Modernist Parody
Modernist Parody

Author: Sarah Davison

Publisher: Oxford University Press

Published: 2023-06-08

Total Pages: 305

ISBN-13: 0192849247

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Parody often stands accused of producing derivative art deficient in taste and skill. But in the hands of writers such as Ezra Pound, Wyndham Lewis, T. S. Eliot, James Joyce, Ford Madox Ford, and Virginia Woolf, the mode engendered revolutionary self-reflexive, critical, and creative practices that were crucial to the development of truly modern art. This book contends that the jauntiness, verve, and daring of high modernism is fundamentally parodic. It arguesthat parody is central to the whole modernist project. As a literary technique, parody provided the means for modernists of many stripes to learn their craft, sharpen their historical sense, definethemselves as post-Victorians, and respond to sources of inspiration while composing.

Rethinking G.K. Chesterton and Literary Modernism
Rethinking G.K. Chesterton and Literary Modernism

Author: Michael Shallcross

Publisher: Routledge

Published: 2017-11-27

Total Pages: 492

ISBN-13: 1317192605

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This book comprehensively rethinks the relationship between G.K. Chesterton and a range of key literary modernists. When Chesterton and modernism have previously been considered in relation to one another, the dynamic has typically been conceived as one of mutual hostility, grounded in Chesterton’s advocacy of popular culture and modernist literature’s appeal to an aesthetic elite. In setting out to challenge this binary narrative, Shallcross establishes for the first time the depth and ambivalence of Chesterton’s engagement with modernism, as well as the reciprocal fascination of leading modernist writers with Chesterton’s fiction and thought. Shallcross argues that this dynamic was defined by various forms of parody and performance, and that these histrionic expressions of cultural play not only suffused the era, but found particular embodiment in Chesterton’s public persona. This reading not only enables a far-reaching reassessment of Chesterton’s corpus, but also produces a framework through which to re-evaluate the creative and critical projects of a host of modernist writers—most sustainedly, T.S. Eliot, Wyndham Lewis, and Ezra Pound—through the prism of Chesterton's disruptive presence. The result is an innovative study of the literary performance of popular and ‘high’ culture in early twentieth-century Britain, which adds a valuable new perspective to continuing critical debates on the parameters of modernism.

Parody
Parody

Author: Margaret A. Rose

Publisher: Cambridge University Press

Published: 1993-09-09

Total Pages: 332

ISBN-13: 9780521429245

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In this definitive work Margaret Rose presents an analysis and history of theories and uses of parody from ancient to contemporary times and offers a new approach to the analysis and classification of modern, late-modern, and post-modern theories of the subject. The author's Parody/Meta-Fiction (1979) was influential in broadening awareness of parody as a 'double-coded' device which could be used for more than mere ridicule. In the present study she both expands and revises the introductory section of her 1979 text and adds substantial new sections on modern and post-modern theories and uses of parody and pastiche which also discuss the work of theorists and writers including the Russian formalists, Mikhail Bakhtin, Hans Robert Jauss, Wolfgang Iser, Julia Kristeva, Roland Barthes, Michel Foucault, Jacques Derrida, Ihab Hassan, Jean Baudrillard, Fredric Jameson, A. S. Byatt, Martin Amis, Charles Jencks, Umberto Eco, David Lodge, Malcolm Bradbury and others.

American Fiction: Modernism-Postmodernism, Popular Culture, and Metafiction
American Fiction: Modernism-Postmodernism, Popular Culture, and Metafiction

Author: Jaroslav Kušnír

Publisher: ibidem-Verlag / ibidem Press

Published: 2012-01-31

Total Pages: 220

ISBN-13: 3838255143

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Jaroslav Kušnír’s book American Fiction: Modernism-Postmodernism, Popular Culture, and Metafiction is a sequel to his previous study on American postmodern fiction entitled Poetika americkej postmodernej prózy: Richard Brautigan and Donald Barthelme [Poetics of American Fiction: Richard Brautigan and Donald Barthelme]. Prešov: Impreso, 2001. It explores various aspects of American postmodernist fiction as manifested in the works by Richard Brautigan, Donald Barthelme and other American postmodernist authors such as Robert Coover, E. L. Doctorow, Kurt Vonnegut and Paul Auster. Analyzing various short stories and novels, the author shows differences between modernist and postmodernist literature in the works of Donald Barthelme; the way postmodern parodies of popular literary genres give a critique of some aspects of American cultural identity and experience (the American Dream, individualism, consumerism); and he also shows different ways postmodern authors such as Robert Coover, Kurt Vonnegut and Paul Auster create metafictional effect as one of the most significant aspects of postmodern literature.

Parody
Parody

Author: Robert Chambers

Publisher: Peter Lang

Published: 2010

Total Pages: 292

ISBN-13: 9781433108693

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Parody: The Art That Plays with Art explodes the near-universal belief that parody is a copycat genre or that it consists of a collection of trivial and derivative forms. Parody is revealed as an über-technique, a principal source of innovation and invention in the arts. The technique is defined in terms of three major variations that bang, bind, and blend artistic conventions into contrasting pairings, the results of which are upheavals of existing conventions and the formation of unexpected and sometimes startling and revolutionary new configurations. Parodic art fashions a galaxy of contrasts, and from these stem an illusionistic sense of multiplicity and an array of divergent meanings and interpretive paths. This book, an extreme departure from existing analyses of parody, is nonetheless highly accessible and will be of major interest not only to scholars but to general readers and to professional writers as well. Parody: The Art That Plays with Art is particularly suited for readers interested in modernism, postmodernism, meta-art, criticism, satire, and irony.

