Broadway actress Billie Burke was one of the most sought after young stage beauties of her time, stealing the hearts of Enrico Caruso, Mark Twain, and, most importantly, famed Broadway producer Florenz Ziegfeld, who became her husband. Following Ziegfeld's death, the threats of financial ruin and encroaching age forced Burke to recreate herself as a Hollywood character actress. This biography benefits from the cooperation of the daughter and grandchildren of Burke and Ziegfeld, as well as from anecdotes provided by actors who performed with Burke on the stage and screen. In addition to studying the character and significance of Burke's greatest screen role as Glinda the Good Witch of the North, this richly illustrated book also provides a complete history of Burke's stage, screen, and radio work.
Any girl who twists her hat will be fired! – Florenz Ziegfeld And no Ziegfeld girl ever did as she made her way down the gala stairways of the Ziegfeld Follies in some of the most astonishing spectacles the American theatergoing public ever witnessed. When Florenz Ziegfeld started in theater, it was flea circus, operetta and sideshow all rolled into one. When he left it, the glamorous world of "show-biz" had been created. Though many know him as the man who "glorified the American girl," his first real star attraction was the bodybuilder Eugen Sandow, who flexed his muscles and thrilled the society matrons who came backstage to squeeze his biceps. His lesson learned with Sandow, Ziegfeld went on to present Anna Held, the naughty French sensation, who became the first Mrs. Ziegfeld. He was one of the first impresarios to mix headliners of different ethnic backgrounds, and literally the earliest proponent of mixed-race casting. The stars he showcased and, in some cases, created have become legends: Billie Burke (who also became his wife), elfin Marilyn Miller, cowboy Will Rogers, Bert Williams, W. C. Fields, Eddie Cantor and, last but not least, neighborhood diva Fanny Brice. A man of voracious sexual appetites when it came to beautiful women, Ziegfeld knew what he wanted and what others would want as well. From that passion, the Ziegfeld Girl was born. Elaborately bejeweled, they wore little more than a smile as they glided through eye-popping tableaux that were the highlight of the Follies, presented almost every year from 1907 to 1931. Ziegfeld's reputation and power, however, went beyond the stage of the Follies as he produced a number of other musicals, among them the ground-breaking Show Boat. In Ziegfeld: The Man Who Created Show Business, Ethan Mordden recreates the lost world of the Follies, a place of long-vanished beauty masterminded by one of the most inventive, ruthless, street-smart and exacting men ever to fill a theatre on the Great White Way : Florenz Ziegfeld.
The name Florenz Ziegfeld Jr. (1867–1932) is synonymous with the decadent revues that the legendary impresario produced at the turn of the twentieth century. These extravagant performances were filled with catchy tunes, high-kicking chorus girls, striking costumes, and talented stars such as Eddie Cantor, Fanny Brice, Marilyn Miller, W. C. Fields, and Will Rogers. After the success of his Follies, Ziegfeld revolutionized theater performance with the musical Show Boat (1927) and continued making Broadway hits—including Sally (1920), Rio Rita (1927), and The Three Musketeers (1928)—several of which were adapted for the silver screen. In this definitive biography, authors Cynthia Brideson and Sara Brideson offer a comprehensive look at both the life and legacy of the famous producer. Drawing on a wide range of sources—including Ziegfield's previously unpublished letters to his second wife, Billie Burke (who later played Glinda the Good Witch in The Wizard of Oz), and to his daughter Patricia—the Bridesons shed new light on this enigmatic man. They provide a lively and well-rounded account of Ziegfeld as a father, a husband, a son, a friend, a lover, and an alternately ruthless and benevolent employer. Lavishly illustrated with over seventy-five images, this meticulously researched book presents an intimate and in-depth portrait of a figure who profoundly changed American entertainment.
Following on from her successful 1949 memoir “With a Feather on My Nose,” here we have a further biography, first published in 1959, from famous Broadway and early silent film actress Billie Burke, best known as Glinda the Good Witch of the North in The Wizard of Oz and widow of Broadway producer Florenz Ziegfeld of Ziegfeld Follies fame. Co-author Cameron Shipp, a ghost writer who had also worked with Mack Sennett and Lionel Barrymore, assisted in assembling Miss Burke’s copious notes and transcribed her enthusiastic monologues into this wonderful biography filled with good-humoured advice on marriage, career, exercise, food (included are some delicious recipes!), and even perfecting the art of lying about your age! A most enjoyable trip down a career film star’s memory lane.
