Details decorative art created to memorialize and commemorate death from the 1600s through World War I. Outstanding examples of mourning jewelry, portrait miniatures, pottery and glassware, paintings and sculpture, posthumous photographs, hair-work memorials, and more. Includes background information on mourning practices, current values, glossary, and bibliography. An excellent resource for Victoriana, Georgian and Victorian memorial arts, and antique jewelry.
A fascinating text explains the many popular nineteenth century traditions associated with death and mourning. Over 300 color photographs display jewelry, photography, clothing, customs, and symbolism. Over 70 pages of a Victorian hair jewelry catalog are included.
In Death Lamented: The Tradition of Anglo-American Mourning Jewelry illustrates and explains prime examples of rings, bracelets, brooches, and other pieces of mourning jewelry from the seventeenth, eighteenth, and nineteenth centuries. Like the exhibition at the Massachusetts Historical Society, this volume showcases the materials in the Society’s collection and that of Sarah Nehama, a jeweler and private collector who co-curated the event at the MHS. These elegant and evocative objects are presented in context, including written explanations of the history, use, and meaning of the jewelry, as well as related pieces of material culture, such as broadsides, photographs, portraits, and trade cards. The jewelry included illustrates some of the most exemplary types, from early gold bands with death’s head iconography to jeweled brooches and intricately woven hairwork pieces of the Civil War era. Distributed for the Massachusetts Historical Society
Art and Mourning explores the relationship between creativity and the work of self-mourning in the lives of 20th century artists and thinkers. The role of artistic and creative endeavours is well-known within psychoanalytic circles in helping to heal in the face of personal loss, trauma, and mourning. In this book, Esther Dreifuss-Kattan, a psychoanalyst, art therapist and artist - analyses the work of major modernist and contemporary artists and thinkers through a psychoanalytic lens. In coming to terms with their own mortality, figures like Albert Einstein, Louise Bourgeois, Paul Klee, Eva Hesse and others were able to access previously unknown reserves of creative energy in their late works, as well as a new healing experience of time outside of the continuous temporality of everyday life. Dreifuss-Kattan explores what we can learn about using the creative process to face and work through traumatic and painful experiences of loss. Art and Mourning will inspire psychoanalysts and psychotherapists to understand the power of artistic expression in transforming loss and traumas into perseverance, survival and gain. Art and Mourning offers a new perspective on trauma and will appeal to psychoanalysts and psychotherapists, psychologists, clinical social workers and mental health workers, as well as artists and art historians.
The early Victorians regarded hair as one's crowning glory and the most delicate and lasting part of a person. This sentimental, romantic temperament gave rise to the fashion for making and wearing jewelry made of hair. Whether you consider the idea of jewelry and memorials made from human hair repulsive or utterly fascinating, this book should answer any questions about this delicate art form. Jeanenne Bell, a certified appraiser and jewelry dealer, has written an exhaustive text devoted to hairwork jewelry. More than 500 gorgeous color photos together with vintage illustrations and images from our past fill this tender, informative guide. Insight is given on how this came into fashion, the basic techniques used, as well as information about what pieces are most collectible and valuable. A list of criteria for evaluating these unique pieces will aid the reader in identifying and pricing the items still being found at shops and estate sales today. 8.5 X 11. Current values.
Using a wide array of evidence drawn from poetry, fiction, diaries, letters, and examples of hairwork, Love Entwined traces the widespread popularity of the craft from the late eighteenth to the early twentieth century.
Mourning is the new black... The tradition of Victorian mourning jewelry began with Queen Victoria after the death of her husband, Prince Albert. Without photography, mementos of personal remembrance were used to honor the dead so that their loved ones could commemorate their memory and keep their spirits close. Ashes were placed within rings, and necklaces were made out of hair, and the concept of death photography, small portraitures of the deceased, were often encased behind glass. Mourning jewelry became a fashion statement as much as a way to cope with grief, and as their pain evolved over the years, so did their jewelry. But what about the sadness and the memories that they kept close to them at all times? The death-day visions and the reoccurring nightmares? Wytovich explores the horror that breeds inside of the lockets, the quiet terror that hides in the center of the rings. Her collection shows that mourning isn't a temporary state of being, but rather a permanent sickness, an encompassing disease. Her women are alive and dead, lovers and ghosts. They live in worlds that we cannot see, but that we can feel at midnight, that we can explore at three a.m. Wytovich shows us that there are hearts to shadows and pulses beneath the grave. To her, Mourning Jewelry isn't something that you wear around your neck. It's not fashion or a trend. It's something that you carry inside of you, something that no matter how much it screams, that you can just can't seem to let out.
Queen Victoria of Great Britain made a tremendous impact on the world, so much so that the era of her reign was given her name. Items from the Victorian period have a reputation for beauty and elegance, which is why they are such popular collectibles. This one-of-a-kind reference covers the beautiful jewelry of the Victorian Age, from 1837 to 1901. Gemologist C. Jeanenne Bell offers collectors this fascinating all-color exploration of the illustrious age and the elegant jewelry that is produced. &break;&break;Decade by decade, Bell reveals how the fashion of the time influenced the style of jewelry, and how innovations in manufacturing affected jewelry production. Jewelry listings provide current marketplace values, and also cover American and French jewelry styles from the time. Over 1,000 color pictures and illustrations convey the true beauty of Victorian era jewelry it produced.
How did our ancestors die? Whereas in our own day the subject of death is usually avoided, in pre-Industrial England the rituals and processes of death were present and immediate. People not only surrounded themselves with memento mori, they also sought to keep alive memories of those who had gone before. This continual confrontation with death was enhanced by a rich culture of visual artifacts. In The Art of Death, Nigel Llewellyn explores the meanings behind an astonishing range of these artifacts, and describes the attitudes and practices which lay behind their production and use. Illustrated and explained in this book are an array of little-known objects and images such as death's head spoons, jewels and swords, mourning-rings and fans, wax effigies, church monuments, Dance of Death prints, funeral invitations and ephemera, as well as works by well-known artists, including Holbein, Hogarth and Blake.
Inspired by the website that the New York Times hailed as "redefining mourning," this book is a fresh and irreverent examination into navigating grief and resilience in the age of social media, offering comfort and community for coping with the mess of loss through candid original essays from a variety of voices, accompanied by gorgeous two-color illustrations and wry infographics. At a time when we mourn public figures and national tragedies with hashtags, where intimate posts about loss go viral and we receive automated birthday reminders for dead friends, it’s clear we are navigating new terrain without a road map. Let’s face it: most of us have always had a difficult time talking about death and sharing our grief. We’re awkward and uncertain; we avoid, ignore, or even deny feelings of sadness; we offer platitudes; we send sympathy bouquets whittled out of fruit. Enter Rebecca Soffer and Gabrielle Birkner, who can help us do better. Each having lost parents as young adults, they co-founded Modern Loss, responding to a need to change the dialogue around the messy experience of grief. Now, in this wise and often funny book, they offer the insights of the Modern Loss community to help us cry, laugh, grieve, identify, and—above all—empathize. Soffer and Birkner, along with forty guest contributors including Lucy Kalanithi, singer Amanda Palmer, and CNN’s Brian Stelter, reveal their own stories on a wide range of topics including triggers, sex, secrets, and inheritance. Accompanied by beautiful hand-drawn illustrations and witty "how to" cartoons, each contribution provides a unique perspective on loss as well as a remarkable life-affirming message. Brutally honest and inspiring, Modern Loss invites us to talk intimately and humorously about grief, helping us confront the humanity (and mortality) we all share. Beginners welcome.
