Museum Without Walls
Museum Without Walls

Author: Jonathan Meades

Publisher: Unbound Publishing

Published: 2012-11-13

Total Pages: 556

ISBN-13: 190871719X

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Jonathan Meades has an obsessive preoccupation with places. He has spent thirty years constructing sixty films, two novels and hundreds of pieces of journalism that explore an extraordinary range of them, from natural landscapes to man-made buildings and 'the gaps between them', drawing attention to what he calls 'the rich oddness of what we take for granted'. This book collects fifty-four pieces and six film scripts that dissolve the barriers between high and low culture, good and bad taste, deep seriousness and black comedy. Meades delivers what he calls 'heavy entertainment' – strong opinions backed up by an astonishing depth of knowledge. To read Meades on places, buildings, politics or cultural history is an exhilarating workout for the mind. He leaves you better informed, more alert, less gullible.

Museum Without Walls
Museum Without Walls

Author: André Malraux

Publisher:

Published: 1967

Total Pages: 0

ISBN-13:

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"A museum without walls has been opened to us, and it will carry infinitely farther that limited revelation of the world of art which the real museums offer us within their walls: in answer to their appeal, the plastic arts have produced their printing press."--Introduction

Collector Without Walls
Collector Without Walls

Author: Sara Campbell Abdo

Publisher:

Published: 2010-01-01

Total Pages: 494

ISBN-13: 9780972668187

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"The greatest painting collection in the Western United States" was the Los Angeles Times Magazine's accolade for the Norton Simon Museum, a stunning group of masterpieces assembled by one man in the brief span of thirty-five years. -- A brilliant businessman with a keen mind and remarkable instincts, Norton Simon built a consumer conglomerate that included Hunt-Wesson Foods, McCall Publishing, Canada Dry Corporation, May Factor cosmetics, and Avis Car Rental, When his interests turned to art, he used his business acumen, inquisitive intellect, and aggressive style to pursue and purchase more than 8,000 works of art, For Hunt Foods, Norton Simon adopted the advertising slogan, "Hunt for the Best". The catchphrase also came to symbolize Simon's zealous pursuit of impeccable artworks as he built one of the greatest art collections of the twentieth century. -- Collector Without Wall is a concise and complete illustrated history of Norton Simon's odyssey, Chronicling his acquisitions from his first $300 purchase through more than 1700 separate transactions. The reader glimpses Simon's intriguing and charismatic personality and gains insight into the collector and his collection. A fully-illustrated catalogue of all of Simon's acquisitions and deaccessions provides an invaluable tool for scholars. -- The book draws from the extensive Norton Simon Museum archives and dozens of interviews with his friends, colleagues, art dealers, and museum professionals, as well as unpublished conversations with, and writings by, Norton Simon. --Book Jacket.

Film, Art, New Media: Museum Without Walls?
Film, Art, New Media: Museum Without Walls?

Author: Angela Dalle Vacche

Publisher: Palgrave Macmillan

Published: 2012-06-12

Total Pages: 358

ISBN-13: 9780230272927

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In the footsteps of Andre Bazin, this anthology of 15 original essays argues that the photographic origin of twentieth-century cinema is anti-anthropocentric. Well aware that the twentieth century stands out as the only period in history with its own photographic film record for posterity, Angela Dalle Vacche has convened international scholars at The Sterling and Francine Clark Art Institute, and asked them to rethink the history and theory of the cinema as a new model for the museum of the future. By exploring the art historical tropes of face and landscape, and key areas of film studies such as early cinema, Soviet film theory, documentary, the avant-garde and the newly-born genre of the museum film, this collection includes detailed discussions of installation art, and close analyses of media relations which range from dance to painting to performance art. Thanks to the title of Andre Malraux's famous project, Film, Art, New Media: Museum Without Walls? invites readers to reflect on the museum of the future, where twentieth-century cinema will play a pivotal role by interrogating the relation between art and science, technology and nature, from the side of photography in dialogue with digitalization.

Muralism Without Walls
Muralism Without Walls

Author: Anna Indych-López

Publisher: University of Pittsburgh Pre

Published: 2009

Total Pages: 269

ISBN-13: 0822943840

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Examines the introduction of Mexican muralism to the United States in the 1930s, and the challenges faced by the artists, their medium, and the political overtones of their work in a new society.

