Illustrated throughout with outstanding new full-colour annotated artworks, easy-to-follow accounts of the characters’ stories and factfile boxes, this book will appeal to any child interested in tales, monsters and movies.
Discover the stories behind the world's scariest characters from ancient myth, legend and literature--from the three-headed dog Cerberus to Dracula and the Headless Horseman. This collection of more than 40 characters will scare, thrill, and entertain with stunning, colorful artwork. Maps show the location of each monster and villain. Information boxes describe fascinating facts about each terrifying creature.
Discover the truth about the world's most terrifying mythical creatures that have been scaring people for generations, from Beowulf's Dragon to Frankenstein. Featuring ancient legends and folklore, movie and modern monsters, this collection of more than 40 creatures will scare and entertain with stunning illustrations, maps and fascinating facts.
This 96-page book presents 44 legendary monsters from around the world that are as different as they are scary. Each section includes cool monster facts, a slice of fiction to set the stage, and detailed illustrations that bring each frightening fiend to life. Whether reading about movie monsters (Godzilla and Dracula), mythical monsters (Cyclops and Kraken), or modern monsters (Bigfoot and the bogeyman), readers will be fully prepared for a monster encounter of any kind!
WHAT IS THE STORY GRID? The Story Grid is a tool developed by editor Shawn Coyne to analyze stories and provide helpful editorial comments. It's like a CT Scan that takes a photo of the global story and tells the editor or writer what is working, what is not, and what must be done to make what works better and fix what's not. The Story Grid breaks down the component parts of stories to identify the problems. And finding the problems in a story is almost as difficult as the writing of the story itself (maybe even more difficult). The Story Grid is a tool with many applications: 1. It will tell a writer if a Story ?works? or ?doesn't work. 2. It pinpoints story problems but does not emotionally abuse the writer, revealing exactly where a Story (not the person creating the Story'the Story) has failed. 3. It will tell the writer the specific work necessary to fix that Story's problems. 4. It is a tool to re-envision and resuscitate a seemingly irredeemable pile of paper stuck in an attic drawer. 5. It is a tool that can inspire an original creation.
Fantastic Fearsome Beasts collects 44 beasts from mythology and folklore drawn from cultures all around the world, illustrated with outstanding new full-colour annotated artworks for each character. Alongside easy-to-follow accounts of each character’s story, there are factfile boxes, locator maps and size comparison guides.
For centuries, folk tales about dragons have fascinated children and adults alike. Dragons collects 20 of these mythical beasts from Chinese, Japanese, Babylonian, Mediterranean and Nordic mythology as well as examples from more recent fantasy literature, such as J.R.R. Tolkien’s dragon Smaug in The Hobbit.
Monster in the Closet is a history of the horrors film that explores the genre's relationship to the social and cultural history of homosexuality in America. Drawing on a wide variety of films and primary source materials including censorship files, critical reviews, promotional materials, fanzines, men's magazines, and popular news weeklies, the book examines the historical figure of the movie monster in relation to various medical, psychological, religious and social models of homosexuality. While recent work within gay and lesbian studies has explored how the genetic tropes of the horror film intersect with popular culture's understanding of queerness, this is the first book to examine how the concept of the monster queer has evolved from era to era. From the gay and lesbian sensibilities encoded into the form and content of the classical Hollywood horror film, to recent films which play upon AIDS-related fears. Monster in the Closet examines how the horror film started and continues, to demonize (or quite literally "monsterize") queer sexuality, and what the pleasures and "costs" of such representations might be both for individual spectators and culture at large.