The body of a teenage girl is found floating in the bayou of a small town in south Louisiana, and it's up to Detectives Blaine Bievenue and Maria Duplessis to find her killer.
A wave of fear sweeps across the barren prairies of central North Dakota in April of 1920 with the tragic news that seven members of a farm family and their hired boy have been brutally murdered at their home just north of Turtle Lake in McLean County. A massive search for the killers begins immediately in the midst of an intense statewide election campaign. Three weeks later, eager investigators encouraged by nervous politicians get a signed confession from one of the prime suspects in the case. He is sentenced that same day to life in the the state penitentiary in what the New York Times referred to then as “the most rapid administration of justice in the country.” . From the beginning, the man denies his guilt and says his confession was obtained under duress, intimidation and fear. In November, his lawyers file a motion in district court asking that his plea of guilty be withdrawn and for a trial upon the merits. Their motion is strengthened when some new evidence is discovered on the Wolf family farm only days before the motion is filed.Some ninety years later, people in the area still recall the words the convicted man was supposed to have said: “My eyes have seen but my hands are clean!”
In ''General Walker and the Murder of President Kennedy: The Extensive New Evidence of a Radical-Right Conspiracy'', author Jeffrey H. Caufield explores the forces which led Oswald to be in Dallas that day. Dr. Caufield applies acquired academic methodology in rigorously researching the story through public records, private correspondence, and a number of sources not available to the general public until the Freedom of Information Act released them.
In this original and trenchant work, Christina Sharpe interrogates literary, visual, cinematic, and quotidian representations of Black life that comprise what she calls the "orthography of the wake." Activating multiple registers of "wake"—the path behind a ship, keeping watch with the dead, coming to consciousness—Sharpe illustrates how Black lives are swept up and animated by the afterlives of slavery, and she delineates what survives despite such insistent violence and negation. Initiating and describing a theory and method of reading the metaphors and materiality of "the wake," "the ship," "the hold," and "the weather," Sharpe shows how the sign of the slave ship marks and haunts contemporary Black life in the diaspora and how the specter of the hold produces conditions of containment, regulation, and punishment, but also something in excess of them. In the weather, Sharpe situates anti-Blackness and white supremacy as the total climate that produces premature Black death as normative. Formulating the wake and "wake work" as sites of artistic production, resistance, consciousness, and possibility for living in diaspora, In the Wake offers a way forward.
Judyth Vary was once a promising science student who dreamed of finding a cure for cancer; this exposé is her account of how she strayed from a path of mainstream scholarship at the University of Florida to a life of espionage in New Orleans with Lee Harvey Oswald. In her narrative she offers extensive documentation on how she came to be a cancer expert at such a young age, the personalities who urged her to relocate to New Orleans, and what led to her involvement in the development of a biological weapon that Oswald was to smuggle into Cuba to eliminate Fidel Castro. Details on what she knew of Kennedy’s impending assassination, her conversations with Oswald as late as two days before the killing, and her belief that Oswald was a deep-cover intelligence agent who was framed for an assassination he was actually trying to prevent, are also revealed.
We now know vastly more about the killing of John F. Kennedy than was known 20 or 30 years ago, and new evidence is accumulating almost every day. This new evidence is being uncovered by the bold application of scientific and technological expertise to the assassination records, including the film, photographic, and autopsy records. Murder in Dealey Plaza presents the latest and best of the new assassination research. As a result of these freshly uncovered findings, it is possible to say with moral certainty and considerable scientific authority that the murder of President Kennedy was committed by a meticulously executed conspiracy which was then observed by an extensive cover-up.
Written in 1974, Murder From Within was the first book on the Kennedy assassination to document accurately and in detail how and why President Kennedy was killed. Unlike other conspiracy books, there is no conjecture or uncertainty as to what happened on Nov 22, 1963. Documented facts and eyewitness accounts from public records and the authors' own private interviews draw a clear picture of the events on that fateful day. Because of the names named and who they were, Murder from Within was never published beyond the 100 copies originally printed.--Dust jacket.
Unraveling the many strands of hidden history behind the assassination of President Kennedy is not an easy task. Co-authors Baker and Schwartz guide us toward the conclusion that ultimately, the motivation was total governmental control, a coup d'état, changing us from a democratic republic to a oligopoly – a corporatocracy. With help from new witnesses regarding the "Crime of the Century," we are led to the realization that the "War of Terror" and the Patriot Act were predesigned to undermine our US Constitution and our Bill of Rights. The very moment Kennedy died our own government turned against "We the People." Baker and Schwartz provide a compelling narrative showing Oswald's innocence and a condemnation of the conspirators who planned and carried out the assassination of our 35th president and our Republic.
In the exciting, fast-paced Western adventure sequel to Escape from Hell's Corner, crazed killer Amos Clarke (aka Amos Watson) will stop at nothing to avenge the death of his father. Amos Watson's admiration for his father and almost worship of the blacksnake-whip were all that remained from outlaw Watson Clarke's horrific reign of terror inflicted on the people of southwest Texas during Amos' formative years. During his youth, Amos developed a seething rage and designed an insidious plan to avenge his father's death. His hatred of those responsible for killing his father included three Darnel brothers, two county sheriffs, a Mexican Army captain and the leading citizens of Turtle Creek. Amos avoided work and spent his youthful years committing crimes-- mostly petty thievery─ he felt capable of doing without having to pay the penalty. Amos learned all his killer father's sly and cunning tricks and acquired his hedonic desire for feelings of satisfaction and pleasure while abusing women, especially young girls. He always brought home to his mother the money and other valuables he robbed. Set in the picturesque Texas mountains, Return to Hell's Corner combines danger, romance, bravery, and good old-fashioned western justice to provide an exhilarating ride through the lawless wasteland of the Old West.