William W. Kibler is one of the most productive and versatile medievalists of his generation. Some scholars and students think of him primarily as a specialist in the medieval epic, whereas others consider him to be an Arthurian scholar. He is of course both, but he is also much more: a consummate philologist and editor of texts and also a prolific and accomplished translator. Above all, those who know him best know him as an extraordinarily generous and modest man. The present volume represents an effort by thirty medievalists, specialists in fields as diverse as William Kibler’s interests, to indicate our respect for him, aptly described in the foreword as “scholar, teacher, friend.”
This book argues that abbatial authority was fundamental to monastic historical writing in the period c.500-1500. Writing history was a collaborative enterprise integral to the life and identity of medieval monastic communities, but it was not an activity for which time and resources were set aside routinely. Each act of historiographical production constituted an extraordinary event, one for which singular provision had to be made, workers and materials assigned, time carved out from the monastic routine, and licence granted. This allocation of human and material resources was the responsibility and prerogative of the monastic superior. Drawing on a wide and diverse range of primary evidence gathered from across the medieval Latin West, this book is the first to investigate systematically how and why abbots and abbesses exercised their official authority and resources to lay the foundations on which their communities' historiographical traditions were built by themselves and others. It showcases them as prolific authors, patrons, commissioners, project managers, and facilitators of historical narratives who not only regularly put pen to parchment personally, but also, and perhaps more importantly, enabled others inside and outside their communities by granting them the resources and licence to write. Revealing the intrinsic relationship between abbatial authority and the writing of history in the Middle Ages with unprecedented clarity, Benjamin Pohl urges us to revisit and revise our understanding of monastic historiography, its processes, and its protagonists in ways that require some radical rethinking of the medieval historian's craft in communal and institutional contexts.
In The Lily and the Thistle, William Calin argues for a reconsideration of the French impact on medieval and renaissance Scottish literature. Calin proposes that much of traditional, medieval, and early modern Scottish culture, thought to be native to Scotland or primarily from England, is in fact strikingly international and European. By situating Scottish works in a broad intertextual context, Calin reveals which French genres and modes were most popular in Scotland and why. The Lily and the Thistle provides appraisals of medieval narrative texts in the high courtly mode (equivalent to the French dits amoureux); comic, didactic, and satirical texts; and Scots romance. Special attention is accorded to texts composed originally in French such as the Arthurian Roman de Fergus, as well as to the lyrics of Mary Queen of Scots and little known writers from the French and Scottish canons. By considering both medieval and renaissance works, Calin is able to observe shifts in taste and French influence over the centuries.
Giants are a ubiquitous feature of medieval romance. As remnants of a British prehistory prior to the civilization established, according to the Historium regum Britannie, by Brutus and his Trojan followers, giants are permanently at odds with the chivalric culture of the romance world. Whether they are portrayed as brute savages or as tyrannical pagan lords, giants serve as a limit against which the chivalric hero can measure himself. In Outsiders: The Humanity and Inhumanity of Giants in Medieval French Prose Romance, Sylvia Huot argues that the presence of giants allows for fantasies of ethnic and cultural conflict and conquest, and for the presentation—and suppression—of alternative narrative and historical trajectories that might have made Arthurian Britain a very different place. Focusing on medieval French prose romance and drawing on aspects of postcolonial theory, Huot examines the role of giants in constructions of race, class, gender, and human subjectivity. She selects for study the well-known prose Lancelot and the prose Tristan, as well as the lesser known Perceforest, Le Conte du papegau, Guiron le Courtois, and Des Grantz Geants. By asking to what extent views of giants in Arthurian romance respond to questions that concern twenty-first-century readers, Huot demonstrates the usefulness of current theoretical concepts and the issues they raise for rethinking medieval literature from a modern perspective.
