A story of magic, family, a mysterious stranger . . . and a band of marauding raccoons. Otter Lake is a sleepy Anishnawbe community where little happens. Until the day a handsome stranger pulls up astride a 1953 Indian Chief motorcycle – and turns Otter Lake completely upside down. Maggie, the Reserve’s chief, is swept off her feet, but Virgil, her teenage son, is less than enchanted. Suspicious of the stranger’s intentions, he teams up with his uncle Wayne – a master of aboriginal martial arts – to drive the stranger from the Reserve. And it turns out that the raccoons are willing to lend a hand.
A story of magic, family, a mysterious stranger . . . and a band of marauding raccoons. Otter Lake is a sleepy Anishnawbe community where little happens. Until the day a handsome stranger pulls up astride a 1953 Indian Chief motorcycle – and turns Otter Lake completely upside down. Maggie, the Reserve’s chief, is swept off her feet, but Virgil, her teenage son, is less than enchanted. Suspicious of the stranger’s intentions, he teams up with his uncle Wayne – a master of aboriginal martial arts – to drive the stranger from the Reserve. And it turns out that the raccoons are willing to lend a hand.
Maggie Second is the chief of the community in central Ontario and her mother, Lillian, is dying. When the old woman summonds a handsome white stranger who has come to town, and only known to her, she charges him with a mission to help the people she loves the most, her daugher and grandson, Virgil. Maggie finds herself increasingly enamoured with the handsome young White man, but Virgil, is less than enchanted. With the help of his uncle, Wayne they will try and drive the stranger from the reserve.
The new lodger in her father's bed and breakfast has sixteen-year-old Tiffany Hunter wondering what kind of sinister happenings are going on in the woods around Otter Lake.
A forgotten Haudenosaunee social song beams into the cosmos like a homing beacon for interstellar visitors. A computer learns to feel sadness and grief from the history of atrocities committed against First Nations. A young Native man discovers the secret to time travel in ancient petroglyphs. Drawing inspiration from science fiction legends like Arthur C. Clarke, Isaac Asimov and Ray Bradbury, Drew Hayden Taylor frames classic science-fiction tropes in an Aboriginal perspective. The nine stories in this collection span all traditional topics of science fiction--from peaceful aliens to hostile invaders; from space travel to time travel; from government conspiracies to connections across generations. Yet Taylor's First Nations perspective draws fresh parallels, likening the cultural implications of alien contact to those of the arrival of Europeans in the Americas, or highlighting the impossibility of remaining a "good Native" in such an unnatural situation as a space mission. Infused with Native stories and variously mysterious, magical and humorous, Take Us to Your Chief is the perfect mesh of nostalgically 1950s-esque science fiction with modern First Nations discourse.
When Ralph Thomas comes across graffiti of a horse in an alleyway in the early hours of the morning, he is stopped in his tracks. He recognizes this horse. A half-asleep Indigenous homeless man sees Ralph’s reaction to the horse and calls out to him. Over the course of a morning’s worth of hot coffee on a bitterly cold day, Ralph and the homeless man talk and Ralph remembers a troubling moment from his childhood when an odd little girl, Danielle, drew the most beautiful and intriguing horse on his mother’s Everything Wall, winning the competition set up for children on the Otter Lake Reserve. Ralph has lived with many questions that arose from his eleventh winter. What did the horse mean — to him, his sister, his best friend, and, most importantly, the girl who drew it? These questions have never left him. Chasing Painted Horses has a magical, fablelike quality that will enchant readers, and haunt them, for years to come.
From the Scotiabank Giller Prize–winning novelist of 419 comes a spellbinding literary adventure novel about precious objects lost and found. The world is filled with wonders, lost objects—all real—all still out there, waiting to be found: · the missing Fabergé eggs of the Romanov dynasty, worth millions · the last reel of Alfred Hitchcock’s first film · Buddy Holly’s iconic glasses · Muhammad Ali’s Olympic gold medal How can such cherished objects simply vanish? Where are they hiding? And who on earth might be compelled to uncover them? Will Ferguson takes readers on a heroic, imaginative journey across continents, from the seas of southern Japan, to the arid Australian Outback, to the city of Christchurch, New Zealand, after the earthquake. Prepare to meet Gaddy Rhodes, a brittle Interpol agent obsessed with tracking “The Finder”—a shadowy figure she believes is collecting lost objects; Thomas Rafferty, a burnt-out travel writer whose path crosses that of The Finder, to devastating effect; and Tamsin Greene, a swaggering war photographer who is hiding secrets of her own. The Finder is a beguiling and wildly original tale about the people, places, and things that are lost and found in our world. Both an epic literary adventure and an escape into a darkly thrilling world of deceit and its rewards, this novel asks: How far would you be willing to go to recover the things you’ve left behind?
Funny, You Don't Look Like One is the first book in what became a series of four by Drew Hayden Taylor. The articles, essays and columns in this volume cover many issues pertaining to Aboriginal life and often give a humorous take on each subject. Taylor describes his collection as "simply the ideas and observations of a Native person living in this country we call Canada--the good, the bad and the ugly."
From the author of Shoeless Joe—the basis for the film Field of Dreams—come baseball stories that capture the magic and wonder of the game. No one can write about baseball with the same brilliant combination of mysticism and realism as W. P. Kinsella. Lovers of the game and lovers of fine writing will thrill at the range and depth of the eleven stories that make up this collection. From the magical conspiracy of the title story, to the celestial prediction in “The Last Pennant Before Armageddon,” to the desolation of “The Baseball Spur,” Kinsella explores the world of baseball and makes it, miraculously, a microcosm of the human condition. Praise for W. P. Kinsella’s The Dixon Cornbelt League and Other Baseball Stories “[Kinsella] defines a world in which magic and reality combine to make us laugh and think about the perceptions we take for granted.” —The New York Times “His short stories about baseball are wistful things of beauty which serve to remind us how the game should feel—the innate glory of a diamond etched in the minds of Americans.” —Calgary Sun “[Kinsella] uses baseball . . . As a familiar starting place for exploring, with pinpoint control, the human psyche.” —Booklist “Stories that read like lightning and tantalize the reader with fascinating scenarios.” —Publishers Weekly
A powerful, raw and eloquent memoir about the abuse former First Nations chief Edmund Metatawabin endured in residential school in the 1960s, the resulting trauma, and the spirit he rediscovered within himself and his community through traditional spirituality and knowledge. After being separated from his family at age 7, Metatawabin was assigned a number and stripped of his Indigenous identity. At his residential school--one of the worst in Canada--he was physically and emotionally abused, and was sexually abused by one of the staff. Leaving high school, he turned to alcohol to forget the trauma. He later left behind his wife and family, and fled to Edmonton, where he joined a First Nations support group that helped him come to terms with his addiction and face his PTSD. By listening to elders' wisdom, he learned how to live an authentic First Nations life within a modern context, thereby restoring what had been taken from him years earlier. Metatawabin has worked tirelessly to bring traditional knowledge to the next generation of Indigenous youth and leaders, as a counsellor at the University of Alberta, Chief in his Fort Albany community, and today as a youth worker, First Nations spiritual leader and activist. His work championing Indigenous knowledge, sovereignty and rights spans several decades and has won him awards and national recognition. His story gives a personal face to the problems that beset First Nations communities and fresh solutions, and untangles the complex dynamics that sparked the Idle No More movement. Haunting and brave, Up Ghost River is a necessary step toward our collective healing.
