This unique collection of architectural plans, elevations, sections, and details of Monticello (the home of Thomas Jefferson in Albemarle County, Virginia) from the Historic American Buildings Survey (HABS), reveals the house's complex facade and details the relationship of individual floors and the fascinating array of architectural elements found throughout the house. Each drawing is accompanied by insightful commentary from William L. Beiswanger, Monticello's Robert H. Smith Director of Restoration. Jefferson began Monticello in 1768 at the age of twenty-five and continued altering his "essay in Architecture" until his death in 1826. This work outlines the changes Jefferson made to his residence, which evolved from six to twenty-one rooms.
This visually stunning volume explores Monticello, both house and plantation, with texts that present a current assessment of Jefferson’s cultural contributions to his noteworthy home and the fledgling country. Thomas Jefferson (1743–1826), third president of the United States, designed his Virginia residence with innovations that were progressive, even unprecedented, in the new world. Six acclaimed arts and cultural luminaries pay homage to Jefferson, citing his work at Monticello as testament to his genius in art, culture, and science, from his adaptation of Palladian architecture, his sweeping vision for landscape design, his experimental gardens, and his passion for French wine and cuisine to his eclectic mix of European and American art and artifacts and the creation of the country’s seminal library. Each writer considers the important role, and the painful reality, of Jefferson’s enslaved workforce, which made his lifestyle and plantation possible. This book, illustrated with superb photography by Miguel Flores-Vianna, is a necessary addition to the libraries of those who love historical architecture and landscape design, art and cultural history, and the lives of prominent Americans.
A classic examination of superb design through the centuries. Widely regarded as a classic in the field, Experiencing Architecture explores the history and promise of good design. Generously illustrated with historical examples of designing excellence—ranging from teacups, riding boots, and golf balls to the villas of Palladio and the fish-feeding pavilion of Beijing's Winter Palace—Rasmussen's accessible guide invites us to appreciate architecture not only as a profession, but as an art that shapes everyday experience. In the past, Rasmussen argues, architecture was not just an individual pursuit, but a community undertaking. Dwellings were built with a natural feeling for place, materials and use, resulting in “a remarkably suitable comeliness.” While we cannot return to a former age, Rasmussen notes, we can still design spaces that are beautiful and useful by seeking to understand architecture as an art form that must be experienced. An understanding of good design comes not only from one's professional experience of architecture as an abstract, individual pursuit, but also from one's shared, everyday experience of architecture in real time—its particular use of light, color, shape, scale, texture, rhythm and sound. Experiencing Architecture reminds us of what good architectural design has accomplished over time, what it can accomplish still, and why it is worth pursuing. Wide-ranging and approachable, it is for anyone who has ever wondered “what instrument the architect plays on.”
This book, a National Book Award nominee in 1988, is the life of Thomas Jefferson as seen through the prism of his love affair with Monticello. With a sure command of sources and skilled intuituve understanding of Jefferson, McLaughlin crafts and uncommon portrait of this exceptional man--and of daily life in COlonial and Federal America. Line drawings and black-and-white photographs.
The complete history of Thomas Jefferson's iconic American home, Monticello, and how it was not only saved after Jefferson's death, but ultimately made into a National Historic Landmark. When Thomas Jefferson died on the Fourth of July 1826, he was more than $100,000 in debt. Forced to sell thousands of acres of his lands and nearly all of his furniture and artwork, in 1831 his heirs bid a final goodbye to Monticello itself. The house their illustrious patriarch had lovingly designed in the Blue Ridge Mountains of Virginia, his beloved "essay in architecture," was sold to the highest bidder. So how did it become the national landmark it is today? Saving Monticello offers the first complete post-Jefferson history of this American icon and reveals the amazing story of how one Jewish family saved the house that became their family home. With a dramatic narrative sweep across generations, Marc Leepson vividly recounts the turbulent saga of this fabled estate. Monticello's first savior was the mercurial U.S. Navy Commodore Uriah Phillips Levy, a sailor celebrated for his successful campaign to ban flogging in the Navy and excoriated for his stubborn willfulness. In 1833, Levy discovered that Jefferson's mansion had fallen into a miserable state of decay. Acquiring the ruined estate and committing his considerable resources to its renewal, he began what became a tumultuous nine-decade relationship between his family and Jefferson's home. After passing from Levy control at the time of the commodore's death, Monticello fell once more into hard times. Again, a member of the Levy family came to the rescue. Uriah's nephew, a three-term New York congressman and wealthy real estate and stock speculator, gained possession in 1879. After Jefferson Levy poured hundreds of thousands of dollars into its repair and upkeep, his chief reward was to face a vicious national campaign, with anti-Semitic overtones, to expropriate the house and turn it over to the government. Only after the campaign had failed, with Levy declaring that he would sell Monticello only when the White House itself was offered for sale, did Levy relinquish it to the Thomas Jefferson Foundation in 1923. Pulling back the veil of history to reveal a story we thought we knew, Saving Monticello establishes this most American of houses as more truly reflective of the American experience than has ever been fully appreciated.
