Murder at the Mushaira is arguably the finest literary-historical novel by an Indian author in contemporary times. Set during the time of India's First War of Independence in the nineteenth century, it is reminiscent of Umberto Eco's timeless classic, The Name of the Rose. It involves a grisly murder mystery that is solved by the great poet laureate of the realm, Mirza Ghalib. Should appeal to all readers of literary fiction, crime fiction, and historical fiction. - Is likely to win major literary awards.
"Let a thousand verses bloom. Anthems of Resistance is about the iconoclastic tradition of poetry nurtured by Ali Sardar Jafri, Faiz Ahmad Faiz, Javed Akhtar, Fehmida Riyaz and all those who have been part of the progressive writers' movement in the Indian subcontinent. It documents the rise of the Progressive Writers' Association, its period of ascendancy, its crucial role in the struggle for independence, and its unflagging spirit of resistance against injustice. In the process, the book highlights various aspects of the PWA's aesthetics and politics such as its internationalist ethos, its romance with modernity, its engagement with feminism, its relationship to Hindi cinema and film lyrics, and the vision of a radically new world which its members articulated with passion. Part history, part literary analysis, part poetic translation, and part unabashed celebration of the PWA era, this book is truly a unique resource. This is a lucidly written account of a glorious chapter in the history of Indian literature. The powerful verses of the PWA poets are wonderfully translated and, along with the highly accessible transliteration, offer the general reader a rare opportunity to appreciate the writings that helped shape a nation. Anthems of Resistance is truly an inspiring and pleasurable read." - Professor Mushirul Hasan, Vice Chancellor, Jamia Millia Islamia, New Delhi "Such a gift from the Brothers Mir! Lyrical and thoughtful, this introduction to the vast swathe of progressive Urdu poetry belongs on all our shelves, and in all our hearts. It is a companion worthy of the poetry itself. A singular achievement." - Professor Vijay Prashad, Director of International Studies, Trinity College, Connecticut, US "Like the many poets they celebrate, the authors write with passion and conviction ... Their book makes for a joyous and exhilarating read." -Professor C.M. Naim, Professor Emeritus, University of Chicago
Mirza Ghalib is perhaps the most widely chronicled Urdu poet in English. But few can pithily capture the essence of his life and work as enjoyably as Raza Mir can. In this lively, witty and illuminating account, Ghalib emerges from these pages as a man of his time but also one who looms large over history. Raza infuses his research with just the right amount of anecdote and trivia, evoking Ghalib as an outspoken genius, a game-changer who never shied away from aiming a witty barb (or three) at his rivals. Moreover, Ghalib also lived in a crucial age that saw the end of Mughal rule and the destruction of his beloved Delhi. Ghalib: A Thousand Desires also comprises a selection of the great poet's most enduring poems and ghazals, accompanied by Raza's insightful commentary that decodes underlying themes and meanings in these verses.
Nicky Marlow needs a job. He’s engaged to be married and the employment market is pretty slim in Britain in 1937. So when his fiancé points out the Spartacus Machine Tool notice, he jumps at the chance. After all, he speaks Italian and he figures he’ll be able to endure Milan for a year, long enough to save some money. Soon after he arrives, however, he learns the sinister truth of his predecessor’s death and finds himself courted by two agents with dangerously different agendas. In the process, Marlow realizes it’s not so simple to just do the job he’s paid to do in fascist Italy on the eve of a world war.
If there was anything our neighbours envied us, it was our thinnais. The working-class district of Kurusukuppam is not the Pondicherry of tourist brochures. Here, residents are a bewildering mix of Creoles, colonial war veterans, proud communists and French citizens who have never left India's shores. It is a place of everyday tragedies, melodramatic occurrences and stubborn, absurd hope. But life in Kurusukuppam is upturned by the arrival of a curious tramp, Gilbert Thaata, a wizened Frenchman who has clearly seen hard times. Settling down on the narrator's verandah, his thinnai, Gilbert Thaata begins to earn his keep by recounting the tale of the rise and fall of his family's fortunes as the custodians of a mysterious diamond, the Stone of Sita. The fanciful story that unfolds is one that stretches across centuries and encompasses the history of France's colonial legacy in India. As entranced as they are by the raconteur, his listeners cannot help but ask - just who is this old man and how did he fall on such misfortune? Masterfully translated from the French original by Blake Smith, Ari Gautier's The Thinnai offers a panoramic view of Pondicherry's past, the whimsical eccentricities of its present and shines a light on the quirks of history that come to define us.
