MOVING CAMERAS AND LIVING MOVIES

MOVING CAMERAS AND LIVING MOVIES

Author: STEVE ESOMBA, Dr.

Publisher: Lulu.com

Published: 2013-03-12

Total Pages: 241

ISBN-13: 1291351574

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I can say with absolute certainty that, everybody enjoys watching movies, cinema, films and television. But few, if any, know how a film is made: a film has inbuilt special effects or 'tricks'to make it appealing to audiences. MOVING CAMERAS AND LIVING MOVIES reveals to you ALL about films & Filmmaking; it is a hard and tasking enterprise involving tens of thousands of workers and millions of investment dollars. After reading MOVING CAMERAS...your love for movies will triple. Movie technicians and camera gurus have a license to mould, alter, and manipulate the screen to produce or induce rain, sunlight, snow, fire, or fly any object in space in defiance of gravity or even cause 'accidents'or 'raise' the dead to life. Learn the fascinating, exciting world of film, actresses, actors, fashion, and fictional entities.


Film: A Very Short Introduction

Film: A Very Short Introduction

Author: Michael Wood

Publisher: Oxford University Press, USA

Published: 2012-01-26

Total Pages: 153

ISBN-13: 0192803530

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Film is considered to be the dominant art form of the twentieth century. It can be considered many other things; a record of events, a modern mythology, a career, an industry, an art, a hobby, and much else. Michael Wood explores the history of film, its venture into the digital age, and its role and impact on modern society.


Moving Places

Moving Places

Author: Jonathan Rosenbaum

Publisher: Univ of California Press

Published: 1995-03-24

Total Pages: 221

ISBN-13: 0520089073

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"I would number Moving Places among a handful of truly classic books about film."—James Naremore, author of Acting in the Cinema


The Diving Bell and the Butterfly

The Diving Bell and the Butterfly

Author: Jean-Dominique Bauby

Publisher: Vintage

Published: 2008-03-06

Total Pages: 146

ISBN-13: 0307454835

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A triumphant memoir by the former editor-in-chief of French Elle that reveals an indomitable spirit and celebrates the liberating power of consciousness. In 1995, Jean-Dominique Bauby was the editor-in-chief of French Elle, the father of two young children, a 44-year-old man known and loved for his wit, his style, and his impassioned approach to life. By the end of the year he was also the victim of a rare kind of stroke to the brainstem. After 20 days in a coma, Bauby awoke into a body which had all but stopped working: only his left eye functioned, allowing him to see and, by blinking it, to make clear that his mind was unimpaired. Almost miraculously, he was soon able to express himself in the richest detail: dictating a word at a time, blinking to select each letter as the alphabet was recited to him slowly, over and over again. In the same way, he was able eventually to compose this extraordinary book. By turns wistful, mischievous, angry, and witty, Bauby bears witness to his determination to live as fully in his mind as he had been able to do in his body. He explains the joy, and deep sadness, of seeing his children and of hearing his aged father's voice on the phone. In magical sequences, he imagines traveling to other places and times and of lying next to the woman he loves. Fed only intravenously, he imagines preparing and tasting the full flavor of delectable dishes. Again and again he returns to an "inexhaustible reservoir of sensations," keeping in touch with himself and the life around him. Jean-Dominique Bauby died two days after the French publication of The Diving Bell and the Butterfly. This book is a lasting testament to his life.


The Man Who Invented Motion Pictures

The Man Who Invented Motion Pictures

Author: Paul Fischer

Publisher: Simon and Schuster

Published: 2022-04-19

Total Pages: 416

ISBN-13: 1982114851

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One of the New York Times Best True Crime of 2022 A “spellbinding, thriller-like” (Shelf Awareness) history about the invention of the motion picture and the mysterious, forgotten man behind it—detailing his life, work, disappearance, and legacy. The year is 1888, and Louis Le Prince is finally testing his “taker” or “receiver” device for his family on the front lawn. The device is meant to capture ten to twelve images per second on film, creating a reproduction of reality that can be replayed as many times as desired. In an otherwise separate and detached world, occurrences from one end of the globe could now be viewable with only a few days delay on the other side of the world. No human experience—from the most mundane to the most momentous—would need to be lost to history. In 1890, Le Prince was granted patents in four countries ahead of other inventors who were rushing to accomplish the same task. But just weeks before unveiling his invention to the world, he mysteriously disappeared and was never seen or heard from again. Three and half years later, Thomas Edison, Le Prince’s rival, made the device public, claiming to have invented it himself. And the man who had dedicated his life to preserving memories was himself lost to history—until now. The Man Who Invented Motion Pictures pulls back the curtain and presents a “passionate, detailed defense of Louis Le Prince…unfurled with all the cliffhangers and red herrings of a scripted melodrama” (The New York Times Book Review). This “fascinating, informative, skillfully articulated narrative” (Kirkus Reviews, starred review) presents the never-before-told history of the motion picture and sheds light on the unsolved mystery of Le Prince’s disappearance.


