A mysterious woven metal artifact is found at a paleontological dig in Africa. Mystified experts, confounded by the impossible timeline they get from traditional dating methods, call upon a stubborn nineteen-year-old with a unique talent. Matthew Turner's gift is also his curse: When he touches any object, his awareness is flooded with the thoughts and feelings of those who touched it before him. It is a talent that many covet, some fear, and almost no one understands. Despite being exploited as a child and tormented by the unpleasant experiences imprinted on him from the various items he has "read," Matthew agrees to travel from New York to the forests of Kenya. There, threatened by unknown enemies and helped by a beautiful but prickly ally who begins to understand his strange ability, he journeys back in geological time to make a discovery so shocking that it forces us to rewrite all human history.
Winner of the Michael L. Printz Medal ★“King’s narrative concerns are racism, patriarchy, colonialism, white privilege, and the ingrained systems that perpetuate them. . . . [Dig] will speak profoundly to a generation of young people who are waking up to the societal sins of the past and working toward a more equitable future.”—Horn Book, starred review “I’ve never understood white people who can’t admit they’re white. I mean, white isn’t just a color. And maybe that’s the problem for them. White is a passport. It’s a ticket.” Five estranged cousins are lost in a maze of their family’s tangled secrets. Their grandparents, former potato farmers Gottfried and Marla Hemmings, managed to trade digging spuds for developing subdivisions and now they sit atop a million-dollar bank account—wealth they’ve refused to pass on to their adult children or their five teenage grandchildren. “Because we want them to thrive,” Marla always says. But for the Hemmings cousins, “thriving” feels a lot like slowly dying of a poison they started taking the moment they were born. As the rot beneath the surface of the Hemmings’ white suburban respectability destroys the family from within, the cousins find their ways back to one another, just in time to uncover the terrible cost of maintaining the family name. With her inimitable surrealism, award winner A.S. King exposes how a toxic culture of polite white supremacy tears a family apart and how one determined generation can dig its way out.
A New York Times bestseller | Soon to be a major motion picture “Witty, endearing and greatly entertaining.” —Wall Street Journal “Don’t trust anyone, including the four septuagenarian sleuths in Osman’s own laugh-out-loud whodunit.” —Parade Four septuagenarians with a few tricks up their sleeves A female cop with her first big case A brutal murder Welcome to... THE THURSDAY MURDER CLUB In a peaceful retirement village, four unlikely friends meet weekly in the Jigsaw Room to discuss unsolved crimes; together they call themselves the Thursday Murder Club. When a local developer is found dead with a mysterious photograph left next to the body, the Thursday Murder Club suddenly find themselves in the middle of their first live case. As the bodies begin to pile up, can our unorthodox but brilliant gang catch the killer, before it's too late?
THE BASIS FOR THE NETFLIX FILM STARRING CAREY MULLIGAN, RALPH FIENNES, AND LILY JAMES A literary adventure that tells the story of a priceless buried treasure discovered in England on the eve of World War II In the long, hot summer of 1939, Britain is preparing for war, but on a riverside farm in Suffolk there is excitement of another kind. Mrs. Pretty, the widowed owner of the farm, has had her hunch confirmed that the mounds on her land hold buried treasure. As the dig proceeds, it becomes clear that this is no ordinary find. This fictional recreation of the famed Sutton Hoo dig follows three months of intense activity when locals fought outsiders, professionals thwarted amateurs, and love and rivalry flourished in equal measure. As the war looms ever closer, engraved gold peeks through the soil, and each character searches for answers in the buried treasure. Their threads of love, loss, and aspiration weave a common awareness of the past as something that can never truly be left behind.
Detective Alex Mills turns to psychic Gus Parker to help him solve a series of baffling murders perpetrated by a deranged killer who leaves his victims' bodies and taunting clues in the cemeteries of Phoenix, AZ. A killer is on the loose, leaving fresh bodies among the dead in Phoenix cemeteries, and marking the murders with ghoulish signs that warn of more evil to come. It's a crude camouflage that has Detective Alex Mills stumped. As he has done before, Mills turns to his buddy, the reluctant psychic Gus Parker. His visions, as cryptic and baffling as they sometimes are, mean something. But just as the investigation heats up, and Mills needs him most, Gus Parker receives ominous threats from a mysterious source. Is this a crazed fan who is trying to get to Gus's love interest, rock-and-roll legend Billie Welch? Or are these threats related to the spree of cemetery killings? There are nefarious secrets hiding in the shadows of the valley's most well-heeled neighborhoods, and some of the most prominent residents have the most to fear.