The tiger moved restlessly around the narrow space into which it was penned. There was light and air beyond the long thick stick things that kept it back but no sign of grass. Just a bare stretch of flat stone. Leaf shadows moved across the empty clearing in front with the gusts of wind. Apart from the rustle of the leaves there was no other sound. Nor were there smells of anything on the air. All the tiger could scent were a few stale smells of people and those died when the wind dropped. No scent of monkeys or deer or any of the other jungle creatures he was used to. It was a young tiger barely old enough to hunt for itself. It was still very confused as to how it had got itself into this narrow space. A tiger is kidnapped and so is a girl - though not at the same time. They find themselves sharing isolation in a hunting lodge that is rumoured to be haunted, at the mercy of an unknown enemy. Who has locked them in and why? What happens when a young tiger is terrified out of its wits and a girl finds herself locked in and forced to fend for herself? Perhaps call for a ghost to come to the rescue? Anjana really does get into the tiger’s skin to bring us never seen before insights into the big cat’s world. - Paro Anand
A seemingly random selection of heads of state are struck down like flies by unnamed killers who work with the clinical efficiency of butchers. Except that they leave no trace of their methods. Welcome back to the shadowy and addictive world of Ashwin Sanghi. After The Rozabal Line, Chanakya's Chant, The Krishna Key and The Sialkot Saga, Ashwin Sanghi returns at last with another quietly fearsome tale-this time of men who guard the 'Kalachakra' or The Wheel of Time. Sanghi describes a world of people at war with one another-a boomeranging conflict of faiths that results in acts of such slow and planned human cruelty that they defy human imagination. Caught in the midst of this madness is Vijay Sundaram, a geek scientist who is only dimly aware that the wider sky outside his laboratory is stretched taut and close to being torn apart by forces that he wants simply to have nothing to do with. But events conspire to propel Vijay into the labyrinth of Milesian Labs, a centre of research deep in the forested hills of Uttarakhand. What he stumbles upon is a primordial clue to a galactic secret that could accelerate the downward spiral of humankind. Trapped and wholly unaware of his actual foe, Vijay races against time to save humanity-and himself. Zigzagging from Rama's crossing to Lanka to the birth of Buddhism; from the origin of Wahhabism to the Einsteinian gravitational wave-detectors of LIGO; from the charnel-grounds of naked tantric practitioners to the bespoke suits of the Oval Office; and from the rites of Minerva, shrouded in frankincense, to the smoke-darkened ruins of Nalanda, Keepers of the Kalachakra is a journey that will have you gasping for breath-but one that you cannot abandon till all the pieces of the jigsaw come together. Till you come up gobsmack against an end that you simply did not see coming.
Moin Mir is a London based writer of Indian origin. He began writing under the influence of his grandfather, a scholar of Sufism, Omar Khayyam and Mirza Ghalib. He is the author of the critically acclaimed book Surat: Fall of a Port, Rise of a Prince. The Lost Fragrance of Infinity is his second book. Mir speaks frequently at leading international literature festivals on topics ranging from Sufism, history and travel writing.
Have you ever been enchanted by the spoken cadence of an Urdu couplet but wished you could fully understand its nuances? Have you wanted to engage with a ghazal more deeply but were daunted by its mystifying conventions? Are you confused between a qataa and a rubaai, or a musadda and a marsiya? In Urdu Poetry, Raza Mir offers a fresh, quirky and accessible entry point for neophytes seeking to enhance their enjoyment of this vibrant canon—from the poems of legends like Mir Taqi Mir and Mirza Ghalib to the lyrics of contemporary game changers like Javed Akhtar and Gulzar. Raza Mir’s translation not only draws out the zest and pathos of these timeless verses, but also provides pithy insights and colourful trivia that will enable readers to fully embrace this world.
