The classic children’s characters are taking the graphic novel world by storm! Reads L to R (Western Style). Full-color pages. Poopity poop! Mr. Bump is stuck inside his TV! With every change of the channel, he finds himself in the middle of a different show. Whether he's dancing with the Little Misses, surviving on a desert isle, or ghost hunting, Mr. Bump is must-see TV! But will he ever get home again?
Join the endearing Mr Bump as he looses his memory in a brand new adventure. Collect all 12 Mr Men New Library titles to create a wonderful spine art mural.
They're back! Rediscover the zaniest and most lovable characters you've ever met in the Mr. Men and Little Miss series—the best-selling, timeless, and universal books, which have sold millions of copies worldwide. Digitally available for the first time, these bright, charming books, with their easily recognizable characters, are easy enough for young readers and witty enough for adults. This fantastic read-to-me edition is read by Audie and Grammy award-winning narrator of Harry Potter, Jim Dale, who perfectly captures each character’s unique voice and personality. Get ready to fall in love with Mr. Men and Little Miss books all over again or for the very first time!
Bumps Circus is about the last year of the Worlds Most Ancient and Unique Show. In 1950, the world of the circus is coming to an end, and the world of war is coming again. This small circus travelled in Texas and neighboring states, looking for something mysterious, and Angus McQuill is just the man to help Mr. and Mrs. Bump find their dream. The problem is that Angus must find himself first!
Disability is history and futurity, culture and society, practice and theory, work and play, an immense desire for life by which body and mind are dragged kicking and screaming into each and every new day. Using autocritical discourse analysis, a new hybrid research method that combines aspects of the established methods of critical discourse analysis (CDA) and autoethnography, this book explores the formative cultural identity politics of disability via cultural stations of UK popular culture. These cultural stations include action figures, children’s books, television miniseries, comics, comedy films, teenage drama and sitcoms, the punk rock movement, and alternative comedy. Although the cultural stations range from toys and comics to aggressive music and chaotic sitcoms, all are considered with a focus on the language and tropes of disability. Indeed, most of the works are not remembered as portrayals of disability but the book’s analysis reveals flash if not fleeting representations that, when centralised, clarify patterns of duplicity. Via the language of power, and the power of language, all these texts are found to have contributed to the formative cultural identity politics of disability. It will be of interest to all scholars and students of disability studies, sociology, toy studies, comic studies, humour studies, television studies, popular music studies, gender studies, literary studies, and cultural studies.