Directing the Camera

Directing the Camera

Author: Gil Bettman

Publisher:

Published: 2014

Total Pages: 0

ISBN-13: 9781615931668

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On motion picture and television sets today the director spends 90% of his time directing the camera. Professional actors come to set prepared to direct themselves. In spite of this recent change, 90% of all books on directing do not teach specifically how to direct the camera. Gil Bettman's 'Directing the Camera' fills that void by teaching the elements of craft that contemporary directors use to give their films the visually dynamic look preferred by audiences today.


Action! Professor Know It All's Guide to Film and Video

Action! Professor Know It All's Guide to Film and Video

Author: Bill Brown

Publisher: Microcosm Publishing

Published: 2012-09-01

Total Pages: 160

ISBN-13: 1621060497

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Have you ever wanted to make your own movies, documentaries, music videos, or vlogs? In this easy-to-read and magnificently illustrated volume, you will learn why movies move; how film and video cameras work; how to light and expose your shots to get the best results; how to create eye-pleasing compositions; and how to record crystal clear sounds. It's a do-it-yourself guidebook for film and video makers of all ages and experience levels.Whether you've got a phone and a YouTube account, an old Super-8 handheld camera, or a fancy, state of the art motion picture studio, you still need a good idea and a good knowledge of the basics. Bill Brown, aka "Professor Know-It-All," with his cast of helpful animal assistants, give you all the technical knowledge you need so that you can stop worrying about your gear and your settings and let your ideas come to life.


Living Pictures

Living Pictures

Author: Deac Rossell

Publisher: State University of New York Press

Published: 1998-04-23

Total Pages: 120

ISBN-13: 143841806X

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CHOICE 1999 Outstanding Academic Books This is the first book in English in nearly half a century to tell the full story of the international development of the first films, the origins of celluloid itself, the background of magic lantern shows (which were the first home of the movies), and the social influences on movie inventors and their chosen technologies. When moving pictures were invented one hundred years ago, inventors in many countries had different ideas about what a movie was, how it could be used, and how it could be seen; these ideas directly influenced their technological solutions to the problem of reproducing moving pictures, and account for the plethora of devices proposed during the period of invention. Living Pictures takes a new look at the international origins of moving pictures and examines the many solutions posed by Thomas Edison in America, the Lumière brothers in France, Robert Paul in England, and Max Skladanowsky in Germany, among many other pioneering figures. Using concepts drawn from recent work in the sociology of the history of technology, Living Pictures places the invention of the movies firmly in the context of late-nineteenth-century entertainment and explains clearly the motivations and accomplishments of the inventors in both America and Europe who brought the first movies to astounded audiences in 1895 and 1896. In addition, new research illuminates the roles played by many secondary figures whose proposals for movies in the home, in mobile street theatres, and in major concert halls were a vivid part of the struggle of the new medium to find its place in the world.


Dramatic Effects with a Movie Camera

Dramatic Effects with a Movie Camera

Author: Gail Segal

Publisher: Bloomsbury Publishing

Published: 2021-07-01

Total Pages: 233

ISBN-13: 1474285848

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The camera's capacity to organize space within a “frame” produces the fundamental unit of movie making: the shot. Dramatic Effects with a Movie Camera is a practical guide to the visual storytelling potential of different camera techniques, demonstrating how they can produce compelling shots and sequences. By exploring how a close-up shot of a character's face can help the viewer share their fear or joy, or how a moving camera can reveal plot points, connect objects and characters in space or give clues to their state of mind, Gail Segal and Sheril Antonio show how choice of shot can dramatically affect your narrative. With detailed analysis of clips from 45 films, from 30 countries, this is a unique window into how movie-making masters have made the most of their cameras – and how you can too.


Live Cinema and Its Techniques

Live Cinema and Its Techniques

Author: Francis Ford Coppola

Publisher: Liveright Publishing

Published: 2017-09-26

Total Pages: 224

ISBN-13: 1631493736

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From a master of cinema comes this “gold mine of a book . . . a rocket ride to the potential future” of filmmaking (Walter Murch). Celebrated as an “exhilarating account” of a revolutionary new medium (Booklist), Francis Ford Coppola’s indispensable guide to live cinema is a boon for moviegoers, film students, and teachers alike. As digital movie-making, like live sports, can now be performed by one director—or by a collaborative team online— it is only a matter of time before cinema auteurs will create “live” movies to be broadcast instantly in faraway theaters. “Peppered with brilliant personal observations” (Wendy Doniger), Live Cinema and Its Techniques offers a behind-the-scenes look at a consummate career: from Coppola’s formative boyhood obsession with live 1950s television shows and later attempts to imitate the spontaneity of live performance on set, the book usefully includes a guide to presenting state-of-the-art techniques on everything from rehearsals to equipment. A testament to Coppola’s prodigious enthusiasm for reinvigorating the form, Live Cinema is an indispensable guide that “reenergizes . . . the search for a new way of storytelling” (William Friedkin).