Walk Through Walls
Walk Through Walls

Author: Marina Abramovic

Publisher: Crown Archetype

Published: 2016-10-25

Total Pages: 402

ISBN-13: 1101905050

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“I had experienced absolute freedom—I had felt that my body was without boundaries, limitless; that pain didn’t matter, that nothing mattered at all—and it intoxicated me.” In 2010, more than 750,000 people stood in line at Marina Abramović’s MoMA retrospective for the chance to sit across from her and communicate with her nonverbally in an unprecedented durational performance that lasted more than 700 hours. This celebration of nearly fifty years of groundbreaking performance art demonstrated once again that Marina Abramović is truly a force of nature. The child of Communist war-hero parents under Tito’s regime in postwar Yugoslavia, she was raised with a relentless work ethic. Even as she was beginning to build an international artistic career, Marina lived at home under her mother’s abusive control, strictly obeying a 10 p.m. curfew. But nothing could quell her insatiable curiosity, her desire to connect with people, or her distinctly Balkan sense of humor—all of which informs her art and her life. The beating heart of Walk Through Walls is an operatic love story—a twelve-year collaboration with fellow performance artist Ulay, much of which was spent penniless in a van traveling across Europe—a relationship that began to unravel and came to a dramatic end atop the Great Wall of China. Marina’s story, by turns moving, epic, and dryly funny, informs an incomparable artistic career that involves pushing her body past the limits of fear, pain, exhaustion, and danger in an uncompromising quest for emotional and spiritual transformation. A remarkable work of performance in its own right, Walk Through Walls is a vivid and powerful rendering of the unparalleled life of an extraordinary artist.

The Book on the Floor
The Book on the Floor

Author: WALTER GRASSKAMP

Publisher: Getty Publications

Published: 2016-12-10

Total Pages: 244

ISBN-13: 1606065017

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In 1954, the French writer, politician, and publisher André Malraux posed at home for a photographer from the magazine Paris Match, surrounded by pages from his forthcoming book Le musée imaginaire de la sculpture mondiale. The enchanting metaphor of the musée imaginaire (imaginary museum) was built upon that illustrated art book, and Malraux was one of its greatest champions. Drawing on a range of contemporary publications, he adopted images and responded to ideas. Indeed, Malraux’s book on the floor is a variation of photographer André Vigneau’s spectacular Encyclopédie photographique de l’art, published in five volumes from 1935 on—years before Malraux would enter this field. Both authors were engaged in juxtaposing artworks via photographs and publishing these photographs by the hundreds, but Malraux was the better sloganeer. Starting from a close examination of the photograph of Malraux in his salon, art historian Walter Grasskamp takes the reader back to the dawn of this genre of illustrated art book. He shows how it catalyzed the practice of comparing works of art on a global scale. He retraces the metaphor to earlier reproduction practices and highlights its ubiquity in contemporary art, ending with an homage to the other pioneer of the “museum without walls,” the unjustly forgotten Vigneau.

House Without Walls
House Without Walls

Author: Ching Yeung Russell

Publisher: Simon and Schuster

Published: 2019-09-24

Total Pages: 328

ISBN-13: 1499809301

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Most people imagine "home" as a safe, warm place with four walls. But for child refugees Lam and Dee Dee escaping Vietnam, "home" is ever-changing and often doesn't have any walls at all. "A moving and thought-provoking picture of a refugee experience filled with both tragedy and hope."--School Library Journal Eleven-year-old Lam escapes from Vietnam with Dee Dee during the Vietnamese Boat People Exodus in 1979, when people from Vietnam, Laos, and Cambodia fled their homelands for safety. For a refugee, the trip is a long and perilous one, filled with dangerous encounters with pirates and greedy sailors, a lack of food and water, and even the stench of a dead body onboard. When they finally arrive at a refugee camp, Lam befriends Dao, a girl her age who becomes like a sister-a welcome glimmer of happiness after a terrifying journey. Readers will feel as close to Lam as the jade pendant she wears around her neck, sticking by her side throughout her journey as she experiences fear, crushing loss, boredom, and some small moments of joy along the way. Written in verse, this is a heartfelt story that is sure to build empathy and compassion for refugees around the world escaping oppression.

Curatorial Dreams
Curatorial Dreams

Author: Shelley Ruth Butler

Publisher: McGill-Queen's Press - MQUP

Published: 2016-04-01

Total Pages: 398

ISBN-13: 0773598553

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What if museum critics were challenged to envision their own exhibitions? In Curatorial Dreams, fourteen authors from disciplines throughout the social sciences and humanities propose exhibitions inspired by their research and critical concerns to creatively put theory into practice. Pushing the boundaries of museology, this collection gives rare insight into the process of conceptualizing exhibitions. The contributors offer concrete, innovative projects, each designed for a specific setting in which to translate critical academic theory about society, culture, and history into accessible imagined exhibitions. Spanning Australia, Barbados, Canada, Chile, the Netherlands, Poland, South Africa, Switzerland, and the United States, the exhibitions are staged in museums, scientific institutions, art galleries, and everyday sites. Essays explore political and practical constraints, imaginative freedom, and experiment with critical, participatory, and socially relevant exhibition design. While the deconstructive critique of museums remains relevant, Curatorial Dreams charts new ground, proposing unique modes of engagement that enrich public scholarship and dialogue.