Is there anything new to say about Thomas Jefferson and slavery? The answer is a resounding yes. Master of the Mountain, Henry Wiencek's eloquent, persuasive book—based on new information coming from archaeological work at Monticello and on hitherto overlooked or disregarded evidence in Jefferson's papers—opens up a huge, poorly understood dimension of Jefferson's world. We must, Wiencek suggests, follow the money. So far, historians have offered only easy irony or paradox to explain this extraordinary Founding Father who was an emancipationist in his youth and then recoiled from his own inspiring rhetoric and equivocated about slavery; who enjoyed his renown as a revolutionary leader yet kept some of his own children as slaves. But Wiencek's Jefferson is a man of business and public affairs who makes a success of his debt-ridden plantation thanks to what he calls the "silent profits" gained from his slaves—and thanks to a skewed moral universe that he and thousands of others readily inhabited. We see Jefferson taking out a slave-equity line of credit with a Dutch bank to finance the building of Monticello and deftly creating smoke screens when visitors are dismayed by his apparent endorsement of a system they thought he'd vowed to overturn. It is not a pretty story. Slave boys are whipped to make them work in the nail factory at Monticello that pays Jefferson's grocery bills. Parents are divided from children—in his ledgers they are recast as money—while he composes theories that obscure the dynamics of what some of his friends call "a vile commerce." Many people of Jefferson's time saw a catastrophe coming and tried to stop it, but not Jefferson. The pursuit of happiness had been badly distorted, and an oligarchy was getting very rich. Is this the quintessential American story?
When Thomas Jefferson wrote his epitaph, he listed as his accomplishments his authorship of the Declaration of Independence and the Virginia statute of religious freedom, and his founding of the University of Virginia. He did not mention his presidency or that he was second governor of the state of Virginia, in the most trying hours of the Revolution. Dumas Malone, author of the epic six-volume biography, wrote that the events of this time explain Jefferson's "character as a man of action in a serious emergency." Joseph Ellis, author of American Sphinx, focuses on other parts of Jefferson's life but wrote that his actions as governor "toughened him on the inside." It is this period, when Jefferson was literally tested under fire, that Michael Kranish illuminates in Flight from Monticello. Filled with vivid, precisely observed scenes, this book is a sweeping narrative of clashing armies--of spies, intrigue, desperate moments, and harrowing battles. The story opens with the first murmurs of resistance to Britain, as the colonies struggled under an onerous tax burden and colonial leaders--including Jefferson--fomented opposition to British rule. Kranish captures the tumultuous outbreak of war, the local politics behind Jefferson's actions in the Continental Congress (and his famous Declaration), and his rise to the governorship. Jefferson's life-long belief in the corrupting influence of a powerful executive led him to advocate for a weak governorship, one that lacked the necessary powers to raise an army. Thus, Virginia was woefully unprepared for the invading British troops who sailed up the James under the direction of a recently turned Benedict Arnold. Facing rag-tag resistance, the British force took the colony with very little trouble. The legislature fled the capital, and Jefferson himself narrowly eluded capture twice. Kranish describes Jefferson's many stumbles as he struggled to respond to the invasion, and along the way, the author paints an intimate portrait of Jefferson, illuminating his quiet conversations, his family turmoil, and his private hours at Monticello. "Jefferson's record was both remarkable and unsatisfactory, filled with contradictions," writes Kranish. As a revolutionary leader who felt he was unqualified to conduct a war, Jefferson never resolved those contradictions--but, as Kranish shows, he did learn lessons during those dark hours that served him all his life.
“A badass debut by any measure—nimble, knowing, and electrifying.” —Colson Whitehead, Pulitzer Prize-winning author of The Nickel Boys and Harlem Shuffle "...'My Monticello' is, quite simply, an extraordinary debut from a gifted writer with an unflinching view of history and what may come of it." — The Washington Post Winner of the Weatherford Award in Fiction A winner of 2022 Lillian Smith Book Awards A young woman descended from Thomas Jefferson and Sally Hemings driven from her neighborhood by a white militia. A university professor studying racism by conducting a secret social experiment on his own son. A single mother desperate to buy her first home even as the world hurtles toward catastrophe. Each fighting to survive in America. Tough-minded, vulnerable, and brave, Jocelyn Nicole Johnson’s precisely imagined debut explores burdened inheritances and extraordinary pursuits of belonging. Set in the near future, the eponymous novella, “My Monticello,” tells of a diverse group of Charlottesville neighbors fleeing violent white supremacists. Led by Da’Naisha, a young Black descendant of Thomas Jefferson and Sally Hemings, they seek refuge in Jefferson’s historic plantation home in a desperate attempt to outlive the long-foretold racial and environmental unravelling within the nation. In “Control Negro,” hailed by Roxane Gay as “one hell of story,” a university professor devotes himself to the study of racism and the development of ACMs (average American Caucasian males) by clinically observing his own son from birth in order to “painstakingly mark the route of this Black child too, one whom I could prove was so strikingly decent and true that America could not find fault in him unless we as a nation had projected it there.” Johnson’s characters all seek out home as a place and an internal state, whether in the form of a Nigerian widower who immigrates to a meager existence in the city of Alexandria, finding himself adrift; a young mixed-race woman who adopts a new tongue and name to escape the landscapes of rural Virginia and her family; or a single mother who seeks salvation through “Buying a House Ahead of the Apocalypse.” United by these characters’ relentless struggles against reality and fate, My Monticello is a formidable book that bears witness to this country’s legacies and announces the arrival of a wildly original new voice in American fiction.
A superb visual reference to the principles of architecture Now including interactive CD-ROM! For more than thirty years, the beautifully illustrated Architecture: Form, Space, and Order has been the classic introduction to the basic vocabulary of architectural design. The updated Third Edition features expanded sections on circulation, light, views, and site context, along with new considerations of environmental factors, building codes, and contemporary examples of form, space, and order. This classic visual reference helps both students and practicing architects understand the basic vocabulary of architectural design by examining how form and space are ordered in the built environment.? Using his trademark meticulous drawing, Professor Ching shows the relationship between fundamental elements of architecture through the ages and across cultural boundaries. By looking at these seminal ideas, Architecture: Form, Space, and Order encourages the reader to look critically at the built environment and promotes a more evocative understanding of architecture. In addition to updates to content and many of the illustrations, this new edition includes a companion CD-ROM that brings the book's architectural concepts to life through three-dimensional models and animations created by Professor Ching.
