At the end of the 1740s, the Moravians, a young and rapidly expanding radical-Pietist movement, experienced a crisis soon labeled the Sifting Time. As Moravian leaders attempted to lead the church away from the abuses of the crisis, they also tried to erase the memory of this controversial and embarrassing period. Archival records were systematically destroyed, and official histories of the church only dealt with this period in general terms. It is not surprising that the Sifting Time became both a taboo and an enigma in Moravian historiography. In A Time of Sifting, Paul Peucker provides the first book-length, in-depth look at the Sifting Time and argues that it did not consist of an extreme form of blood-and-wounds devotion, as is often assumed. Rather, the Sifting Time occurred when Moravians began to believe that the union with Christ could be experienced not only during marital intercourse but during extramarital sex as well. Peucker shows how these events were the logical consequence of Moravian teachings from previous years. As the nature of the crisis became evident, church leaders urged the members to revert to their earlier devotion of the blood and wounds of Christ. By returning to this earlier phase, the Moravians lost their dynamic character and became more conservative. It was at this moment that the radical-Pietist Moravians of the first half of the eighteenth century reinvented themselves as a noncontroversial evangelical denomination.
In Moravian Soundscapes, Sarah Eyerly contends that the study of sound is integral to understanding the interactions between German Moravian missionaries and Native communities in early Pennsylvania. In the mid-18th century, when the frontier between settler and Native communities was a shifting spatial and cultural borderland, sound mattered. People listened carefully to each other and the world around them. In Moravian communities, cultures of hearing and listening encompassed and also superseded musical traditions such as song and hymnody. Complex biophonic, geophonic, and anthrophonic acoustic environments—or soundscapes—characterized daily life in Moravian settlements such as Bethlehem, Nain, Gnadenhütten, and Friedenshütten. Through detailed analyses and historically informed recreations of Moravian communal, environmental, and religious soundscapes and their attendant hymn traditions, Moravian Soundscapes explores how sounds—musical and nonmusical, human and nonhuman—shaped the Moravians' religious culture. Combined with access to an interactive website that immerses the reader in mid-18th century Pennsylvania, and framed with an autobiographical narrative, Moravian Soundscapes recovers the roles of sound and music in Moravian communities and provides a road map for similar studies of other places and religious traditions in the future.
The Moravians who settled Bethlehem, Pennsylvania, in 1742 were committed to a society centered around missionary work. To free their missionaries from the need to earn a living, they formed a communal economic organization in which all workers gave their labor to the community in exchange for food, shelter, and clothing. To encourage each individual's religious development, family ties were deemphasized and members of the same sex, marital status, and age slept, worked, and worshipped together. After 20 years, the worldwide Moravian Church, facing a financial crisis, ordered Bethlehem to reorganize into a traditional community of nuclear families. It was hoped that, under this more conventional arrangement, Bethlehem could be expected to help pay the huge debts of the parent church. In The Transformation of Moravian Bethlehem, Beverly Prior Smaby traces the effects of this change on Bethlehem's Moravians, demonstrating how it altered even the most intimate aspects of their lives. She analyzes the unusually accurate marriage, birth, death, migration, and census records to assess the demographic response to institutional change. She traces change in cultural norms through unique technical analyses of biographies which were read at a variety of Moravian gatherings. Within 100 years, Smaby asserts, Bethlehem grew from an egalitarian communal society of symbolic Brothers and Sisters into a privatized community of socially stratified families whose cultural ideal was no longer religious service but usefulness to family and society. Scholars of American history and folk life will find this book a valuable addition to literature on community history, social change, and historical methods. Church historians will benefit from its in-depth study of secularization on a personal level, and it will be of keen interest to members of the Moravian Church.
A spirited, spiritual pilgrimage to different Christian churches for a year of Sundays-from storefronts to mega-churches, from Massachusetts to Maui When Pope John Paul II died, Suzanne Strempek Shea, who had turned away from the Catholic Church of her childhood, recognized in his mourners a faith-filled passion that she wanted to recapture. She set out on a yearlong to visit a different church every Sunday for a year-a journey that would take her through the broad spectrum of contemporary Christianity lived in this country, from her New England home to the West Coast, the Deep South, the Midwest, and even to Hawaii. Beginning with a rousing Baptist Easter service in Harlem, including a sing-along at the Cowboy Church in Colorado's Pro Rodeo Hall of Fame and a multimedia experience at Joel Osteen's Lakewood Church, the largest church in the country, Shea approaches each congregation with the curiosity of a newcomer and with respect for each unique expression of faith. Sundays in America weaves the threads of Christianity in America into a vibrant tapestry, an essential guide for those seeking a new house for their worship, as well as a colorful road trip for the armchair explorer.
