A new series debut that finds a talented hotel manager tasked with saving her bankrupt hometown, only to be declared a chief suspect in the murder of her high-school nemesis.
As whale-watchers gather in the Pacific Northwest, a B&B manager gets a glimpse of a killer in this mystery novel by the USA Today bestselling author. It’s whale-watching season in the California town of Redwood Cove, and Kelly Jackson is preparing for the tourist rush at Redwood Heights—a Victorian-style estate owned by her boss. With a string of recent jewelry thefts in the area, she’s also busy keeping tabs on the many dust-covered artifacts displayed throughout the property. But when Kelly finds a visitor’s dead body on the grounds, the police start keeping tabs on her—as a murder suspect. Clearing her own name will be a whale of a chore, even with the help of the Silver Sentinels, a group of local retirees who are always ready for an investigation. Now Kelly’s on the hunt for clues hidden behind the mansion’s glamorous façade. But if she doesn’t find the killer soon, she may wind up history herself.
A sniper is at large, killing police officers all over the UK. The atmosphere at Thames Valley Police HQ is tense and DI Hillary Greene is feeling the strain. But it's business as usual when a wealthy woman is found murdered in her home in the village of Bletchington. The victim was unpopular and suspects are thick on the ground. Things don't improve as Hillary faces the secretive DC Keith Barrington and her underhand sergeant, Gemma Fordham. But even as Hillary searches for a cold-blooded killer, a tragic event will rock her world. Will this be the end for her?
Welcome back to Asheboro, Maryland, where real estate can be a matter of life and death. Killer in the Carriage House is the second book in the Victorian Village Mystery series from New York Times bestselling author Sheila Connolly. Coming back to her hometown was never on the agenda for hotelier Katherine Hamilton. But when she’s offered a chance to lead the charge of transforming the landscape into a Victorian village and tourist attraction, Kate can’t quite refuse. The only problem? Nobody in Asheboro has the passion, nor the funds, to get plans off the ground. . .until Kate teams up with handsome historian Joshua Wainwright, who has ambitious ideas of his own involving an old mansion and a treasure-trove of documents that could attract investors and help seal the deal. Then, just as Kate and Josh seem ready to pull the trigger, a dead body turns up in the town library. Do these mysterious papers spell danger instead of dollars? That’s what Kate intends to find out before all bets are off...and someone else ends up six feet under.
Yorkshire, 1930. Intrigued by a mysterious letter from a stranger, Private Investigator Kate Shackleton arrives in the mill village of Saltaire. At nearby Milner Field Mansion, overshadowed by its reputation for untimely deaths, she expects to meet the letter writer, Ronnie Creswell. Kate soon hears the shocking news that Ronnie has been killed. At first his death appears to be a tragic accident at the mill, but soon it becomes clear that Ronnie's demise was no mishap. Kate moves into the tower rooms at Milner Field as she tries to uncover resentments, industrial espionage, and old secrets in the close-knit village. Then just when things couldn't get any worse, a young girl in the village goes missing, and Kate must use all her strength and skill to unravel the mystery around the mansion once and for all...
The Vineyard’s criminal du jour, “the Silencer,” is loved by many and hated by some for his campaign to destroy the audio systems in music-blasting party houses and open-windowed vehicles. Owners of said houses and vehicles feel both fear and hate, while some residents who seek silence silently cheer. J.W. Jackson, former cop and now a part-time investigator, finds it difficult to get too excited about the Silencer’s crimes. J.W.’s a classical music man himself, which may explain his reluctance to take the so-called crimes very seriously. The fun stops, however, when someone is killed—a night watchman is thrown over a cliff near a large new Chappaquiddick mansion. Who will be next?