The Agon of Modernism
The Agon of Modernism

Author: Anne Quéma

Publisher: Bucknell University Press

Published: 1999

Total Pages: 248

ISBN-13: 9780838753927

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"Lewis's political writings present ambiguities: his stated belief in the autonomy of art from life is contradicted by other statements he made and by his critical analyses of writers; and his political writings blur any a priori generic distinction between art and non-art. Given this blurring between art and life, artistic genre and non-artistic genre, Quema claims that Lewis's political texts present characteristics usually attributed to avant-gardism. However, this radicalism has to be balanced against Lewis's conservatism. Thus his political writings can be read as allegories with two pragmatic aims: to organize the life of the polis from an artistic standpoint and to persuade the reader to adhere to authoritarian politics."--BOOK JACKET.

The Cambridge Companion to Modernism
The Cambridge Companion to Modernism

Author: Michael Levenson

Publisher: Cambridge University Press

Published: 1999-02-11

Total Pages: 270

ISBN-13: 9780521498661

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In The Cambridge Companion to Modernism, ten eminent scholars from Britain and the United States offer timely new appraisals of the revolutionary cultural transformations of the first decades of the twentieth century. Chapters on the major literary genres, intellectual, political and institutional contexts, film and the visual arts, provide both close analyses of individual works and a broader set of interpretive narratives. A chronology and guide to further reading supply valuable orientation for the study of Modernism. Readers will be able to use the book at once as a standard work of reference and as a stimulating source of compelling new readings of works by writers and artists from Joyce and Woolf to Stein, Picasso, Chaplin, H. D. and Freud, and many others. Students will find much-needed help with the difficulties of approaching Modernism, while the essays' original contributions will send scholars back to this volume for stimulating re-evaluation.

Defining Literary Postmodernism for the Twenty-First Century
Defining Literary Postmodernism for the Twenty-First Century

Author: Matthias Stephan

Publisher: Springer

Published: 2019-04-25

Total Pages: 211

ISBN-13: 3030156931

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This book presents a definition of literary postmodernism, using detective and science fictions as a frame. Through an exploration of both prior theoretical approaches, and indicators through characteristics of postmodernist fiction, this book identifies a structural framework to both understand and apply the lessons of postmodernism for the next generation. Within a growing consensus that the postmodern era has passed, this book examines the different conceptions of postmodernism and posits a meaningful definition, one which can provide the foundation for future literary expression. This theory is then applied to genre fiction, particularly detective fiction and science fiction, demonstrating that postmodernism is found in the structure, rather than questions posed about literary expression. Finally, Matthias Stephan considers post-postmodern movements, and how they can be expressed given this definition of literary postmodernism, moving forward to the twenty-first century.

Nabokov's Art of Memory and European Modernism
Nabokov's Art of Memory and European Modernism

Author: John Burt Foster, Jr.

Publisher: Princeton University Press

Published: 1993-02-08

Total Pages: 279

ISBN-13: 1400820898

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Despite Vladimir Nabokov's hostility toward literary labels, he clearly recognized his own place in cultural history. In a fresh approach stressing Nabokov's European context, John Foster shows how this writer's art of memory intersects with early twentieth-century modernism. Tracing his interests in temporal perspective and the mnemonic image, in intertextual "reminiscences," and in individuality amid cultural multiplicity, the book begins with such early Russian novels as Mary, then treats his emerging art of memory from Laughter in the Dark to The Gift. After discussing the author's cultural repositioning in his first English novels, Foster turns to Nabokov's masterpiece as an artist of memory, the autobiography Speak, Memory, and ends with an epilogue on Pale Fire. As a cross-cultural overview of modernism, this book examines how Nabokov navigated among Proust and Bergson, Freud and Mann, and Joyce and Eliot. It also explores his response to Baudelaire and Nietzsche as theorists of modernity, and his sense of Dostoevsky, Tolstoy, and Pushkin as modernist precursors. As an approach to Nabokov, the book reflects the heightened importance of autobiography in current literary study. Other critical issues addressed include Bakhtin's theory of intertextuality, deconstructive views of memory, Benjamin's modernism of memory, and Nabokov's assumptions about modernism as a concept.

American Modernism
American Modernism

Author: Catherine Morley

Publisher: Cambridge Scholars Publishing

Published: 2020-07-13

Total Pages: 215

ISBN-13: 1527556719

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Encompassing writers from Edith Wharton, Ezra Pound and T.S. Eliot to Willa Cather, Theodore Dreiser and Gertrude Stein, American Modernism: Cultural Transactions is a comprehensive and informative companion to the field of American literary modernism. This groundbreaking new book explores the changing patterns of American literary culture in the early years of the 20th century, in the aftermath of the great American Renaissance, when the United States was well on its way to becoming the most economically powerful and culturally influential nation in the world. It brings together some of the most eminent British and European scholars to investigate how the United States’s unique cultural position is in fact the by-product of a range of cultural transactions between the United States and Europe, between the visual and the literary arts, and between the economic and aesthetic worlds. And it presents a stunning re-examination of the social, cultural and artistic contours of American modernism, from the impact of a liberal Scottish speaker on T.S. Eliot’s considerations of Shakespeare to the generic hybridity of Edith Wharton’s writing, from the influence of Oscar Wilde on Hart Crane to the effect of Anglo-European experimentalism on Native American fiction – and much more. Through close textual and archival analysis, backed up with compelling historical insights, these nine new essays explore the nature and limits of American modernism. They address such topical issues as geomodernism, transnationalism and the nature of American identity; they examine the ways writers embraced or rejected the emerging modern world; and they take a fresh look at American literature in the broad context of international modernism.