This teaching anthology collects texts from the vast archive of medieval Arthurian literature. It includes selections from mainstream canonical authors, such as Geoffrey of Monmouth and Malory, and more peripheral works, such as the Melech Artus (a 12th-century Hebrew text) and the Dutch Morien (featuring a black knight). Characters and authors showcase the diversity of race, religion, gender, and gender orientation of the Arthurian tradition. The anthology and its accompanying website offer a variety of genres, ranging from visual art to historical chronicles and from romance to drama. Arthurian works, while concentrated in England, France, and Wales, are found across medieval Europe, and thus this anthology includes texts from Iceland to Greece. The Broadview Anthology of Medieval Arthurian Literature is ideally suited to teaching: it includes full texts, such as Chrétien de Troyes’ Knight of the Cart, Chaucer’s Wife of Bath’s Tale, and the anonymous Sir Gawain and the Green Knight, for classes that wish to study a whole work in depth; it also includes shorter excerpts of parallel incidents, such as the Uther and Igraine story, so that students can compare a story’s treatment by different authors. Marginal glosses assist students with the Middle English texts, while introductory notes and explanatory footnotes give students necessary background information.
This Element contributes to the burgeoning field of medieval publishing studies with a case study of the books produced at the Benedictine monastery of Engelberg under its celebrated twelfth-century abbot, Frowin (1143–78). Frowin was the first abbot of Engelberg whose book provision policy relied on domestic production serviced by an internal scribal workforce, and his tenure marked the first major expansion of the community's library. This Element's in-depth discussion of nearly forty colophons inscribed in the books made for this library during Frowin's transformative abbacy offers a fresh perspective on monastic publishing practice in the twelfth century by directing our view to a mode of publication that has received only limited attention in scholarship to date.
The purpose of the BIAS is, year by year, to draw attention to all scholarly books and articles directly concerned with the matière de Bretagne. The bibliography aims to include all books, reviews and articles published in the year preceding its appearance, an exception being made for earlier studies which have been omitted inadvertently. The present volume contains over 700 entries on relevant publications that were published in 2014.
The Story of Attila in Prose is the first critical edition and translation of the thirteenth century Franco-Italian prose text the Estoire d’Atile en prose. Preserved in two anonymous and untitled manuscripts composed between the last quarter of the thirteenth century and the beginning of the fourteenth century, the story recounts the fictional founding of Venice after the invasion of Aquileia by Attila the Hun. The manuscripts, located in Zagreb and Venice, detail Attila’s pagan mother, her union with a dog, and his feral birth, as well as his unusual death during a chess match and the origins of the Holy Grail. This edition and translation are based on the Zagreb manuscript, which was only recently discovered. The book includes a full critical apparatus containing rejected readings and variants from the Venetian manuscript, and a thorough introduction that discusses the literary value of the text, its possible sources, and its influence on later literature. It is important reading for both historians of medieval Europe and literary critics.
"A series which is a model of its kind" Edmund King This year's volume is made up of articles that were presented at the conference in Bonn, held under the auspices of the University. In this volume, Alheydis Plassmann, the Allen Brown Memorial lecturer, analyses how two contemporary commentators reported the events of their day, the contest between two grandchildren of William the Conqueror as they struggled for supremacy in England and Normandy during the 1140s. The Marjorie Chibnall Essay prize winner, Laura Bailey, examines the geographical spaces occupied by the exile in The Gesta Herewardi and Fouke le Fitz Waryn. Andrea Stieldorf compares the seals and the coins of Germany/Lotharingia in the tenth, eleventh, and twelfth centuries with those made in England, exploring the ideas embedded in the iconography of the two connected visual sources. Domesday Book forms the focus of two important new studies, one by Rory Naismith looking at the moneyers to be found in Domesday, adding substantially to the information gained on this important group of artisans, and one by Chelsea Shields-Más on the sheriffs of Edward the Confessor, giving us new insights into the key officials in the royal administration. Elisabeth van Houts examines the life of Empress Matilda before she returned to her father's court in 1125 throwing new light on Matilda's "German" years, while Laura Wangerin looks at how tenth-century Ottonian women used communication to further their political goals. Steven Vanderputten takes the challenge of thinking about religious change at the turn of the Millennium through the lens of the Life of John, Abbot of Gorze Abbey, by John of Saint-Arnoul. Benjamin Pohl looks at the role of the abbot in prompting monk-historians to embark on their historiographical tasks through the work of one individual chronicler, Andreas of Marchiennes, responsible for writing, at his abbot's behest, the Chronicon Marchianense. And Megan Welton explores the implications of honorific titles through an examination of the title dux as it was attached to two tenth-century women rulers. The volume offers a wide range of insightful essays which add considerably to our understanding of the central middle ages.
