Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
In Culture and Comfort Katherine C. Grier shows how the design and furnishings of the mid-nineteenth century parlor reflected the self-image of the Victorian middle class. Parlors provided public facades for formal occasions and represented an attempt to resolve the often opposing ideals of gentility and sincerity to which American culture aspired. The book traces the fortunes of the parlor and its upholstery from its early incarnations in “palace” hotels, railroad cars, steamships, and photographers' studios; through its mid-century heyday, when even remote frontier homes could boast “suites” of red plush sofas and chairs; to its slow, uneven metamorphosis into the more versatile living room. The author argues that even as the home increasingly was seen as a haven from industralization and commercialization, its ties to industry and commerce—in the form of more affordable, machine-made furniture and drapery—became stronger. By the 1920s the parlor's decline signaled both a blurring of the Victorian distinctions between public and private manners and the transfer of middle-class identity from the home to the automobile. Describing the deportment a parlor required, the activities it sheltered, and the marketing and manufacturing breakthroughs that made it available to all, Culture and Comfort reveals the full range of cultural messages conveyed by nineteenth-century parlor materials.
Recognizing the railroad's importance as both symbol and experience in Victorian America, Amy G. Richter follows women travelers onto trains and considers the consequences of their presence there. For a time, Richter argues, nineteenth-century American
Excerpts from and citations to reviews of more than 8,000 books each year, drawn from coverage of 109 publications. Book Review Digest provides citations to and excerpts of reviews of current juvenile and adult fiction and nonfiction in the English language. Reviews of the following types of books are excluded: government publications, textbooks, and technical books in the sciences and law. Reviews of books on science for the general reader, however, are included. The reviews originate in a group of selected periodicals in the humanities, social sciences, and general science published in the United States, Canada, and Great Britain. - Publisher.
Today's domestic-advice writers--women such as Martha Stewart, Cheryl Mendelson, and B. Smith--are part of a long tradition, notes Sarah Leavitt. Their success rests on a legacy of literature that has focused on the home as an expression of ideals. Here, Leavitt crafts a fascinating genealogy of domestic advice, based on her readings of hundreds of manuals spanning 150 years of history. Over the years, domestic advisors have educated women about everything from modernism and morality to sanitation and design. Their writings helped create the idealized vision of home held by so many Americans, Leavitt says. Investigating cultural themes in domestic advice written since the mid-nineteenth century, she demonstrates that these works, which found meaning in kitchen counters, parlor rugs, and bric-a-brac, have held the interest of readers despite vast changes in women's roles and opportunities. Domestic-advice manuals have always been the stuff of fantasy, argues Leavitt, demonstrating cultural ideals rather than cultural realities. But these rich sources reveal how women understood the connection between their homes and the larger world. At its most fundamental level, the true domestic fantasy was that women held the power to reform their society through first reforming their homes.
From authors of bodice rippers and gallant figures to hometown poetry, hearty men, and tales of American originals, the history of literature in Michigan is deep and rich. The Wolverine State has been the birthplace, home, and inspiration to a tremendous number of men and women of letters, both the well-known and the obscure. Ink Trails II tells the stories of these fascinating and diverse writers whose talent is inextricably linked to Michigan. Exploring the hidden treasures of otherwise forgotten authors while also acknowledging the Michigan-set stories of giants like Hemingway, Dave and Jack Dempsey delve into the state’s literary heritage, as robust, diverse, and inexhaustible as the natural beauty of the place that nurtured it. This second volume of “ink trails” continues to tell the story of the remarkable writers, powerful words, and sublime nature of Michigan in the same well-researched and entertaining prose as the first.