This extraordinary story of courage and faith is based on the actual experiences of three girls who fled from the repressive life of Moore River Native Settlement, following along the rabbit-proof fence back to their homelands. Assimilationist policy dictated that these girls be taken from their kin and their homes in order to be made white. Settlement life was unbearable with its chains and padlocks, barred windows, hard cold beds, and horrible food. Solitary confinement was doled out as regular punishment. The girls were not even allowed to speak their language. Of all the journeys made since white people set foot on Australian soil, the journey made by these girls born of Aboriginal mothers and white fathers speaks something to everyone.
Becoming a mother is filled with the extremes of emotion --the highest highs and the lowest lows. But women are often reluctant to talk honestly about the experience for fear they'll be seen as bad mothers. With wit and candor, The Mask of Motherhood takes on the myths and the misinformation, helping women to prepare and deal with the depth of feeling that comes with the experience and perhaps most important, it lets them know that many, if not most, new mothers are feeling the same way.Susan Maushart, sociologist and mother of three, explores how motherhood affects our marriages and friendships, our relationships with parents, our sex lives, and our self-esteem. In The Mask of Motherhood, mothers will find the comfort and reassurance they are looking for, and confirmation that, indeed, motherhood is the toughest job in the world, but can also be the most rewarding.
Doris Pilkington Garimara was born on traditional birthing ground under the wintamarra tree. Her life in the Mardu camp was disrupted when as a three-year-old she was taken by the authorities to live within the confines of Moore River Native Settlement. Her remarkable story follows on from the courageous journey of her mother Molly Craig, made legendary in the recently released film, 'Rabbit-Proof Fence'.
As you read this book, you will see that grief is something more than a necessary response to loss; and as you move towards grieving people with the compassion of Jesus, this book will help you understand the operations of grief in the thinking, feeling, acting, relating and bodily experience of those who are suffering.It will also prepare you to enter authentically into the foreign world of another person's grief with biblical, historical and psychological frameworks within which to understand the loss, and in which to accompany grieving people in their pain.
Commissioned for the 1985 Perth Festival, this is the spirited story of the Millimurra family's stand against government 'protection' policies in 1930s Australia.
Maadjit Walken is the Sacred Rainbow Serpent. She is the mother spirit and creator of Nyoongar Country in the south-west of Western Australia. She formed the landscape and the waterways, and made her first child Maadjit Wagarl, the Sacred Water Snake, the guardian spirit of all the rivers and fresh waters. The Mark of the Wagarl is the story of a how a little boy dared to questioned the wisdom of his elders and why he received the Sacred Water Snake for his totem. Janice Lyndon's pastel illustrations resonate with the cultural power of the Maadjit Wagarl and the landscape of the south-west.
Behind the Text is a celebration of the often forgotten genre of creative nonfiction, through research about and interviews conducted with eleven prolific award-winning Australian creative nonfiction authors, including Paul McGeough, Doris Pilkington Garimara (the last interview before her death in 2014), David Leser, Kate Holden, Greg Bearup and Anna Goldsworthy. Joseph has written an account of each author/journalist, including their writing processes, as well as any ethical dimensions in their work. They are located in Australian settings around the country. The Australian creative nonfiction literary landscape is rich and vital, read with relish by Australians, and deals with important and burning national issues. Yet creative nonfiction in Australia is rarely discussed as a cohesive genre. This is the first definitive Australian text which brings together a disparate group of Australian creative nonfiction writers, recognising them and their writing in a way they would be recognised in the USA and Europe. Sue Joseph has been a journalist for more than 35 years, working both in Australia and the UK. She has published three other books: She's My Wife; He's Just Sex, The Literary Journalist and Degrees of Detachment: An Ethical Investigation, and Speaking Secrets, which focuses on literary journalism and ethics. Joseph now teaches print journalism and writing at the University of Technology, Sydney. 'Sue Joseph's fine writing and her magnificent ability to bring the colour, the textures and voice(s) of life into text make her another great Australian creative nonfiction writer.' - Isabel Soares, President of International Association for Literary Journalism Studies 'I was totally entranced by Behind the Text. I finished reading the book and simply started again!' - Graeme Harper, Editor, New Writing: the International Journal for the Practice and Theory of Creative Writing 'Sue Joseph is one of Australia's leading thinkers on creative nonfiction.' -Matthew Ricketson, Professor, University of Canberra and President of the Journalism Education and Research Association of Australia
Over a period of almost 100 years, at least 3,670 Aboriginal men went to the prison on the cold and dreary island of Rottnest, off the coast of Western Australia. An historical account of the prison is followed by alphabetically arranged entries for all of the Aborigines detained. Entries include biographical information on where the prisoners lived before sentencing, the charges against them, and the dates when they were admitted and dismissed. The tenth volume of the Dictionary of Western Australians. Distributed by ISBS. Annotation copyrighted by Book News, Inc., Portland, OR
