Nineteenth-Century Piano Music
Author: R. Larry Todd
Publisher: Routledge
Published: 2013-10-08
Total Pages: 488
ISBN-13: 1136731288
DOWNLOAD EBOOKFirst Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
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All Music Guide to Classical Music
Author: Chris Woodstra
Publisher: Hal Leonard Corporation
Published: 2005
Total Pages: 1620
ISBN-13: 9780879308650
DOWNLOAD EBOOKOffering comprehensive coverage of classical music, this guide surveys more than eleven thousand albums and presents biographies of five hundred composers and eight hundred performers, as well as twenty-three essays on forms, eras, and genres of classical music. Original.
Music of the Twentieth Century
Author: Ton de Leeuw
Publisher: Amsterdam University Press
Published: 2005
Total Pages: 223
ISBN-13: 9053567658
DOWNLOAD EBOOKTon de Leeuw was a truly groundbreaking composer. As evidenced by his pioneering study of compositional methods that melded Eastern traditional music with Western musical theory, he had a profound understanding of the complex and often divisive history of twentieth-century music. Now his renowned chronicle Music of the Twentieth Century is offered here in a newly revised English-language edition. Music of the Twentieth Century goes beyond a historical survey with its lucid and impassioned discussion of the elements, structures, compositional principles, and terminologies of twentieth-century music. De Leeuw draws on his experience as a composer, teacher, and music scholar of non-European music traditions, including Indian, Indonesian, and Japanese music, to examine how musical innovations that developed during the twentieth century transformed musical theory, composition, and scholarly thought around the globe.
Musicology: The Key Concepts
Author: David Beard
Publisher: Routledge
Published: 2016-01-22
Total Pages: 402
ISBN-13: 131729808X
DOWNLOAD EBOOKNow in an updated 2nd edition, Musicology: The Key Concepts is a handy A-Z reference guide to the terms and concepts associated with contemporary musicology. Drawing on critical theory with a focus on new musicology, this updated edition contains over 35 new entries including: Autobiography Music and Conflict Deconstruction Postcolonialism Disability Music after 9/11 Masculinity Gay Musicology Aesthetics Ethnicity Interpretation Subjectivity With all entries updated, and suggestions for further reading throughout, this text is an essential resource for all students of music, musicology, and wider performance related humanities disciplines.
The Music of Johannes Brahms
Author: Bernard Jacobson
Publisher: London : Tantivy Press ; Rutherford, N.J. : Fairleigh Dickinson University Press
Published: 1977
Total Pages: 240
ISBN-13:
DOWNLOAD EBOOKFor too long Brahms has been considered a "heavy" or "thickly textured" composer. The author, who has made a special study of his music, shows how, once this misconception has been exploded, there are few obstacles left in the way of understanding this most misunderstood of romantic composers. Brahms's music looked both forward to the present day and backward to the early Polyphonists from its standpoint in the nineteenth century. Ranging freely across his entire output, the author discusses Brahms's rhythmic vitality, his symphonic thought, and individual approach to scouring. A meticulous and fastidious worker who destroyed more than he allowed to be published, Brahms the man was as complex a character as his music. The author provides an effortless guide to the many, frequently hidden, beauties of his works.
The Cambridge Companion to Brahms
Author: Michael Musgrave
Publisher: Cambridge University Press
Published: 1999-05-27
Total Pages: 352
ISBN-13: 1139825305
DOWNLOAD EBOOKThis Companion gives a comprehensive view of the German composer Johannes Brahms (1833–97). Twelve specially-commissioned chapters by leading scholars and musicians provide systematic coverage of the composer's life and works. Their essays represent recent research and reflect changing attitudes towards a composer whose public image has long been out-of-date. The first part of the book contains three chapters on Brahms's early life in Hamburg and on the middle and later years in Vienna. The central section considers the musical works in all genres, while the last part of the book offers personal accounts and responses from a conductor (Roger Norrington), a composer (Hugh Wood), and an editor of Brahms's original manuscripts (Robert Pascall). The volume as a whole is an important addition to Brahms scholarship and provides indispensable information for all students and enthusiasts of Brahms's music.
British Musical Modernism
Author: Philip Ernst Rupprecht
Publisher: Cambridge University Press
Published: 2015-07-09
Total Pages: 507
ISBN-13: 0521844487
DOWNLOAD EBOOKThe first in-depth historical analysis of British art music post-1945, providing a group-portrait of eleven composers ranging from avant-garde to pop.
The Music Instinct
Author: Philip Ball
Publisher: Oxford University Press
Published: 2010-09-02
Total Pages: 464
ISBN-13: 0199780072
DOWNLOAD EBOOKFrom Bach fugues to Indonesian gamelan, from nursery rhymes to rock, music has cast its light into every corner of human culture. But why music excites such deep passions, and how we make sense of musical sound at all, are questions that have until recently remained unanswered. Now in The Music Instinct, award-winning writer Philip Ball provides the first comprehensive, accessible survey of what is known--and still unknown--about how music works its magic, and why, as much as eating and sleeping, it seems indispensable to humanity. Deftly weaving together the latest findings in brain science with history, mathematics, and philosophy, The Music Instinct not only deepens our appreciation of the music we love, but shows that we would not be ourselves without it. The Sunday Times hailed it as "a wonderful account of why music matters," with Ball's "passion for music evident on every page."
Schenker Studies
Author: Hedi Siegel
Publisher: Cambridge University Press
Published: 1990-02-23
Total Pages: 234
ISBN-13: 9780521360388
DOWNLOAD EBOOKThe essays contained in this volume provide a focus on the work of the music theorist Heinrich Schenker - a figure of legendary status who has had an incalculable influence on developments in music theory and analysis in this century. His theories, not always fully understood, have aroused some controversy. The broad spectrum of essays presented here will help clarify Schenker's ideas and their application and will also serve as a useful introduction to his work for music theorists. The essays, written by fourteen leading theorists, originate in papers delivered at the Schenker Symposium held at The Mannes College of Music, New York in 1985.
