Aine-Marie Walters wrote Moondrop to Gascony immediately after the war, while the events were still vivid in her mind. It is a tale of high adventure, comradeship and kindness, of betrayals and appalling atrocities, and of the often unremarked courage of many ordinary French men and women who risked their lives to help drive German armies from French soil. And through it all shines Anne-Marie's quiet courage, a keen sense humour and, above all, her pure zest for life. --
“Highly detailed and fast-paced, Charles Glass’s They Fought Alone is a must-read for those whose passion is the Resistance literature of World War II.” —Alan Furst, author of A Hero of France From the bestselling author of Americans in Paris and The Deserters, the astounding story of Britain's Special Operations Executive, one of World War II's most important secret fighting forces As far as the public knew, Britain's Special Operations Executive (SOE) did not exist. After the defeat of the French Army and Britain's retreat from the Continent in June 1940, Prime Minister Winston Churchill created the top-secret espionage operation to "set Europe ablaze." The agents infiltrated Nazi-occupied territory, parachuting behind enemy lines and hiding in plain sight, quietly but forcefully recruiting, training, and arming local French résistants to attack the German war machine. SOE would not only change the course of the war, but the nature of combat itself. Of the many brave men and women conscripted, two Anglo-American recruits, the Starr brothers, stood out to become legendary figures to the guerillas, assassins, and saboteurs they led. While both brothers were sent across the channel to organize against the Germans, their fates in war could hardly have been more different. Captain George Starr commanded networks of résistants in southwest France, cutting German communications, destroying weapons factories, and delaying the arrival of Nazi troops to Normandy by seventeen days after D-Day. Younger brother Lieutenant John Starr laid groundwork for resistance in the Burgundy countryside until he was betrayed, captured, tortured, and imprisoned by the Nazis in France and sent to a series of concentration camps in Germany and Austria. Feats of boldness and bravado were many, but appalling scandals, including George's supposed torture and execution of Nazis prisoners, and John's alleged collaboration with his German captors, overshadowed them all. At the war's end, Britain, France, and the United States awarded both brothers medals for heroism, and George would become one of only three among thousands of SOE operatives to achieve the rank of colonel. Yet, their battle honors did little to allay postwar allegations against them, and when they returned to England, their government accused both brothers of heinous war crimes. Here, for the first time, is the story of one of the great clandestine organizations of World War II, and of two heroic brothers whose ordeals during and after the war challenged the accepted myths of Britain's wartime resistance in occupied France. Written with complete and unrivaled access to only recently declassified documents from Britain's SOE files, French archives, family letters, diaries, and court records, along with interviews from surviving wartime Resistance fighters, They Fought Alone is a real-life thriller. Renowned journalist and war correspondent Charles Glass exposes a dramatic tale of spies, sabotage, and the daring men and women who risked everything to change the course of World War II.
Literature and Justice in Mid Twentieth Century Britain: Crime and War Crimes examines how ideas about crime, criminality, and judicial procedure that had developed in a domestic context influenced the representation and understanding of war crimes trials, victims of war crimes, and war criminals in post-Second World War Britain. The representation of Belsen concentration camp and the subsequent British-run trial of its personnel are a particular focal point. Drawing on a range of source material including life-writing, journalism, and detective fiction, as well as criminological and sociological works from this period, this book explains why the fate of the Jews and other victims of the Nazis was sometimes brought starkly into focus and sometimes marginalised in public discourse at this period. What remain are glimpses of the events now called the Holocaust, but glimpses that can be as powerful and as meaningful as more direct or explicit representations.
'Richly evocative' STACEY HALLS 'Heartbreaking' RACHEL HORE 'Touching, absorbing'' DAILY MAIL 'Poignant . . . There'll be tears' WOMAN & HOME 'An enveloping story to savour' KATE SAWYER A luminous debut novel of a love affair set against the terrible aftermath of war, for readers of IN MEMORIAM by Alice Winn, WAKE by Anna Hope and THE OUTCAST by Sadie Jones No one survives war unscathed. But even in the darkest days, seeds of hope can grow. It is 1946 and in the village of Oakbourne the men are home from the war. Their bodies are healing but their psychological wounds run deep. Everyone is scarred - those who fought and those left behind. Alice Rayne is married to Stephen, heir to crumbling Oakbourne Hall. Once a sweet, gentle man, he has returned a bitter and angry stranger, destroyed by what he has seen and done, tormented by secrets Alice can only guess at. Lonely and increasingly afraid of the man her husband has become, Alice must try to pick up the pieces of her marriage and save Oakbourne Hall from total collapse. She begins with the walled garden and, as it starts to bear fruit, she finds herself drawn into a new, forbidden love. Set in the Suffolk countryside as it moves from winter to spring, The Walled Garden is a captivating love story and a timeless, moving exploration of trauma and the miracle of human resilience. 'A heartbreaking tale, vividly dramatised' Rachel Hore 'Tender and lyrical . . . This beautiful book had notes of both Elizabeth von Arnim and Elizabeth Jane Howard. More please!' Natasha Solomons 'Touching, absorbing . . . A beautifully written story that will especially appeal to Rachel Hore fans' Daily Mail 'A poignant drama . . . What happens when war ends? How do people move on after what they've seen and possibly done? Hardy explores these complex themes in this gentle but powerful novel. There'll be tears, but this evocative read is worth every one' Book of the Month, Woman and Home 'Written with great delicacy and feeling' Elizabeth Buchan, author of Two Women in Rome 'Hardy's supremely observed novel blossoms like a rose-sharp and pointed, and stunningly beautiful' Inga Vesper, author of The Long, Long Afternoon 'A poignant, powerful novel about aftermath, trauma and hope' Katie Lumsden, author of The Secrets of Hartwood Hall LONGLISTED FOR THE HWA GOLD CROWN AWARD FOR BEST HISTORICAL FICTION NOVEL OF THE YEAR* *20th September 2023 https://www.historiamag.com/the-2023-hwa-crown-awards-longlists/
A thrilling account of one of the most important covert operations of World War II In 1943, less than a year before D-Day, nearly three hundred American, British, and French soldiers—shadow warriors—parachuted deep behind enemy lines in France as part of the covert Operation Jedburgh. Working with the beleaguered French Resistance, the "Jeds" launched a stunningly effective guerrilla campaign against the Germans in preparation for the Normandy invasion. Colin Beavan, whose grandfather helped direct Operation Jedburgh for the Office of Strategic Services, draws on scores of interviews with the surviving Jeds and their families to tell the thrilling story of the rowdy daredevils who carried out America's first specialforces missions—forever changing the way Americans wage war.