“[This] is one of the great crime mysteries of modern times. It took an author of Caitlin Rother’s caliber to bring it into sharp focus. A riveting read.” —Gregg Olsen, #1 New York Times bestselling author “I got a girl, hung herself in the guest house.” The call came on the morning of July 13, 2011, from the historic Spreckels Mansion, a lavish beachfront property in Coronado, California, owned by pharmaceutical tycoon and multimillionaire Jonah Shacknai. When authorities arrived, they found the naked body of Jonah’s girlfriend, Rebecca Zahau, gagged, her ankles tied and her wrists bound behind her. Jonah’s brother, Adam, claimed to have found Rebecca hanging by a rope from the second-floor balcony. On a bedroom door in black paint were the cryptic words: SHE SAVED HIM CAN YOU SAVE HER. Was this scrawled message a suicide note or a killer’s taunt? Rebecca’s death came two days after Jonah’s six-year-old son, Max, took a devastating fall while in Rebecca’s care. Authorities deemed Rebecca’s death a suicide resulting from her guilt. But who would stage either a suicide ora murder in such a bizarre, elaborate way? Award-winning investigative journalist Caitlin Rother weaves stunning new details into a personal yet objective examination of the sensational case. She explores its many layers—including the civil suit in which a jury found Adam Shacknai responsible for Rebecca’s death, and the San Diego County Sheriff’s Department bombshell decision to reconfirm its original findings. As compelling as it is troubling, this controversial real-life mystery is a classic American tragedy that evokes the same haunting fascination as the JonBenet Ramsey and O.J. Simpson cases. “Rother’s meticulous journalism shines through in this authoritative account of the Rebecca Zahau death incident. If you think you know this case, think again. And read this book.” —Katherine Ramsland, professor of forensic psychology and author of The Psychology of Death Investigations
"Ayatsuji's brilliant and richly atmospheric puzzle will appeal to fans of golden age whodunits... Every word counts, leading up to a jaw-dropping but logical reveal" — Publishers Weekly A hugely enjoyable, page-turning murder mystery sure to appeal to fans of Elly Griffiths, Anthony Horowitz, and Agatha Christie, with one of the best and most-satisfying conclusions you'll ever read. A classic in Japan, available in English for the first time. From The New York Times Book Review: "Read Yukito Ayatsuji’s landmark mystery, The Decagon House Murders, and discover a real depth of feeling beneath the fiendish foul play. Taking its cues from Agatha Christie’s locked-room classic And Then There Were None, the setup is this: The members of a university detective-fiction club, each nicknamed for a favorite crime writer (Poe, Carr, Orczy, Van Queen, Leroux and — yes — Christie), spend a week on remote Tsunojima Island, attracted to the place, and its eerie 10-sided house, because of a spate of murders that transpired the year before. That collective curiosity will, of course, be their undoing. As the students approach Tsunojima in a hired fishing boat, 'the sunlight shining down turned the rippling waves to silver. The island lay ahead of them, wrapped in a misty veil of dust,' its sheer, dark cliffs rising straight out of the sea, accessible by one small inlet. There is no electricity on the island, and no telephones, either. A fresh round of violent deaths begins, and Ayatsuji’s skillful, furious pacing propels the narrative. As the students are picked off one by one, he weaves in the story of the mainland investigation of the earlier murders. This is a homage to Golden Age detective fiction, but it’s also unabashed entertainment."
On June 27, 1977, an intruder entered Glensheen, the stately manor built along the Lake Superior shore by Chester A. Congdon, patriarch of one of Duluth, Minnesota's, most generous and respected families. Before leaving with a basketful of stolen jewelry, the intruder used a satin pillow to smother Chester's last surviving daughter, Elisabeth Congdon, after killing the heiress's valiant nurse, Velma Pietila, by beating her with a candlestick -- crimes set in motion by a hastily hand-written will penned just days before the killings. For the first time the story of the Glensheen killings and the crimes and trials surrounding Marjorie Caldwell Hagen, Elisabeth Congdon's notorious adopted daughter, is told through the eyes of former Duluth Police Detective and St. Louis County Sheriff Gary Waller and St. Louis County Prosecutor John DeSanto, the men who led the investigation and prosecution of Marjorie and her husband, Roger Caldwell.
In 1932, the city of Natchez, Mississippi, reckoned with an unexpected influx of journalists and tourists as the lurid story of a local murder was splashed across headlines nationwide. Two eccentrics, Richard Dana and Octavia Dockery—known in the press as the "Wild Man" and the "Goat Woman"—enlisted an African American man named George Pearls to rob their reclusive neighbor, Jennie Merrill, at her estate. During the attempted robbery, Merrill was shot and killed. The crime drew national coverage when it came to light that Dana and Dockery, the alleged murderers, shared their huge, decaying antebellum mansion with their goats and other livestock, which prompted journalists to call the estate "Goat Castle." Pearls was killed by an Arkansas policeman in an unrelated incident before he could face trial. However, as was all too typical in the Jim Crow South, the white community demanded "justice," and an innocent black woman named Emily Burns was ultimately sent to prison for the murder of Merrill. Dana and Dockery not only avoided punishment but also lived to profit from the notoriety of the murder by opening their derelict home to tourists. Strange, fascinating, and sobering, Goat Castle tells the story of this local feud, killing, investigation, and trial, showing how a true crime tale of fallen southern grandeur and murder obscured an all too familiar story of racial injustice.