Catalysts in the birth of evangelicalism, the Moravians supported their religious projects through financial savvy, a distinctive communalism at Bethlehem, Pennsylvania, and transatlantic commercial networks. This book traces the Moravians' evolving projects, arguing that imperial war, not capitalism, transformed Moravian religious life.
The Moravians, or Bohemian Brethren, early Protestants who settled in Pennsylvania and North Carolina in the eighteenth century, brought a musical repertoire that included hymns, sacred vocal works accompanied by chamber orchestra, and instrumental music by the best-known European composers of the day. Moravian composers -- mostly pastors and teachers trained in the styles and genres of the Haydn-Mozart era -- crafted thousands of compositions for worship, and copied and collected thousands of instrumental works for recreation and instruction. The book's chapters examine sacred and secular works, both for instruments -- including piano solo -- and for voices. The Music of the Moravian Church demonstrates the varied roles that music played in one of America's most distinctive ethno-cultural populations, and presents many distinctive pieces that performers and audiences continue to find rewarding. Contributors: Alice M. Caldwell, C. Daniel Crews, Lou Carol Fix, Pauline M. Fox, Albert H. Frank, Nola Reed Knouse, Laurence Libin, Paul M. Peucker, and Jewel A. Smith. Nola Reed Knouse, director of the Moravian Music Foundation since 1994, is active as a flautist, composer, and arranger. She is the editor of The Collected Wind Music of David Moritz Michael.
Dating back to 1785, the Moravian “Instructions for the Choir Helpers” contain detailed advice for the spiritual counselors of the men, women, and children in Moravian congregations on how to address concerns about one’s body and soul. In this volume, Katherine Faull presents an annotated, translated edition of the original German manuscript. In monthly “speakings”—regularly scheduled dialogues between the choir helper and individual church members to determine whether the congregant could be admitted to communion—men and women received spiritual guidance on topics as varied as the physical manifestations of puberty, sexual attraction, frequency of intercourse, infant care, and bereavement. From their founding in 1722, the Moravians were remarkable for their positive evaluation of the body; they held that the natural manifestations of masculinity and femininity were integral elements of spiritual consciousness. The “Instructions for the Choir Helpers”—which were highly confidential at the time and passed on only by permission of the church administration—reflect that philosophy, providing insights into an interpretation of the body as a holistic system that should be cared for as a vessel for the spirit. A unique resource for scholars of religious history, gender studies, and colonial American church history, Faull’s translation of this fascinating set of documents provides an unprecedented glimpse into a period of foundational change in Moravian history.
In the middle of the Great Awakening, a group of religious radicals called Moravians came to North America from Germany to pursue ambitious missionary goals. How did the Protestant establishment react to the efforts of this group, which allowed women to preach, practiced alternative forms of marriage, sex, and family life, and believed Jesus could be female? Aaron Spencer Fogleman explains how these views, as well as the Moravians' missionary successes, provoked a vigorous response by Protestant authorities on both sides of the Atlantic. Based on documents in German, Dutch, and English from the Old World and the New, Jesus Is Female chronicles the religious violence that erupted in many German and Swedish communities in colonial America as colonists fought over whether to accept the Moravians, and suggests that gender issues were at the heart of the raging conflict. Colonists fought over the feminine, ecumenical religious order offered by the Moravians and the patriarchal, confessional order offered by Lutheran and Reformed clergy. This episode reveals both the potential and the limits of radical religion in early America. Though religious nonconformity persisted despite the repression of the Moravians, and though America remained a refuge for such groups, those who challenged the cultural order in their religious beliefs and practices would not escape persecution. Jesus Is Female traces the role of gender in eighteenth-century religious conflict back to the European Reformation and the beginnings of Protestantism. This transatlantic approach heightens our understanding of American developments and allows for a better understanding of what occurred when religious freedom in a colonial setting led to radical challenges to tradition and social order.