Music for Multi-Percussion: A World View is designed as a progression of complex skills required to play multi-percussion. Ten percussion solos and two duets are presented with the intention of being performed in recitals, auditions, studio classes and contests. The collection of solos and duets is organized into four categories which focus on specific skill sets: Category 1: Single instruments (or instrument set) Category 2: Changing implements on a single instrument (or instrument set) Category 3: Multiple instruments and implements Category 4: Three- and four-way coordination
Music for Multi-Percussion: A World View is designed as a progression of complex skills required to play multi-percussion. Ten percussion solos and two duets are presented with the intention of being performed in recitals, auditions, studio classes and contests. The collection of solos and duets is organized into four categories which focus on specific skill sets: Category 1: Single instruments (or instrument set) Category 2: Changing implements on a single instrument (or instrument set) Category 3: Multiple instruments and implements Category 4: Three- and four-way coordination
Commissioned by renowned percussionist Dame Evelyn Glennie, Psathas’ Drum Dances (1993) is a standard for drum kit and piano repertoire. Each of the four movements in this work were stimulated by a certain rhythmic interaction possible between two performers. The performers gradually transition from battling for superiority to working together throughout the work as they navigate material ranging from from a loosely-written stately dance to very tight and syncopated rhythmic interaction.
George Lawrence Stone's Accents and Rebounds, the follow-up to the classic Stick Control, builds on the basics with accent routines and more advanced rhythms to improve the player's finesse and control. This book includes sections on accented eighths, dotted notes, and triplets, as well as rebound control and more. If you are a fan of Stick Control, then this method supplies the perfect next step for your practice routine. This updated edition adds Joe Morello's legendary arrow notation to help students incorporate the motions of the Moeller technique.
Introduction. How this book is organized ; Instruments covered ; Working with percussionists ; Location specifics ; The value of not reading this book.
Musicians’ Migratory Patterns: The African Drum as Symbol in Early America questions the ban that was placed on the African drum in early America. It shows the functional use of the drum for celebrations, weddings, funerals, religious ceremonies, and nonviolent communication. The assumption that "drums and horns" were used to communicate in slave revolts is undone in this study. Rather, this volume seeks to consider the "social place" of the drum for both blacks and whites of the time, using the writings of Europeans and colonial-era Americans, the accounts of African American free persons and slaves, the period instruments, and numerous illustrations of paintings and sculpture. The image of the drum was effectively appropriated by Europeans and Americans who wrote about African American culture, particularly in the nineteenth century, and re-appropriated by African American poets and painters in the early twentieth century who recreated a positive nationalist view of their African past. Throughout human history, cultural objects have been banned by one group to be used another, objects that include books, religious artifacts, and ways of dress. This study unlocks a metaphor that is at the root of racial bias—the idea of what is primitive—while offering a fresh approach by promoting the construct of multiple-points-of-view for this social-historical presentation.