Spanish Republicans and the Second World War tells the stories of the 500,000 Spanish Republicans that fled across the Pyrenees in 1939 as Catalonia fell to Franco’s victorious army in the final weeks of the Civil War. Many of the exiles played an active part in the Second World War. Some joined the French and British armed forces and saw action in various theatres including Africa and Europe (both in 1940 and after D-Day). In August 1944, Spanish Republicans in the La Nueve Company of General Leclerc’s Deuxième Blindée were the first Allied troops into Paris during the liberation of the French capital. Those that had remained in Vichy France were active in the early days of the French Resistance, and Republican Maquis also played a significant part in the liberation of the south-west of France in 1944. Those who fought the Axis troops in Spain during the Civil War and then again in France assumed that once the Allies had defeated the Nazis, they would launch a military campaign to overthrow Franco’s government in Spain. In October 1944, a force of thousands of Spanish Maquis took part in Operación Reconquista, the invasion of the Valley of Aran on the Spanish side of the Pyrenees. Their declared aim was to trigger a popular uprising and force the Allies to intervene against Franco’s dictatorship. Whitehead also examines the role of the Spanish volunteers of the División Azul who swore an oath of allegiance to Hitler and fought with the Wehrmacht on the Eastern Front; the role of the master double-agent Garbo, who played a crucial part in the success of D-Day; the strategic importance of Gibraltar; and the activities of the British diplomatic corps and secret services in resisting Hitler’s plans to invade the Iberian Peninsula.
Looking-Glass Wars: Spies on British Screens since 1960 is a detailed historical and critical overview of espionage in British film and television in the important period since 1960. From that date, the British spy screen was transformed under the influence of the tremendous success of James Bond in the cinema (the spy thriller), and of the new-style spy writing of John le Carré and Len Deighton (the espionage story). In the 1960s, there developed a popular cycle of spy thrillers in the cinema and on television. The new study looks in detail at the cycle which in previous work has been largely neglected in favour of the James Bond films. The study also brings new attention to espionage on British television and popular secret agent series such as Spy Trap, Quiller and The Sandbaggers. It also gives attention to the more ‘realistic’ representation of spying in the film and television adaptations of le Carré and Deighton, and other dramas with a more serious intent. In addition, there is wholly original attention given to ‘nostalgic’ spy fictions on screen, adaptations of classic stories of espionage which were popular in the late 1970s and through the 1980s, and to ‘historical’ spy fiction, dramas which treated ‘real’ cases of espionage and their characters, most notably the notorious Cambridge Spies. Detailed attention is also given to the ‘secret state’ thriller, a cycle of paranoid screen dramas in the 1980s which portrayed the intelligence services in a conspiratorial light, best understood as a reaction to excessive official secrecy and anxieties about an unregulated security service. The study is brought up-to-date with an examination of screen espionage in Britain since the end of the Cold War. The approach is empirical and historical. The study examines the production and reception, literary and historical contexts of the films and dramas. It is the first detailed overview of the British spy screen in its crucial period since the 1960s and provides fresh attention to spy films, series and serials never previously considered.
This book investigates the role played by William Donovan, the OSS mission in London and the Carpetbaggers, the US Squadron which was sent to RAF Tempsford to be trained by the 'Moon Squadrons' before undertaking their own missions from Harrington. Not only does it describe the work of pilots and crew members, it also details some of the missions and gives insight into their social life. It includes the story of Owen Johnson and Elizabeth Devereaux Rochester, the first American agents to be parachuted into France, and Juup Kappius, Hilde Meisel and Ann Bayer, the first OSS agents to be sent into Germany before the invasion.
