A book from Mr. Punch's library of humor, this volume focuses on the lighter sides of the bench and bar. This comic book is centered on the humorous side of legal counsel, law court, and other legal jurisdictions. A funny book with incredible illustrations to keep the stress away.
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What do you call 600 lawyers at the bottom of the sea? Marc Galanter calls it an opportunity to investigate the meanings of a rich and time-honored genre of American humor: lawyer jokes. Lowering the Bar analyzes hundreds of jokes from Mark Twain classics to contemporary anecdotes about Dan Quayle, Johnnie Cochran, and Kenneth Starr. Drawing on representations of law and lawyers in the mass media, political discourse, and public opinion surveys, Galanter finds that the increasing reliance on law has coexisted uneasily with anxiety about the “legalization” of society. Informative and always entertaining, his book explores the tensions between Americans’ deep-seated belief in the law and their ambivalence about lawyers.
The first policewomen were established during the Great War, but with no powers of arrest; the first women lawyers did not practise until the early twentieth century, and despite the fact that women worked as matrons in Victorian prisons, there were few professional women working as prison officers until the 1920s. The Justice Women traces the social history of the women working in courts, prisons and police forces up to the 1970s. Their history includes the stories of the first barristers, but also the less well-known figures such as women working in probation and in law courts.
In the Dutch countryside the war seems far away. For most people, at least. But not for Ed, a Jew in Nazi-occupied Holland trying to find some safe sanctuary. Compelled to go into hiding in the rural province of Zeeland, he is taken in by a seemingly benevolent family of farmers. But, as Ed comes to realize, the Van 't Westeindes are not what they seem. Camiel, the son of the house, is still in mourning for his best friend, a German soldier who committed suicide the year before. And Camiel's fiery, unstable sister Mariete begins to nurse a growing unrequited passion for their young guest, just as Ed realizes his own attraction to Camiel. As time goes by, Ed is drawn into the domestic intrigues around him, and the farmhouse that had begun as his refuge slowly becomes his prison.