Musicals at the Margins

Musicals at the Margins

Author: Julie Lobalzo Wright

Publisher: Bloomsbury Publishing USA

Published: 2021-04-22

Total Pages: 271

ISBN-13: 1501357107

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But is it a musical? This question is regularly asked of films, television shows and other media objects that sit uncomfortably in the category despite evident musical connections. Musicals at the Margins argues that instead of seeking to resolve such questions, we should leave them unanswered and unsettled, proposing that there is value in examining the unstable edges of genre. This collection explores the marginal musical in a diverse range of historical and global contexts. It encompasses a range of different forms of marginality including boundary texts (films/media that are sort of/not quite musicals), musical sequences (marginalized sequences in musicals; musical sequences in non-musicals), music films, musicals of the margins (musicals produced from social, cultural, geographical, and geopolitical margins), and musicals across media (television and new media). Ultimately these essays argue that marginal genre texts tell us a great deal about the musical specifically and genre more broadly.


Musicals at the Margins

Musicals at the Margins

Author: Julie Lobalzo Wright

Publisher:

Published: 2022-11-17

Total Pages: 0

ISBN-13: 150137852X

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But is it a musical? This question is regularly asked of films, television shows and other media objects that sit uncomfortably in the category despite evident musical connections. Musicals at the Margins argues that instead of seeking to resolve such questions, we should leave them unanswered and unsettled, proposing that there is value in examining the unstable edges of genre. This collection explores the marginal musical in a diverse range of historical and global contexts. It encompasses a range of different forms of marginality including boundary texts (films/media that are sort of/not quite musicals), musical sequences (marginalized sequences in musicals; musical sequences in non-musicals), music films, musicals of the margins (musicals produced from social, cultural, geographical, and geopolitical margins), and musicals across media (television and new media). Ultimately these essays argue that marginal genre texts tell us a great deal about the musical specifically and genre more broadly.


A Problem Like Maria

A Problem Like Maria

Author: Stacy Ellen Wolf

Publisher: University of Michigan Press

Published: 2002

Total Pages: 316

ISBN-13: 9780472067725

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The Broadway tomboys, rebel nuns, and funny girls, who upset the 1950s gender norms: Mary Martin, Ethel Merman, Julie Andrews, and Barbra Streisand


The Movie Musical

The Movie Musical

Author: Desirée J. Garcia

Publisher: Rutgers University Press

Published: 2021-01-15

Total Pages: 153

ISBN-13: 197880380X

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Putting Asian and European musicals into conversation with Hollywood classics like Singin’ in the Rain and La La Land, this study demonstrates the flexibility and durability of the genre. It explores how the movie musical mediates between nostalgia and technical innovation, while foregrounding the experiences of women, immigrants, and people of color.


Conditions and Needs of the Professional American Theatre

Conditions and Needs of the Professional American Theatre

Author: National Endowment for the Arts. Research Division

Publisher:

Published: 1981

Total Pages: 140

ISBN-13:

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Theater activity, finances, and employment are examined in a report which summarizes research findings and recommendations originally included in a two-part study entitled, "The Conditions and Needs of the Live Professional Theatre in America." Findings indicated that a substantial increase in federal funds is required to insure the future stability of professional theater in the United States. Theater activity has increased regionally, because of the growth of nonprofit regional theaters and the emergence of truck and bus touring operations. Almost all of the current nonprofit theaters have been founded in the last 20 years, resulting in significant changes in U.S. theater. Theater audiences are better educated and more affluent than the general population. That the economic effects of theatre production are substantial is supported by statistics indicating an almost 300 million dollar contribution to the national economy. While total actor employment has increased, it has not done so as quickly as union membership has grown, and most actors receive low salaries. The study concluded that in the future the theater may have to further control costs and raise revenues, become more dependent on contributions, or decrease its level of activity due to financial constraints. Figures and tables are included. (JHP)