Alwyston is a quaint and picturesque village in southern England. It is away from the main thoroughfares and is accessed by one road that leads into and out of the town. This is a narrow road lined with hedgerows and dry-stone walls behind which lie ordered gardens, stone cottages and gentle fields. The local landscape also hides a rich archaeology. The expectation of uncovering something of historical value brings many hopeful amateur archaeologists to the village each year. A number of these are aging, retired or semi-retired and spend half the year in Alwyston and half the year in their native Australia. As well as its archaeological attractions, Alwyston holds the dubious record for having the highest murder rate in the country. Conveniently for some, these murders only occur in the warmer months, "the summer murdering season", as the villagers say. Accompanied by the requisite constabulary and an assortment of local identities, the part-time denizens of the village and their friends have solved both archaeological and homicidal mysteries in the past. They fully and enthusiastically intend to do so again in spite of their advancing years and other impediments. Madgery Ashfield, a retired psychologist from Australia, arrives in Alwyston in early spring to find her close friend, Winnie, already ensconced in the village. Winnie is staying in the local pub owned by Madgery's good friend, Cedric Drury. She is there for the summer to explore her ancestry in the area. As well as owning the pub, Cedric has been an art importer-exporter and an employee of the FBI. Because of this experience, detectives from Scotland Yard and Interpol often rely on him to help them to solve the seasonal murders. On the evening of her arrival, Madgery is surprised to hear from Cedric and Montegrew Plum the local doctor that the first murder of the summer has occurred just that morning. A young man has been brutally slain in the dried moat of a nearby ruined Norman castle. The circumstances of the murder intrigue the police and university archaeologists, headed by Professor Charles Upton, because the body lies over the exposed skeleton of a Saxon woman. Subsequently, with the help of Cedric, Madgery and their friends, they discover that the murder is associated with the recovery of jewels and other valuable artefacts from the moat. This provides sufficient motive for the crime and a possible means of tracing the perpetrator. However, on the eve of the arrival of another friend from Australia, the intrepid Oliver Stillov, Cedric's housekeeper, Doris, is murdered in his newly restored Georgian mansion. Doris had interrupted someone removing plaster from the walls of Cedric's library. This murder is deeply felt by the villagers who attend Doris' funeral conducted by Bartholemew Pettigrew the vicar. Monte who undertakes autopsies of Doris and the young man in the moat is also treating a number of tourists to Alwyston who have been poisoned by eating sweets purchased in the village. The poison was introduced to the sweets through honey provided by Cedric who keeps hives in the field behind his pub. Two of the sick tourists succumb to the poison. It becomes more complicated when another, but antipathetic refugee from Australia, Helga van Reich stalks the friends. Darren Thompson, her friend, often accompanies her. Helga has chosen a grotesque disguise to achieve her objectives and has settled in an unsavoury guesthouse just outside Alwyston run by the obsequious Steven Swineton. A famous television team of archaeologists, with the help of the friends and local university academics, exposes the archaeology in the moat. This requires some division of time for Cedric, Oliver, Madgery and their friends between solving the murders and undertaking the archaeological work. Fortunately, Detective Inspector Bill Strangman arrives from New Scotland Yard
Paris, 1899. Abigail Wilson has received an invitation from Professor Alphonse Flamand, a prominent French Professor of Archaeology, to join him on a dig in Egypt. Overjoyed to be presented with such an opportunity, Abigail and her husband, Daniel, travel to Paris to meet the Professor at his office in the Louvre to discuss plans. However, when Abigail goes to the appointment, she finds Flamand dead with a knife in his chest. In a whirl of confusion and despite her pleas of innocence, Abigail is arrested. Determined to prove that she has been framed for Flamand's brutal murder, Daniel and Abigail, the Museum Detectives, will delve far into the shadowy corners of the City of Light for the truth.
A wealthy wanted man attempts to keep a low profile—but an old case may be stirring up new crimes in this British police thriller. After years of exile in St. Lucia, tycoon Kevan de Vries has come back to England’s East Midlands and is hiding out at Sausage Hall. His return is driven by an obsessive desire to find out who his father was—despite the risk that the police may come by seeking answers about the disappearance of Tony Sentance, former De Vries Industries employee and leader of a child trafficking gang. DI Tim Yates and DS Juliet Armstrong are still in the dark about the wealthy fugitive in their midst—but before long, the police are looking into a vanished woman’s possible murder, a Traveller child who may be at risk, and the lingering mysteries surrounding a trafficking ring that could still be operating under their noses . . . Previously published as De Vries