Moral Tone of Jacobean and Caroline Drama

Moral Tone of Jacobean and Caroline Drama

Author: Johannes Adam Bastiaenen

Publisher: M. S. G. House

Published: 1969-09

Total Pages: 198

ISBN-13: 9780838305072

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Elizabethan morality as reflected on the contemporary stage. Particular emphasis on Shakespeare & Jonson.


Localizing Caroline Drama

Localizing Caroline Drama

Author: A. Zucker

Publisher: Springer

Published: 2006-10-30

Total Pages: 270

ISBN-13: 0230601618

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This book redefines the plays and theatrical culture of the years 1625 to 1642 as something more than simply post-Shakespearean in character. Scholars reveal the drama's mixture of political engagement, urbane cosmopolitanism, and commercial ingenuity. They urge us to recalibrate our histories to account for the innovations of the Caroline period.


Caroline Drama

Caroline Drama

Author: Rachel Fordyce

Publisher: Boston : G. K. Hall

Published: 1978

Total Pages: 236

ISBN-13:

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A survey of the major critical issues related to Caroline drama as they have emerged over approximately the last 100 years -- Introduction.


Idioms of Self Interest

Idioms of Self Interest

Author: Jill Phillips Ingram

Publisher: Routledge

Published: 2013-10-18

Total Pages: 196

ISBN-13: 1135866120

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Idioms of Self-Interest uncovers an emerging social integration of economic self-interest in early modern England by examining literary representations of credit relationships in which individuals are both held to standards of communal trust and rewarded for risk-taking enterprise. Drawing on women’s wills, merchants’ tracts, property law, mock testaments, mercantilist pamphlets and theatrical account books, and utilizing the latest work in economic theory and history, the book examines the history of economic thought as the history of discourse. In chapters that focus on The Merchant of Venice, Eastward Ho!, and Whitney’s Wyll and Testament, it finds linguistic and generic stress placed on an ethics of credit that allows for self-interest. Authors also register this stress as the failure of economic systems that deny self-interest, as in the overwrought paternalistic systems depicted in Shakespeare’s Timon of Athens and Francis Bacon’s New Atlantis. The book demonstrates that Renaissance interpretive formations concerning economic behaviour were more flexible and innovative than appears at first glance, and it argues that the notion of self-interest is a coherent locus of interpretation in the early seventeenth century.


Eastward Ho!

Eastward Ho!

Author: George Chapman

Publisher: Manchester University Press

Published: 1999-06-12

Total Pages: 260

ISBN-13: 9780719030925

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This edition of Eastward Ho! is the most authoritative and reliable to date. It has a text more accurate than any other and an extensive introduction that examines the relationship between the three authors and the problem of their collaboration. R. W. Van Fossen takes a fresh look at the question of the printing of the first quarto, provides a full stage history, and, most important, presents a critical interpretation of the play that takes account of its historical, social and theatrical context.