. To achieve these objectives, Ambanasom begins by elaborating an alternative and flexible theoretical framework which he christens the 'Socio-Artistic Approach' and which, according to him, is 'concerned with both a text's thematic, moral, cultural or ideological issues, on the one hand, and its central literary analysis, on the other.' He then proceeds to use this new critical framework to examine twenty-seven major Cameroonian novels in English. There are critical voices, already emerging within the Anglophone Cameroonian literary circles, calling for rigorous teaching and practice of theory in the interpretation of literary works, setting in motion a critical discourse. Such a call is salutary, and welcome. Those university lecturers whose responsibility it is to teach theoretical courses should take this call very seriously, moving from theory to hands-on practice. This book is Ambanasom's contribution to that critical debate.