Seventeenth-century Ireland
Seventeenth-century Ireland

Author: Brendan Fitzpatrick

Publisher: Rowman & Littlefield

Published: 1989

Total Pages: 324

ISBN-13: 9780389208143

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Seventeenth Century Irelandwas chosen by CHOICEfor the 1989-1990 Outstanding Academic Books and Nonprint Material (OABN) list. The OABN list includes only the top 10% of all books reviewed by CHOICE in 1989. Contents: Introduction; Identities and Allegiances, 1603-25; The Crown and the Catholics: Royal Government and Policy 1625-37; Fateful Ideologies: The Stuart Inheritance; Wentworth and the Ulster Crisis, 1638-9; On the Eve of Revolution, 1639-41; 1641: The Plot That Never Was; Insurrection and Confederation, 1641-4; In Search of a Settlement: Ormond, Rinuccini and Cromwell, 1645-53; Theology and the Politics of Sovereignty: Jansenist, Jesuit and Franciscan; Ideologies in Conflict, 1660-91; References; Bibliography; Index R

Traditional Music and Irish Society: Historical Perspectives
Traditional Music and Irish Society: Historical Perspectives

Author: Martin Dowling

Publisher: Routledge

Published: 2016-02-24

Total Pages: 369

ISBN-13: 1317008413

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Written from the perspective of a scholar and performer, Traditional Music and Irish Society investigates the relation of traditional music to Irish modernity. The opening chapter integrates a thorough survey of the early sources of Irish music with recent work on Irish social history in the eighteenth century to explore the question of the antiquity of the tradition and the class locations of its origins. Dowling argues in the second chapter that the formation of what is today called Irish traditional music occurred alongside the economic and political modernization of European society in the late eighteenth and early nineteenth centuries. Dowling goes on to illustrate the public discourse on music during the Irish revival in newspapers and journals from the 1880s to the First World War, also drawing on the works of Pierre Bourdieu and Jacques Lacan to place the field of music within the public sphere of nationalist politics and cultural revival in these decades. The situation of music and song in the Irish literary revival is then reflected and interpreted in the life and work of James Joyce, and Dowling includes treatment of Joyce’s short stories A Mother and The Dead and the 'Sirens' chapter of Ulysses. Dowling conducted field work with Northern Irish musicians during 2004 and 2005, and also reflects directly on his own experience performing and working with musicians and arts organizations in order to conclude with an assessment of the current state of traditional music and cultural negotiation in Northern Ireland in the second decade of the twenty-first century.

Music in the Seventeenth Century
Music in the Seventeenth Century

Author: Lorenzo Bianconi

Publisher: Cambridge University Press

Published: 1987-11-26

Total Pages: 364

ISBN-13: 9780521269155

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Examines musical life in the seventeenth century, a period of profound change in the history of music.

John Birchensha: Writings on Music
John Birchensha: Writings on Music

Author: Christopher D.S. Field

Publisher: Routledge

Published: 2017-07-05

Total Pages: 342

ISBN-13: 1351561588

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John Birchensha (c.1605-?1681) is chiefly remembered for the impression that his theories about music made on the mathematicians, natural philosophers and virtuosi of the Royal Society in the 1660s and 1670s, and for inventing a system that he claimed would enable even those without practical experience of music to learn to compose in a short time by means of 'a few easy, certain, and perfect Rules'-his most famous composition pupil being Samuel Pepys in 1662. His great aim was to publish a treatise on music in its philosophical, mathematical and practical aspects (which would have included a definitive summary of his rules of composition), entitled Syntagma music Subscriptions for this book were invited in 1672-3, and it was due to be published by March 1675; but it never appeared, and no final manuscript of it survives. Consequently knowledge about his work has hitherto remained extremely sketchy. Recent research, however, has brought to light a number of manuscripts which allow us at last to form a more complete view of Birchensha's ideas. Almost none of this material has been previously published. The new items include an autograph treatise of c.1664 ('A Compendious Discourse of the Principles of the Practicall & Mathematicall Partes of Musick') which Birchensha presented to the natural philosopher Robert Boyle, and which covers concisely much of the ground that he intended to cover in Syntagma music a detailed synopsis for Syntagma music hich he prepared for a meeting of the Royal Society in February 1676; and an autograph notebook (now in Brussels) containing his six rules of composition with music examples, presumably written for a pupil. Bringing all this material together in a single volume will allow scholars to see how Birchensha's rules and theories developed over a period of fifteen years, and to gain at least a flavour of the lost Syntagma music