Modern Photoplay Writing, Its Craftsmanship: A Manual Demonstrating the Structural and Dramatic Principles of the New Art as Practiced by the Modern P
Modern Photoplay Writing, Its Craftsmanship: A Manual Demonstrating the Structural and Dramatic Principles of the New Art as Practiced by the Modern P

Author: Howard T. Dimick

Publisher:

Published: 2008-06

Total Pages: 390

ISBN-13: 9781436659024

DOWNLOAD EBOOK

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Modern Photoplay Writing, Its Craftsmanship; A Manual Demonstrating the Structural and Dramatic Principles of the New Art as Paracticed by the Modern Photoplaywright
Modern Photoplay Writing, Its Craftsmanship; A Manual Demonstrating the Structural and Dramatic Principles of the New Art as Paracticed by the Modern Photoplaywright

Author: Howard T. Dimick

Publisher: Hardpress Publishing

Published: 2012-08-01

Total Pages: 402

ISBN-13: 9781290959308

DOWNLOAD EBOOK

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

A Philosophy of the Screenplay
A Philosophy of the Screenplay

Author: Ted Nannicelli

Publisher: Routledge

Published: 2013-01-17

Total Pages: 278

ISBN-13: 1135085412

DOWNLOAD EBOOK

Recently, scholars in a variety of disciplines—including philosophy, film and media studies, and literary studies—have become interested in the aesthetics, definition, and ontology of the screenplay. To this end, this volume addresses the fundamental philosophical questions about the nature of the screenplay: What is a screenplay? Is the screenplay art—more specifically, literature? What kind of a thing is a screenplay? Nannicelli argues that the screenplay is a kind of artefact; as such, its boundaries are determined collectively by screenwriters, and its ontological nature is determined collectively by both writers and readers of screenplays. Any plausible philosophical account of the screenplay must be strictly constrained by our collective creative and appreciative practices, and must recognize that those practices indicate that at least some screenplays are artworks.