Oz and the Musical

Oz and the Musical

Author: Ryan Bunch

Publisher: Oxford University Press

Published: 2022

Total Pages: 233

ISBN-13: 0190843136

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"The Wizard is a lovable humbug, an artful salesman who gives his customers something to believe in, even if the thing is known to be pretend. Playing a role, he presents Dorothy's friends with talismans of brains, heart and courage and takes pride in showing them how he accomplished his illusions. Why do Dorothy's friends put their faith in the Wizard's abilities to grant their requests even after he has shown them that he has only been putting on a show? Perhaps his virtuoso performances inspire their own, and ours too. His humbug guides the philosophy of The Wonderful Wizard of Oz and the theatrical style of the first Oz musical, the extravaganza of 1902, with implications for "American" performance and participation"--


Hollywood Musicals

Hollywood Musicals

Author: Steven Cohan

Publisher: Routledge

Published: 2019-09-16

Total Pages: 238

ISBN-13: 1351018728

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Hollywood Musicals offers an insightful account of a genre that was once a mainstay of twentieth-century film production and continues to draw audiences today. What is a film musical? How do musicals work, formally and culturally? Why have they endured since the introduction of sound in the late 1920s? What makes them more than glittery surfaces or escapist fare? In answering such questions, this guidebook by Steven Cohan takes new and familiar viewers on a tour of Hollywood musicals. Chapters discuss definitions of the genre, its long history, different modes of analyzing it, the great stars of the classic era, and auteur directors. Highlights include extended discussions of such celebrated musicals from the studio era as The Love Parade, Top Hat, Holiday Inn, Stormy Weather, The Gang’s All Here, Meet Me in St. Louis, Cover Girl, Mother Wore Tights, Singin’ in the Rain, Gentlemen Prefer Blondes, The Band Wagon, Seven Brides for Seven Brothers, and Jailhouse Rock as well as later films such as Cabaret, All that Jazz, Beauty and the Beast, and La La Land. Cohan brings in numerous other examples that amplify and extend to the present day his claims about the musical, its generic coherence and flexibility, its long and distinguished history, its special appeal, and its cultural significance. Clear and accessible, this guide provides students of film and culture with a succinct but substantial overview that provides both analysis and intersectional context to one of Hollywood’s most beloved genres.


The Fantasticks

The Fantasticks

Author: Harvey Schmidt

Publisher: Hal Leonard Corporation

Published: 2000-02

Total Pages: 180

ISBN-13: 9781557831415

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The Fantasticks tells an age-old tale. Its ingredients are simple: a boy, a girl, two fathers, and a wall. Its scenery, a tattered cardboard moon, hovers over an empty wooden platform. With these bare essentials, Jones and Schmdt launched a theatrical phenomenon unmatched the world over.


Wonderful Design

Wonderful Design

Author: Lloyd Whitesell

Publisher: Oxford University Press

Published: 2018-07-06

Total Pages: 269

ISBN-13: 0190843845

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As one of the most beloved and beguiling genres of entertainment, the film musical wears its style ostentatiously. The genre allows for hyperbolic expression, extravagant sonic and visual decor, and extremely stylized forms of movement and performance. By staging a glittering spectacle, by releasing a current of lush sentiment, by unveiling a world of elegance and romance, the film musical woos us with patterns, textures, finesse and sensory display. In this book, author Lloyd Whitesell asks what, exactly, makes film musicals so glamorous. As he argues, glamour projects an aura of ethereality or sophistication by way of suave deportment, sensuous textures, elevated styles, and aesthetically refined effects. Glamour, in other words, is what unites "Cheek to Cheek" from Top Hat and the title song from Beauty and the Beast, each a sonic evocation of luxury, sparkle, grace, and finesse. Whitesell redirects our attention from visual cues like sequins and evening gloves to explore how glamour resides in the sonic. Discussing dozens of musical numbers, analyzing ingenious orchestration, and appraising the distinctive styles of favorite musical stars, Whitesell illuminates fundamental traits of the genre, its aesthetic strategies, and cultural ambitions.