In this definitive biography, Cynthia Brideson and Sara Brideson offer a comprehensive look at both the life and legacy of Florenz Ziegfeld Jr. Drawing on a wide range of sources, they provide a lively and well-rounded account of Ziegfeld as a father, a husband, a son, a friend, a lover, and an alternately ruthless and benevolent employer. Lavishly illustrated, this is an intimate and in-depth portrait of a figure who profoundly changed American entertainment.
Volume contains: (Matter of McLaughlin) (Matter of McLaughlin) (Matter of McLaughlin) (McMillin v. Columbia Pictures Corp.) (McMillin v. Columbia Pictures Corp.) (McMillin v. Columbia Pictures Corp.) (Manhattan General Inc. v. Voss) (Manhattan General Inc. v. Voss) (Manhattan General Inc. v. Voss) (Manhattan General Inc. v. Voss) (People ex rel Manhattan Square Beresford, Inc. v. Sexton) (People ex rel Manhattan Square Beresford, Inc. v. Sexton) (People ex rel Manhattan Square Beresford, Inc. v. Sexton) (People ex rel Manhattan Square Beresford, Inc. v. Sexton) (Matter of Manufacturers Trust Co. v. Sullivan) (Matter of Manufacturers Trust Co. v. Sullivan) (Matter of Manufacturers Trust Co. v. Sullivan) (Marcus v. The Delaware & Hudson Co.) (Marcus v. The Delaware & Hudson Co.) (Marcus v. The Delaware & Hudson Co.) (Mariani v. Scandore) (Mariani v. Scandore) (Mariani v. Scandore) (Mariani v. Scandore)
"They were pioneers in the most glamorous business in the world, and you only know half of their story. Playbills To Photoplays reveals colorful episodes in the lives of the stars before they became stars. Everyone saw them, but few knew where they came from. This collection of essays follows some of the most famous names in show business from Vaudeville and Broadway to Hollywood, revealing a part of their lives that movie historians have neglected -- until now. I think this book is terrific. It's a must read for any fan of the silver screen, and the days when movie stars were real stars." - Morgan Loew, great-grandson of Adolph Zukor, founder, Paramount Pictures, and Marcus Loew, founder, Loews Theaters and MGM. "Ms. Loew's choice of performers to write about is amazingly diverse and fascinating, from character actors like Conrad Veidt to major stars like Katharine Hepburn. She has written a most compelling book about their transitions from stage to film... many of the stories new to me. Wonderful!" - Joan Benny, daughter of comedian, Jack Benny, one of America's greatest entertainment icons of the 20th century, whose career included vaudeville, radio, movies and television. "A nice compilation of essays on film stars who made the transition from the stage to early talkies with essays on Al Jolson, Mae West, Eddie Cantor, Harpo Marx, Spencer Tracy, Clark Gable, Charley Grapewin, Ed Wynn, and the Morgans (Frank and Ralph). Some essays were much better than others - I loved the one on the Morgans, Burns and Allen, Harpo Marx, and Katharine Hepburn... I would highly recommend the book as it gives you a good idea what vaudeville and the Broadway stage was like in the early 20's and what it was about these stars that allowed them to make the transition." -Librarything.com "....big stars as well as a raft of character actors, and decorated with dozens of striking photos...perceptive close-ups that make for vibrant film criticism...engaging profiles of Old Hollywood icons..." - Kirkus "Performers attempting to breakthrough will find this book inspirational!" - An Aspiring Actor Motion pictures with recorded sound --known as "talking pictures", or "talkies"--signaled the end of silent films and created some of the greatest entertainment icons of the twentieth century. Playbills To Photoplays: Stage Performers Who Pioneered the Talkies introduces a new generation to the real life struggles and careers of talented, hard working, early twentieth century vaudeville and stage entertainers who migrated to sound film. Twenty-eight essays and over one hundred photographs examine the actors before, during, and after the revolutionary new sound film technology catapulted many of them to superstardom during Hollywood's Golden Age. Playbills To Photoplays: Stage Performers Who Pioneered the Talkies explains the social, political, economic, historical, and cultural issues that shaped each performer's body of work, acting technique, persona, and public following over time.
