This beautifully designed book explores key themes in twentieth-century British art history with reproductions of a staggering display of works by: Frank Auerbach, Ben Nicolson, Peter Blake, David Blomberg, John Piper, Patrick Caulfield, Ceri Richards, L
Focussing on the period from 1930 to 1960, this outstanding publication considers the transition of Victor Pasmore (1908-1998) from one of Britain's leading figurative painters to one of its foremost exponents of abstract art. From Pasmore's own writings and those of his contemporaries, a fascinating picture emerges of the years in the late 1940s and early 1950s when lyrical landscapes - incorporating increasingly suggestive formal structures - were suddenly superseded by abstract paintings and collages and then by constructed reliefs. Seeking to explore these decades and later years, the book's featured works include the artist's earliest canvases through to his engagement with the controversial Apollo Pavilion in Peterlee, County Durham. Reproducing works from both public and private collections, this unique publication will stoke interest in an important period in British art history and will shed new light on a crucial stage in Pasmore's long career.
The British Library at St Pancras opened to the public in April 1998 and no other project in Britain since the building of St Paul s Cathedral is comparable in time-scale or the magnitude of controversy surrounding it. Professor Sir Colin St John Wilson
A major retrospective of the work of Eduardo Paolozzi (1924-2005), one of the most inventive and prolific of the British artists to come to prominence after the Second World War. Featuring around 150 works in a variety of media, the exhibition will explore the extraordinary versatility of Paolozzi's approach to making art and the central importance of collage as a working process within his career, not only in the traditional sense of paper collage, but also in terms of sculptural assemblage, printmaking and filmmaking
The natural world as seen through the eyes of British artists including Eric Ravilious, Clare Leighton, and John Piper Since its publication in 1789, Gilbert White's Natural History and Antiquities of Selborne has inspired generations of artists, writers and naturalists. From Thomas Bewick to Eric Ravilious and Clare Leighton, many artists' depictions of animals, birds and wildlife have illustrated White's celebrated book, together providing a microcosm of natural history illustration from the eighteenth century until today. In Drawn to Nature, Simon Martin has gathered joyful and beautiful images of the extraordinary array of wildlife described by White, providing an insight into the continuing appeal and relevance of the Natural History. This fascinating account takes us from some of the earliest published depictions of birds and animals, to pioneering nature photography, the revival of wood-engraving in the 1920s and 30s, and responses to White's message about the natural world by contemporary illustrators such as Angie Lewin and Emily Sutton. The book also includes an introduction to the life of Gilbert White by Sir David Attenborough, an essay by Virginia Woolf, poems by modern and contemporary poets, and a jacket design by Mark Hearld.