Plans to build a country music theater in Scumble River fall flat whena female country singer is murdered, and the motives and suspects stretch back decades.
London, early 1950s. Marcia Beasley is discovered dead, naked and covered with a coal scuttle. Sergeant Greenleaf has to solve the crime. The members of the deceased's social circle all, it seems, have secrets to hide and grudges to bear. A host of colourful and comic characters hurry to identify the murderer and unravel the mystery of Marcia's life.
A compendium of advice from the producers, writers, and actors of The Office, Saturday Night Live, It’s Always Sunny in Philadelphia, Knocked Up, Flight of the Conchords, The Daily Show, Arrested Development, Reno 911!, and The Hangover along with other people who should really never give advice. In these pages Fred Armisen offers help telling your dad you’re a lesbian—give him the phone number and he’ll do it for you. Mindy Kaling provides guidance on ending things with your mistress—dude, you totally have to kill her. Rainn Wilson offers insight on contacting that girl you dreamed about last night—he has created all-purpose web portal for such interactions. Amy Sedaris identifies the best way to a man’s heart—bone saw through the chest cavity. Aziz Ansari, Judd Apatow, Fred Armisen, Maria Bamford, Todd Barry, Samantha Bee, Michael Ian Black, Andy Borowitz, Michael Cera, Vernon Chatman, Rob Corddry, David Cross, Larry Doyle, Paul Feig, Jim Gaffigan, Zach Galifianakis, Janeane Garofalo, Daniel Handler, Todd Hanson, Tim Heidecker, Ed Helms, Buck Henry, Mindy Kaling, John Lee, Thomas Lennon, Al Madrigal, Aasif Mandvi, Marc Maron, Adam McKay, Eugene Mirman, Morgan Murphy, Bob Odenkirk, John Oliver, Patton Oswalt, Martha Plimpton, Harold Ramis, Amy Sedaris, Michael Showalter, Sarah Silverman, Paul F. Tompkins, Sarah Vowell, David Wain, Eric Wareheim, Rainn Wilson, Lizz Winstead
The first of his peerless novels of Cold War espionage and international intrigue, Call for the Dead is also the debut of John le Carré's masterful creation George Smiley. "Go back to Whitehall and look for more spies on your drawing boards." George Smiley is no one's idea of a spy—which is perhaps why he's such a natural. But Smiley apparently made a mistake. After a routine security interview, he concluded that the affable Samuel Fennan had nothing to hide. Why, then, did the man from the Foreign Office shoot himself in the head only hours later? Or did he? The heart-stopping tale of intrigue that launched both novelist and spy, Call for the Dead is an essential introduction to le Carré's chillingly amoral universe.
Welcome to our second volume of Detective stories! This is a grab-bag volume with contributions by many top mystery authors from the mid 20th Century pulp and digest magazines. There’s something to appeal to every taste, from noir to crime to even holiday capers and a Christmas tale by Johnson McCulley (creator of Zorro). Included are: DEAD MEN DON'T MOVE, by Thomas Thursday ALIBI--WITH SOUND, by Robert Wallace HOW? WHEN? WHO?, by Fletcher Flora HELL'S SIPHON, by George Harmon Coxe CONFLICT OF INTEREST, by James Holding THE CAMPAIGN GRIFTER, by Arthur B. Reeve THE PILLS OF LETHE, by Rufus King CREPE FOR SUZETTE, by C. S. Montanye THE BIG JOB, by Thomas B. Dewey A BURNING CLUE, by E. Hoffmann Price A LESSON IN RECIPROCITY, by Fletcher Flora GUN-BLAST MEMORY, by Charles Marquis Warren A LITTLE CLOUD...LIKE A MAN’S HAND, by Rufus King THE SHANGHAI JESTER, by Robert Leslie Bellem THE CONTAGIOUS KILLER, by Bryce Walton CRIME'S CLIENT, by Guy Fleming HIDE AWAY, by H.A. DeRosso HELL IN A BASKET, by James Holding DEATH FLIGHT, by Robert Wallace THE PHANTOM AVENGER, by David M. Norman THE KISS AND KILL MURDERS, by Stewart Sterling THE NAMELESS MAN, by by Rodrigues Ottolengui SANTA THUMBS A RIDE, by Johnston McCulley GOOD NIGHT, DREAM BANDIT, by Emil Petaja THE EBONY CAT, by Rex Whitechurch If you enjoy this volume of classic stories, don't forget to search your favorite ebook store for "Wildside Press Megapack" to see the 270+ other entries in this series, including science fiction, fantasy, mysteries, adventure, horror, westerns -- and much, much more!
British undercover agent George Smiley accepts one final mission to reveal an insidious plot which may involve a suspect civil servant and a one-time hero of the German underground.
"To Write Like a Woman is a rare example of a feminist tackling science fictuion using postmodern theory, which makes for a much more sophisticated and nuanced appraisal than the usual fare." —Passion "Russ' essays are witty and insightful. An excellent book for any writer or reader." —Feminist Bookstore News "In her new book of essays . . . Russ continues to debunk and demand, edify and entertain. . . . Appreciative of surface aesthetics, she continually delves deeper than most critics, yet in terms so simple and accessible that her essays read like lively, angry, humorous dialogues conducted face-to-face with the author. Russ is the antithesis of the distant critic in her ivory tower." —Paul Di Filippo, The Washington Post Book World " . . . 20 years of the author's feisty reports from the front lines of literature." —The San Francisco Review of Books "This is a book of imaginative and provoking essays, but you should read it for the sheer fun of it." —The Women's Review of Books "Collects more than two decades of criticism by Joanna Russ, one of the most perceptive, forthright and eloquent feminist commentators around." —Feminist Bookstore News " . . . a super book. . . .This is a book that, for once, really will appeal to readers of all kinds." —Utopian Studies "If you enjoy science fiction, this is definitely a book that you'll want to talk about. I found myself sneaking a few pages at times when I really didn't have time to read." —Jan Catano, Atlantis Classic essays on science fiction and feminism by Nebula and Hugo award-winning Joanna Russ. Here she ranges from a consideration of the aesthetic of science fiction to a reading of the lesbian identity of Willa Cather. To Write Like a Woman includes essays on horror stories and the supernatural, feminist utopias, popular literature for women (the "modern gothic"), and the feminist education of graduate students in English.
Discovering that her ex-husband was involved with gangsters and terrorists, Gwynn Taylor is not very surprised when she learns that she has become a target. In order to survive, she becomes part of an elaborate plan and goes into hiding back in her hometown. Escaping from one set of criminals, she ends up encountering another group of crooks and felons. Within days, she comes to realize just how dependent she is on the new chief of police, her sisters best friend, and her own judgment. Not only is the chief of police her protector, it soon becomes obvious that he just might be using her as bait in order to catch the criminals within his jurisdiction.
THE HOUSE OF LASSENBERRY 1970h is the continuation of the Lassenberry family fighting for independence in the criminal world from the Mafia and the National Agreement. This ongoing battle takes the Lassenberry clan over international waters.