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Author: Mariusz Kozak
Publisher:
Published: 2020
Total Pages: 325
ISBN-13: 0190080205
DOWNLOAD EBOOKA compelling approach among works on temporality, phenomenology, and the ecologies of the new sound worlds, Enacting Musical Time argues that musical time is itself the site of the interaction between musical sounds and a situated, embodied listener, created by the moving bodies of participants engaged in musical activities.
Author: Justin London
Publisher: Oxford University Press
Published: 2012-05-24
Total Pages: 251
ISBN-13: 0199744378
DOWNLOAD EBOOKWhen we hear music we don't just listen; we move along with it. Hearing in Time explores our innate propensity for rhythmic synchronization, drawing on research in music psychology, neurobiology, music theory, and mathematics. It looks at music from a wide range of musical styles and cultures.
Author: Guerino Mazzola
Publisher: Springer Nature
Published: 2021-11-15
Total Pages: 265
ISBN-13: 3030856291
DOWNLOAD EBOOKThis book is a comprehensive examination of the conception, perception, performance, and composition of time in music across time and culture. It surveys the literature of time in mathematics, philosophy, psychology, music theory, and somatic studies (medicine and disability studies) and looks ahead through original research in performance, composition, psychology, and education. It is the first monograph solely devoted to the theory of construction of musical time since Kramer in 1988, with new insights, mathematical precision, and an expansive global and historical context. The mathematical methods applied for the construction of musical time are totally new. They relate to category theory (projective limits) and the mathematical theory of gestures. These methods and results extend the music theory of time but also apply to the applied performative understanding of making music. In addition, it is the very first approach to a constructive theory of time, deduced from the recent theory of musical gestures and their categories. Making Musical Time is intended for a wide audience of scholars with interest in music. These include mathematicians, music theorists, (ethno)musicologists, music psychologists / educators / therapists, music performers, philosophers of music, audiologists, and acousticians.
Author: Ed Soph
Publisher: Carl Fischer, L.L.C.
Published: 2004
Total Pages: 68
ISBN-13: 0825856388
DOWNLOAD EBOOKSkole for trommesæt.
Author: Eben Graves
Publisher: Indiana University Press
Published: 2022-10-04
Total Pages: 252
ISBN-13: 0253064406
DOWNLOAD EBOOKHow do the temporal features of sacred music affect social life in South Asia? Due to new time constraints in commercial contexts, devotional musicians in Bengal have adapted longstanding features of musical time linked with religious practice to promote their own musical careers. The Politics of Musical Time traces a lineage of singers performing a Hindu devotional song known as kīrtan in the Bengal region of India over the past century to demonstrate the shifting meanings and practices of devotional performance. Focusing on padābalī kīrtan, a type of devotional sung poetry that uses long-duration forms and combines song and storytelling, Eben Graves examines how expressions of religious affect and political belonging linked with the genre become strained in contemporary, shortened performance time frames. To illustrate the political economy of performance in South Asia, Graves also explores how religious performances and texts interact with issues of nationalism, gender, and economic exchange. Combining ethnography, history, and performance analysis, including videos from the author's fieldwork, The Politics of Musical Time reveals how ideas about the sacred and the modern have been expressed and contested through features of musical time found in devotional performance.
Author: Donna McKechnie
Publisher: Simon and Schuster
Published: 2006
Total Pages: 305
ISBN-13: 0743255208
DOWNLOAD EBOOKA poignant and revealing memoir from a legendary Tony Award-winning actress, singer, dancer, and choreographer who has been a mainstay on and off Broadway since 1961 chronicles her life, her triumphs, and her dazzling career.
Author: Daniel Barenboim
Publisher: Verso
Published: 2008
Total Pages: 200
ISBN-13:
DOWNLOAD EBOOKFrom Israel's most celebrated musician and outspoken critic comes an examination of the power of music to transform society.
Author: Barbara R. Barry
Publisher: Pendragon Press
Published: 1990
Total Pages: 410
ISBN-13: 9780945193012
DOWNLOAD EBOOKIn order for musical structure to be understood and appreciated as coherent design, the raw material must be shaped and clarified by the listener's perceptual processes of selection and organization. Going beyond the boundaries of traditional analytic observation, Barbara Barry explores the concept of experiential time in a specifically musical and philosophic context, delving into the aspects of perceptual process (the interrelationship between subjective and objective perception of musical compositions and performance). A wealth of published experimental findings and writings on music theory and the philosophy of time are cited, accompanied by numerous musical examples, here brought together in a supporting interpretation and theoretical exemplification.
Author: Gwendolyn Hooks
Publisher:
Published: 2017-03-15
Total Pages: 0
ISBN-13: 9781536405941
DOWNLOAD EBOOKHenry's drum practice at home is too loud so he goes outside and when he sees his friends playing jump rope he figures out a way to play drums and play with his friends.
Author: Thomas Reiner
Publisher: Peter Lang Incorporated, International Academic Publishers
Published: 2000
Total Pages: 272
ISBN-13:
DOWNLOAD EBOOKSemiotics of Musical Time investigates the link between musical time and the world of signs and symbols. It examines the extent to which musical time is a product of signs, sign systems, and sign-oriented behavior. Sound is discussed as a potential sign of time and of musical time. Inherent and recognizable temporal features are identified in a number of musical works. Time as a compositional concern is examined in the case of Igor Stravinsky and Karlheinz Stockhausen. A principal distinction between hearing associated with perception and listening associated with cognition provides the basis for the proposition that musical time is both unheard and imperceptible. The role of concepts, and their designations, is investigated to demonstrate that consciousness of musical time involves semiotic processes.
