A weekend visit to Rueland’s multicultural fair turns sour when beautician Valentine Beaumont comes face to face with a corpse wearing a kilt. What’s worse, she learns the victim was a target of foul play, her #1 nemesis is on the case, and no one is who they seem. Despite warnings from hot, hard-headed Detective Romero to leave things to the police, Valentine sets off to snag the killer. While on the case, she crashes into sexy, Herculean stylist Jock de Marco, rattles an old foe, wrestles with family issues, and tangles with secretive clan members. Will Valentine catch the murderer before she becomes the weekend’s next target? Or are her fair days numbered?
An employee’s sudden disappearance brings dark secrets to light. Can this impetuous beautician crack a secret code and find her employee before time runs out? When beautician Valentine Beaumont’s star employee, Jock de Marco, goes missing, Valentine fears the worst. Jock could turn a Plain Jane into a knockout with the mere touch of his comb. But despite his talents in the salon, this tame career might not be enough to distance himself from a dangerous past that may be coming back to haunt him. Valentine will stop at nothing until she finds out what happened to this Argentinean Hercules, but other things are getting in her way: an elusive assailant, a cryptic email, an infuriating employee, and one hot detective who is pressuring her to give up her search for the sexy stylist. Can this impulsive heroine uncurl the mystery and save Jock? Or will she be too late and live a lifetime filled with regret?
Now updated with new material that brings the killer's picture into clearer focus. In the fall of 1888, all of London was held in the grip of unspeakable terror. An elusive madman calling himself Jack the Ripper was brutally butchering women in the slums of London’s East End. Police seemed powerless to stop the killer, who delighted in taunting them and whose crimes were clearly escalating in violence from victim to victim. And then the Ripper’s violent spree seemingly ended as abruptly as it had begun. He had struck out of nowhere and then vanished from the scene. Decades passed, then fifty years, then a hundred, and the Ripper’s bloody sexual crimes became anemic and impotent fodder for puzzles, mystery weekends, crime conventions, and so-called “Ripper Walks” that end with pints of ale in the pubs of Whitechapel. But to number-one New York Times bestselling novelist Patricia Cornwell, the Ripper murders are not cute little mysteries to be transformed into parlor games or movies but rather a series of terrible crimes that no one should get away with, even after death. Now Cornwell applies her trademark skills for meticulous research and scientific expertise to dig deeper into the Ripper case than any detective before her—and reveal the true identity of this fabled Victorian killer. In Portrait of a Killer: Jack the Ripper, Case Closed, Cornwell combines the rigorous discipline of twenty-first century police investigation with forensic techniques undreamed of during the late Victorian era to solve one of the most infamous and difficult serial murder cases in history. Drawing on unparalleled access to original Ripper evidence, documents, and records, as well as archival, academic, and law-enforcement resources, FBI profilers, and top forensic scientists, Cornwell reveals that Jack the Ripper was none other than a respected painter of his day, an artist now collected by some of the world’s finest museums: Walter Richard Sickert. It has been said of Cornwell that no one depicts the human capability for evil better than she. Adding layer after layer of circumstantial evidence to the physical evidence discovered by modern forensic science and expert minds, Cornwell shows that Sickert, who died peacefully in his bed in 1942, at the age of 81, was not only one of Great Britain’s greatest painters but also a serial killer, a damaged diabolical man driven by megalomania and hate. She exposes Sickert as the author of the infamous Ripper letters that were written to the Metropolitan Police and the press. Her detailed analysis of his paintings shows that his art continually depicted his horrific mutilation of his victims, and her examination of this man’s birth defects, the consequent genital surgical interventions, and their effects on his upbringing present a casebook example of how a psychopathic killer is created. New information and startling revelations detailed in Portrait of a Killer include: - How a year-long battery of more than 100 DNA tests—on samples drawn by Cornwell’s forensics team in September 2001 from original Ripper letters and Sickert documents—yielded the first shadows of the 75- to 114 year-old genetic evid...
“Laugh-out-loud humor & top-notch mysteries! Absolute MUST-READS!”—Darynda Jones, New York Times/USA TodayBestselling Author of the Charley Davidson Series “Smart, entertaining, and laugh-out-loud funny!”—Liliana Hart, New York Times Bestselling Author In her first action-packed mini mystery, beautician Valentine Beaumont is stalked by an escaped felon she once helped put behind bars. As she strives to stay one step ahead and stop this maniac before he kills her, she stumbles onto a dead body, unearths secret plots, struggles with family obligations, and is tackled in more ways than one. With a string of beauty disasters, two sexy heroes, a ticking clock, and a little help from her friends, can Valentine solve this case before the killer gets his revenge, or will this be her last? Murder, Curlers & Kegs is book 4 in the Murder, Curlers series and the first in Valentine’s shorter-length mini mysteries.
The electrifying diaries that are essential reading for anyone moved and fascinated by the life and work of one of America's most acclaimed poets. Sylvia Plath began keeping a diary as a young child. By the time she was at Smith College, when this book begins, she had settled into a nearly daily routine with her journal, which was also a sourcebook for her writing. Plath once called her journal her “Sargasso,” her repository of imagination, “a litany of dreams, directives, and imperatives,” and in fact these pages contain the germs of most of her work. Plath’s ambitions as a writer were urgent and ultimately all-consuming, requiring of her a heat, a fantastic chaos, even a violence that burned straight through her. The intensity of this struggle is rendered in her journal with an unsparing clarity, revealing both the frequent desperation of her situation and the bravery with which she faced down her demons.
NEW YORK TIMES BESTSELLER • “A fascinating look at how consumers perceive logos, ads, commercials, brands, and products.”—Time How much do we know about why we buy? What truly influences our decisions in today’s message-cluttered world? In Buyology, Martin Lindstrom presents the astonishing findings from his groundbreaking three-year, seven-million-dollar neuromarketing study—a cutting-edge experiment that peered inside the brains of 2,000 volunteers from all around the world as they encountered various ads, logos, commercials, brands, and products. His startling results shatter much of what we have long believed about what captures our interest—and drives us to buy. Among the questions he explores: • Does sex actually sell? • Does subliminal advertising still surround us? • Can “cool” brands trigger our mating instincts? • Can our other senses—smell, touch, and sound—be aroused when we see a product? Buyology is a fascinating and shocking journey into the mind of today's consumer that will captivate anyone who's been seduced—or turned off—by marketers' relentless attempts to win our loyalty, our money, and our minds.
A captivating history of London as told through objects recovered from the muddy banks of the Thames and the lives of the people who owned them Mudlark’d combines insights from two hundred rare objects discovered on the foreshore of the River Thames with a wealth of breathtaking illustrations to uncover the hidden histories of ordinary people from prehistory to today. Malcolm Russell tells the stories behind each find, revealing the habits, customs, and artistry of the people who created and used it. In the eighteenth and nineteenth centuries, London was the busiest port in the world, exchanging goods and ideas with people from every continent. The shores of the Thames have long been densely packed with taverns, brothels, and markets, and the river’s muddy banks are a repository of intriguing and precious objects that evoke long-forgotten ways of life. With Russell as your guide, a bottleneck of a jug is shown to be a talisman to counter the ill effects of witchcraft. Glass beads expose the brutal realities of the transatlantic slave trade. Clay tobacco pipes uncover the lives of Victorian magicians. A scrap of Tudor cloth illuminates the experiences of Dutch and French religious refugees. These are just some of the stories told in Mudlark’d, which also contains a primer, giving advice on how to mudlark on tidal rivers around the world and outlining the tools and equipment you will need.
