When Mrs. Whaley and Her Charleston Garden came out in spring 1997, it took the gardening world by storm.You didn't think she'd keep the rest of her strong opinions to herself, did you? Not on your life. She's back, with her other favorite hobby--cooking delicious meals. And she's just as "quotable" as ever: "If the hostess is all a-flutter like a butterfly caught in a net--then, as the Irish say, 'I wish I was to home and the party was to hell.'" Don't serve guests' dishes "you haven't made successfully two or three times--and quite lately." And after supper, "Leave the dishes on the table, blow out the candles, shut the door and serve finger desserts and coffee in another room . . . do not let your guests help you clean up!" In addition to advice, Mrs. Whaley has opened her personal scrapbook of receipts and selected one hundred of her favorites, including regional delectables like "Edisto Shrimp Pie," great dinner dishes like "Louisa Hagood's Ginger Chicken" and "Miss Em's Pork Tenderloin," old-fashioned breakfast breads like "Nan's Little Thin Corn Cakes," and true discoveries like "Dancing School Fudge." Just as he did in their first acclaimed, best-selling collaboration, novelist William Baldwin perfectly captures the octogenarian cadence: "Inviting people to break bread with me challenges my skills at cooking and fielding a congenial gathering of people. And I love a challenge."
In addition to advice and opinions from this Southern legend, readers are treated to 100 recipes of Whaley's most scrumptious selections, including regional favorites such as Pawleys Island Crab Cakes, old-fashioned breads, and sweets such as Dancing School Fudge.
Landscape architect Cothran recounts the history of small-space gardening in Charleston, South Carolina since colonial times; outlines the enduring principles of integrating house and garden, the maximum use of limited space, enclosure by walls, and ornamental plants; and explains some of the common
Neal Petersen was born physically disabled and impoverished in apartheid-era South Africa, but was introduced to healing and equality in the waters surrounding Cape Town. Journey of a Hope Merchant recounts the epic journey that took this misfit kid from a racially segregated, working class neighborhood to the prestigious world of solo yacht racing.
Architecture has been defined as "the gift of one generation to the next." In the South Carolina Low Country the gift is a particularly precious one-a rich treasure of buildings that not only charm us with their graceful beauty, but offer us a glimpse into a vanished world of prosperous plantations and provincial aristocracy.
The vibrant, opinionated, and totally engaging voice of 85-year-old Emily Whaley transforms a guided tour of one of the most visited private gardens in America into a magical adventure, alive with tidbits of advice and deeply moving reflections. Illustrations.
A guide to more than two hundred of the most famous, infamous, and influential individuals now interred in the iconic Charleston landmark Charleston is a city of stories. As in any city of historical significance, some of its best stories now lie buried with its dead. Ted Ashton Phillips, Jr., was custodian of many of the stories of those Charlestonians interred in Magnolia Cemetery, the picturesque burial ground located along the Cooper River north of downtown. Phillips's fascination with Magnolia began at the age of sixteen, when he worked there as a groundskeeper and assistant gravedigger. He followed his passion into the research represented in this collective biography of more than two hundred representative Charlestonians from many eras, now buried among the thirty thousand permanent residents of Magnolia Cemetery. Taking its title from the poem that William Gilmore Simms delivered at the 1850 consecration of the cemetery, City of the Silent is a unique guide to some of the complex personalities who have contributed to the Holy City's rich culture. The book includes entries on writers, artists, statesmen, educators, religious leaders, scientists, war heroes, financiers, captains of industry, slave traders, socialites, criminals, victims, and others. Some of these men and women are as distinguished as author Josephine Pinckney, civil rights champion J. Waties Waring, and artist Alice Ravenel Huger Smith. Others are as notorious as bootlegger Frank "Rumpty Rattles" Hogan, adulterous killer Dr. Thomas McDow, and brothel-keeper Belle Percival. Most of Phillips's subjects achieved prominence while alive, but a few are better known for their manner of death. The members of the third and final crew of the Confederate submarine H. L. Hunley, interred with great ceremony in 2004 after the discovery of their vessel in Charleston harbor, are among the newest Magnolia residents depicted in the portrait gallery. Each authoritative profile offers a vivid depiction of a memorable individual rendered in conversational tone with refreshing wit and apt anecdotes. These artfully braided stories describe an intricate network of family ties, civic institutions, business enterprises, and local landmarks. Together the biographies provide an affectionate, insightful history of an influential society and establish Magnolia as a center of community traditions that extend from the mid-nineteenth century to the present. City of the Silent is a celebration of intertwining lives and an engrossing account of Charleston's past as witnessed by those no longer able to tell their own tales. In addition to the biographical sketches, City of the Silent includes a foreword by Josephine Humphreys, Charleston writer and longtime friend of the author, and an afterword by Phillips's daughter Alice McPherson Phillips. The volume also features an introductory essay by historian Thomas J. Brown examining how the cemetery became a leading site of historical memory in the aftermath of the Civil War, and sets of maps and thematic tours that invite visitors to locate the featured graves within Magnolia's evocative grounds.
With these words William Baldwin and Elizabeth Turk lay the foundation for a stunning visual journey into the Southern home. The images found within these pages tell as much about the definition of home as they do about certain aspects of design. Taken from the Historic American Buildings Survey or HABS collection--which began as Depression-era works program--these images document the grace and unique nature of the Southern home. While some of the images show the grandeur of the old plantation house, others reveal a much simpler side of Southern living. And while there are always elements that are distinctive to each home there is an ever-present theme that reminds the reader that home is not just a structure, but also a reflection of our dreams. Compiled from over seventy years of HABS images, this arrangement is a matchless illustrated history of Southern architecture and design. Whether a stately mansion or a decaying rural farmhouse, the images within are a visual essay into the true nature and being of the South and Southern home.
